English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
12
Librairie
Musicale
0
Matériel
de Musique
49
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
3976
PIANO & CLAVIERS
Piano, Voix
11866
Piano, Voix et Guitare
617
Instruments en Do
44
Piano seul
40
Piano Facile
32
Accompagnement Piano
24
1 Piano, 4 mains
10
Piano (partie séparée)
10
Orgue, Piano (duo)
9
Orgue
7
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
2
Accordéon
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
71
Guitare (partie séparée)
30
Ensemble de Ukulélés
13
Ukulele
12
Ligne De Mélodie, (Paroles) et Accords
11
Basse electrique
9
Guitare
8
2 Guitares (duo)
3
2 Mandolines (duo)
2
Ensemble de guitares
2
4 Guitares (Quatuor)
2
Paroles et Accords
1
Dulcimer
1
Mandoline
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
676
Chorale 3 parties
245
Chorale 2 parties
170
Chorale TTBB
128
Chorale SSAA
94
Voix duo
87
Voix duo, Piano
82
Chorale Unison
67
Chorale
27
Voix seule
12
Voix haute
11
Voix Soprano, Piano
9
Voix moyenne, Piano
8
Voix Alto, Piano
6
Voix Baryton, Piano
6
Voix basse, Piano
5
Voix Tenor, Piano
5
Soli, choeur mixte et accompagnement
4
Voix, Guitare
2
Voix Tenor
2
Chorale SSAATTBB
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
86
Clarinette et Piano
55
Ensemble de saxophones
54
Flûte traversière et Piano
44
2 Saxophones (duo)
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Hautbois, Piano (duo)
27
Saxophone Alto et Piano
27
Quatuor de Saxophones: 4 saxophones
26
Quintette de Saxophone: 5 saxophones
26
Quatuor de Clarinettes: 4 clarinettes
25
Saxophone, Clarinette (duo)
22
2 Clarinettes (duo)
21
Saxophone Soprano et Piano
21
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Tenor et Piano
18
2 Flûtes traversières (duo)
18
Ensemble de Clarinettes
16
Clarinette, Violon (duo)
14
Flûte et Guitare
14
Clarinette
13
Clarinette, Trompette (duo)
12
Ensemble de Flûtes
12
Cor anglais, Piano
10
Saxophone Alto
10
3 Saxophones (trio)
9
Flûte, Clarinette (duo)
9
Quatuor de Flûtes : 4 flûtes
9
2 Flûte à bec (duo)
9
Hautbois, Clarinette (duo)
9
Flûte traversière
8
Saxophone Tenor
8
Quintette de Clarinettes: 5 clarinettes
8
Quatuor de Flûtes à bec
8
Flûte, Violon
8
Hautbois, Basson (duo)
7
Flûte, Trompette (duo)
7
Clarinette et Alto
7
Flûte, Saxophone (duo)
7
Hautbois, Flûte
7
Clarinette, Guitare (duo)
6
2 Hautbois (duo)
6
3 Flûtes à bec (trio)
6
3 Clarinettes (trio)
6
Saxophone Baryton, Piano
6
Clarinette, Basson (duo)
6
Trio de Flûtes: 3 flûtes
5
Flûte à bec Tenor
4
Flûte à Bec
4
Flûte à bec Soprano
4
Quintette de Flûte : 5 flûtes
4
Flûte à bec Alto
3
Hautbois (partie séparée)
3
Hautbois, Clarinette et Piano (Trio)
3
Flûte, Alto (duo)
3
Flûte, Clarinette et Basson
3
Saxophone Soprano
2
Hautbois
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois (duo)
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Basson, Piano (trio)
2
Flûte, Violon et Violoncelle
2
5 Flûtes à bec
2
Saxophone Baryton
2
Flute (partie séparée)
2
Cor Anglais
2
Flûte, Hautbois, Basson
2
Cor anglais, Guitare (duo)
2
Flûte, Hautbois, Piano (trio)
2
2 Clarinettes, Piano
2
Clarinette Basse, Piano
2
Saxophone et Guitare
1
Cor anglais et Harpe (duo)
1
Flute, harpe et violon
1
Flûte, Violoncelle, Guitare
1
Piccolo
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violoncelle
1
Flûte, Basson et Piano
1
2 Saxophones, Piano
1
Hautbois, Basson et Piano
1
Ensemble De Flûte à bec
1
Flûte, Violon, Piano
1
Flûte à bec Alto, Piano
1
Flûte traversière, Orgue (duo)
1
Clarinette, Harpe (duo)
1
Saxophone et Orgue
1
2 Flûtes traversières, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
172
Trombone (partie séparée)
76
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
70
Trompette (partie séparée)
52
Trompette, Piano
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Trombone et Piano
19
Quatuor de cuivres: 4 trombones
17
Trompette, Saxophone (duo)
16
Cor et Piano
15
Tuba et Piano
14
Trompette
14
Ensemble de Trombones
14
Trompette, Trombone (duo)
11
Quatuor de Cuivres
11
2 Trombones (duo)
11
Trombone
10
Cor anglais, Piano
10
Ensemble de Trompettes
8
2 Trompettes (duo)
7
2 Cors (duo)
6
Cor
6
Trompette, Cor (duo)
4
Trio de Cuivres
4
4 Tubas
4
Euphonium, Piano (duo)
4
Tuba
4
Quatuor de cuivres: 4 cors
4
3 Trombones (trio)
4
Ensemble de Cors
3
Trombone basse
2
Trombone basse et Piano
2
Quatuor de cuivres: 4 trompettes
2
3 Trompettes (trio)
2
Cor Anglais
2
2 Tubas (duo)
2
Cor, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
Trombone, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Euphonium
2
Cor anglais et Harpe (duo)
1
Tuba et Orgue
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
3 Cors (trio)
1
Euphonium, Tuba (duo)
1
Ensemble de Tubas
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
201
Violoncelle, Piano
84
Violon, Violoncelle (duo)
59
Alto, Piano
46
Violon et Piano
44
Trio à Cordes: violon, alto, violoncelle
43
Violon, Alto (duo)
18
Violon
17
Contrebasse (partie séparée)
17
Violoncelle
13
2 Violoncelles (duo)
11
4 Violoncelles
9
Harpe, Flûte (duo)
9
Trio à Cordes: 2 violons, violoncelle
9
Trio à cordes: 3 violins
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Altos (duo)
7
Harpe, Violon (duo)
6
2 Violons (duo)
6
Alto et Harpe
6
Harpe, Violoncelle (duo)
6
Alto, Violoncelle (duo)
5
Violoncelle , Guitare (duo)
5
Contrebasse, Piano (duo)
5
Alto seul
5
Trio à Cordes: 3 violoncelles
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Piano Trio: Violon, Alto, Piano
4
Violon, Guitare (duo)
4
Ensemble d'Altos
3
Ensemble de Violons
3
Trio à cordes: 3 altos
3
Alto (partie séparée)
3
Contre Basse
2
Harpe, Voix
2
Ensemble de Violoncelles
2
Quatuor à cordes: 4 violons
2
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
Alto, Orgue
1
Harpe
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orgue
1
Harpe et mandoline
1
Harpe et Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Ensemble Jazz
922
Orchestre
470
Orchestre d'harmonie
286
Jazz combo
161
Ensemble de cuivres
127
Orchestre à Cordes
107
Orchestre de chambre
95
Cloches
16
Batterie (partie séparée)
14
Big band
12
Batterie
11
Ensemble de Percussions
7
Fanfare
6
Marimba
5
Vibraphone
4
Percussion (partie séparée)
1
Voix et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Parts for Vocal
Ensemble de Flûtes
Partitions à imprimer
12 partitions trouvées
<
1
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
#
Ensemble de Flûtes
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
#
Ensemble de Flûtes
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
#
jmsgu3
#
SheetMusicPlus
Bach: Jesu, Joy of Man's Desiring for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.548649 Composed by J. …
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95
45.67 €
#
Ensemble de Flûtes
#
J
#
James M
#
Bach: Jesu, Joy of Man's Desiring for Flute Choir
#
jmsgu3
#
SheetMusicPlus
Deck The Halls by Pentatonix for Flute Choir
Ensemble de Flûtes
Flute Choir - Advanced Intermediate - Digital Download By Pentatonix. Arranged by L…
(+)
Flute Choir - Advanced Intermediate - Digital Download By Pentatonix. Arranged by Lisa Ochoco. Score, Set of Parts. 18 pages. Published by Lisa Ochoco
Pentatonix is well-known for creating wonderful arrangements and this is no exception. <br> <br> This arrangement of Deck the Halls for flute choir - 4 C flutes, alto, and bass - is upbeat, fun, and it allows everyone a chance at playing the melody. It's a toe-tapping, happy piece that will definitely bring smiles to everyone's faces.<br> <br> There are optional hand claps and foot stomps with very simple repetitive patterns. Substitutions for these parts could be a bucket or vocal percussion.<br> <br> This piece is great fun!Pentatonix is well-known for creating wonderful arrangements and this is no exception. <br> <br> This arrangement of Deck the Halls for flute choir - 4 C flutes, alto, and bass - is upbeat, fun, and it allows everyone a chance at playing the melody. It's a toe-tapping, happy piece that will definitely bring smiles to everyone's faces.<br> <br> There are optional hand claps and foot stomps with very simple repetitive patterns. Substitutions for these parts could be a bucket or vocal percussion.<br> <br> This piece is great fun!
$15.00
13.71 €
#
Ensemble de Flûtes
#
Pentatonix
#
Lisa Ochoco
#
Deck The Halls by Pentatonix for Flute Choir
#
Lisa Ochoco
#
SheetMusicPlus
Sleepers Awake (Wachet Auf) for Flute Choir
Ensemble de Flûtes
Organ, Harpsichord, Flute, Woodwind Choir or Ensemble - Advanced Intermediate - Digi…
(+)
Organ, Harpsichord, Flute, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Ralph Raymond Hays. Baroque Period, Sacred, Easter, Wedding, Recital. Piano Reduction, Score, Set of Parts. 25 pages. Published by Ralph Raymond Hays
This arrangement of one of J.S. Bach's most familiar and endearing melodies is idiomatic to the ensemble and takes full advantage of its strengths of tone and instrumental color. The original vocal melody, viola section melody, and bass line are enriched in an ever evolving texture by fresh counterpoint composed by the arranger through realization of Bach's notated figured bass. Optionally, the ensemble can be accompanied by a fully rendered continuo part and will provide a highlight to any of myriad occasions.This arrangement of one of J.S. Bach's most familiar and endearing melodies is idiomatic to the ensemble and takes full advantage of its strengths of tone and instrumental color. The original vocal melody, viola section melody, and bass line are enriched in an ever evolving texture by fresh counterpoint composed by the arranger through realization of Bach's notated figured bass. Optionally, the ensemble can be accompanied by a fully rendered continuo part and will provide a highlight to any of myriad occasions.
$14.99
13.7 €
#
Ensemble de Flûtes
#
Johann Sebastian Bach
#
Ralph Raymond Hays
#
Sleepers Awake
#
Ralph Raymond Hays
#
SheetMusicPlus
Thus Saith the Lord & But Who May Abide the Day of His Coming from The Messiah for Flute Choir
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A…
(+)
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.559360 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 36 pages. Lisa L Ochoco #519507. Published by Lisa L Ochoco (A0.559360). This is a full arrangement for flute choir from Handel's Messiah written in the same key as the vocal score. Thus Saith the Lord: Flute 1 & 2 take the lead here as a soli, playing octaves apart throughout the entire piece in this fiery movement. But Who May Abide the Day of His Coming: The solo part can be played by an alto, bass, or C flute, whichever the group desires, but the solo part should be amplified so it can be heard above the volume of the accompaniment. Both of these movements can also be used to accompany a solo singer using the Orch parts. This is a must have for your choir!
$15.00
13.71 €
#
Ensemble de Flûtes
#
George Frideric Handel
#
Lisa Ochoco
#
Thus Saith the Lord & But Who May Abide the Day of His Coming from The Messiah for Flute Choir
#
Lisa L Ochoco
#
SheetMusicPlus
Killing Me Softly With His Song - Flute Choir Quintet (Piccolo, 2 Flutes, Alto Flute and Bass Flute)
Ensemble de Flûtes
By Roberta Flack. Arranged by Raymond Fenech. Set of Parts. 22 pages. Published by Raym…
(+)
By Roberta Flack. Arranged by Raymond Fenech. Set of Parts. 22 pages. Published by Raymond Fenech
"Killing Me Softly with His Song" is a song composed by Charles Fox with lyrics by NormanGimbel. The song was written in collaboration with LoriLieberman, who recorded the song in late 1971. In 1973 it became anumber-one hit in the USand Canada for RobertaFlack, also reaching number six in the UKSingles Chart. The song has since been covered by numerous artists,including the version by the Fugees, which won the 1997 Grammy for BestRandB Performance by a Duo or Group with Vocal. This song is arranged forFlute Choir Quintet (Piccolo, 2 Flutes, Alto Flute and Bass Flute). The levelis Advance Intermediate and the duration is 3.47 minutes."Killing Me Softly with His Song" is a song composed by Charles Fox with lyrics by NormanGimbel. The song was written in collaboration with LoriLieberman, who recorded the song in late 1971. In 1973 it became anumber-one hit in the USand Canada for RobertaFlack, also reaching number six in the UKSingles Chart. The song has since been covered by numerous artists,including the version by the Fugees, which won the 1997 Grammy for BestRandB Performance by a Duo or Group with Vocal.
This song is arranged forFlute Choir Quintet (Piccolo, 2 Flutes, Alto Flute and Bass Flute). The levelis Advance Intermediate and the duration is 3.47 minutes.
$12.99
11.88 €
#
Ensemble de Flûtes
#
Roberta Flack
#
Raymond Fenech
#
Killing Me Softly With His Song - Flute Choir Quintet
#
Raymond Fenech
#
SheetMusicPlus
Vocalise Op.34, No.14 for Flute Choir
Ensemble de Flûtes
Composed by Sergei Rachmaninoff (1873-1943). Arranged by Lisa Ochoco. 20th Century, Romant…
(+)
Composed by Sergei Rachmaninoff (1873-1943). Arranged by Lisa Ochoco. 20th Century, Romantic Period, European, Funeral, Recital. Score, Set of Parts. 23 pages. Published by Lisa Ochoco (S0.289613). - Score,Set of Parts - 20th Century,Romantic Period,European,Funeral,Recital - Lisa Ochoco
$14.00
12.8 €
#
Ensemble de Flûtes
#
Sergei Rachmaninoff
#
Lisa Ochoco
#
Vocalise Op.34, No.14 for Flute Choir
#
Lisa Ochoco
#
SheetMusicPlus
Carol of the Bells (F min) (Flute Quintet)
Ensemble de Flûtes
Flute Quintet - Intermediate - Digital Download Composed by Mykola Leontovych. Arrang…
(+)
Flute Quintet - Intermediate - Digital Download Composed by Mykola Leontovych. Arranged by Regis Bookshar. 20th Century, Repertoire, European, Christmas, Recital. Score, Set of Parts. 16 pages. Published by Regis Bookshar
Flute Quintet - Intermediate - Digital Download. This selection, "Carol of the Bells", also known as "Ring, Christmas Bells", is suitable for high school and college students and is perfect for Christmas concerts and church services. "Carol of the Bells' was written by the Ukrainian composer Mykola Leontovych in 1914 with lyrics by Peter J. Wilhousky. The song is based on the Ukrainian folk chant "Shchedryk", a New Year's song, known in English as "The Little Swallow", and utilizes a four-note ostinato which brings to mind the ringing of bells. Originally intended to be sung a capella by a mixed four-part choir it has since been recorded into over 150 versions and re-arrangements for various vocal and instrumental compositions. One version, "Ring, Christmas Bells", an English-language variant with Nativity-based lyrics, was written by Minna Louise Hohman in 1947. Regis Bookshar has now arranged the music for a Flute Quintet. Included are a score and a complete set of parts (16 pages). In addition to this version for 5 Flutes, many other arrangements of this selection are also available for a variety of instrumental ensembles, including Quintets, Sextets, Septets and Octets, as well as numerous other selections in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come.Flute Quintet - Intermediate - Digital Download. This selection, "Carol of the Bells", also known as "Ring, Christmas Bells", is suitable for high school and college students and is perfect for Christmas concerts and church services. "Carol of the Bells' was written by the Ukrainian composer Mykola Leontovych in 1914 with lyrics by Peter J. Wilhousky. The song is based on the Ukrainian folk chant "Shchedryk", a New Year's song, known in English as "The Little Swallow", and utilizes a four-note ostinato which brings to mind the ringing of bells. Originally intended to be sung a capella by a mixed four-part choir it has since been recorded into over 150 versions and re-arrangements for various vocal and instrumental compositions. One version, "Ring, Christmas Bells", an English-language variant with Nativity-based lyrics, was written by Minna Louise Hohman in 1947. Regis Bookshar has now arranged the music for a Flute Quintet. Included are a score and a complete set of parts (16 pages). In addition to this version for 5 Flutes, many other arrangements of this selection are also available for a variety of instrumental ensembles, including Quintets, Sextets, Septets and Octets, as well as numerous other selections in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come.
$12.00
10.97 €
#
Ensemble de Flûtes
#
Mykola Leontovych
#
Regis Bookshar
#
Carol of the Bells
#
Regis Bookshar
#
SheetMusicPlus
As steals the morn' upon the night 3th part from " I Allegro, Il Pensirroso, Il Moderato"
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
(+)
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1430416 Composed by George Frideric Handel. Arranged by Liselotte Kuling. Baroque,Chamber,Classical,Historic,Traditional. 24 pages. Liselotte Kuling #1011022. Published by Liselotte Kuling (A0.1430416). A beautiful pieces, original for vocals, hobois and bassoon and strings.I made and flute version. The accompanion is for the altoflute and the bass flute.The 4 high parts are the echo to each other.It is a quiet piece, it sounds very piecefull. The music is for experienced flutists.It is a different experience, compared to common pieces.
$2.80
2.56 €
#
Ensemble de Flûtes
#
George Frideric Handel
#
Liselotte Kuling
#
As steals the morn' upon the night 3th part from " I Allegro, Il Pensirroso, Il Moderato"
#
Liselotte Kuling
#
SheetMusicPlus
Recordare (from "Requiem") (F) (Flute Octet)
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1112877 Co…
(+)
Flute Choir,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1112877 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714833. Published by Regis Bookshar (A0.1112877). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Flute Octet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Flute Octet, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Flute Octet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
36.57 €
#
Ensemble de Flûtes
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
El Burrito Sabanero (mi Burrito Sabanero)
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download
(+)
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1316627 Composed by Hugo Blanco. Arranged by Dana H. Joras. Chamber,Children,Christmas,Latin,Pop. 29 pages. Dana H. Joras #905346. Published by Dana H. Joras (A0.1316627). Mi Burrito Sabanero, written by Hugo Blanco, is one of the most well-known Christmas songs in Latin America. This arrangment of Mi Burrito Sabanero is scored for piccolo, two c flutes, two alto flutes, bass flute, and optional percussion and vocals. Parts may be doubled as necessary and contrabass flute can double bass flute etc. This arrangment was written for the Kansas City Flute Choir to be performed with a children's choir.
$19.99
18.28 €
#
Ensemble de Flûtes
#
Hugo Blanco
#
Dana H
#
El Burrito Sabanero
#
Dana H. Joras
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
