A simple setting of this pretty carol for flute quintet (2 C flutes, 2 Alto flutes and a Bass flute). Each verse the pitch goes up by a tone until the final verse which returns to the original key. Everybody except the bass flute has a go at the melody and each verse is harmonised in a different syle.

Verse 1 is a solo for Flute 1, Verse 2 is a duet for Flute 1 and Alto Flute 2. Verse 3 adds the Alto flute 1 and Bass, Verse 4 is the first verse with all instruments playing. Verse 5 is a trio for Altos 1 & 2 and Bass. Verse 6 uses all instruments for the finale.

This is a very simple arrangement and should be playable by any standard of ensemble.

The theme song from Halloween ranks as one of the creepiest movie theme songs ever. It was first composed in 1978, and is still creeping people out just as strong as ever. Critics have grumbled about it being too simple, but that's what makes this piece so memorable.

Set at a time signature of 5/4 throughout, this arrangement is scored for 2 C flutes, alto, and bass. Each of these 4 parts have 2 part divisis at one point or other. Optional contrabass and cello parts are also included.

It goes without saying that this piece should be played in a cold and mechanical manner. It definitely isn't a "pretty" piece. The lower instruments should be strong, while the upper instruments tip toe on top. If you would like to add a little more interest to the piece, an egg shaker could be played at every beat.

This will give your audience the heebie jeebies.

This piece is simple enough for musicians with intermediate skill.

Duration: 2.25 minutes

ISBN 9790570481194.

Piccolo, 2 flutes, flute 3/alto flute, alto flute, bass flute, contrabass flute. A new flute choir piece from established composer Keiron Anderson. To begin with, high staccato riffs on the top three parts create the impression of twinkling stars while the lower parts have a more stately tune below them. This alternates with semiquavers in cannon that race up and down the instruments like fireworks exploding. The next section continues the bustling feel of the music by using many time signature changes to keep the music on edge and moving forwards. The music then returns to the ideas of the first section before racing towards the most exciting conclusion. Covering pretty much the whole range of the instruments (particularly the lower parts) and with some very complex time signatures to handle, this is one for the expert flute choirs to really get their teeth into! Approximately grade 6 standard upwards.