Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rather Be - Drums
Non classifié
282
Piano & claviers
Piano seul
211
Piano, Voix
128
Piano, Voix et Guitare
51
Piano Facile
34
Instruments en Do
16
Orgue
10
Piano Trio: piano, violon, violoncelle
4
Orgue, Piano (duo)
2
Accompagnement Piano
2
Piano grosses notes
2
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavier
1
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
31
Guitare
23
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
9
Banjo
5
Basse electrique
4
4 Guitares (Quatuor)
4
Mandoline
3
Dulcimer
3
Mandoline, Guitare (duo)
2
Paroles et Accords
2
2 Guitares (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
81
Chorale 3 parties
25
Chorale TTBB
16
Chorale SSAA
13
Chorale Unison
4
Chorale 2 parties
3
Pack Instrumental pour Chorale
3
Chorale
2
Voix Baryton, Piano
2
Chorale SSAATTBB
1
Voix Alto, Piano
1
Voix Soprano, Piano
1
Voix Tenor
1
Voix haute
1
Chorale SSAB a cappella
1
Voix duo
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
31
Hautbois, Piano (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Clarinette et Piano
19
Quatuor de Saxophones: 4 saxophones
18
Quintette de Saxophone: 5 saxophones
14
Saxophone Tenor et Piano
13
Saxophone Soprano et Piano
13
Saxophone Alto et Piano
12
Saxophone Baryton, Piano
12
Cor anglais, Piano
12
Quatuor de Clarinettes: 4 clarinettes
11
Clarinette
10
Clarinette Basse, Piano
10
2 Clarinettes (duo)
10
Ensemble de Clarinettes
8
2 Flûtes traversières (duo)
8
Ensemble de Flûtes
7
Saxophone Alto
7
Quatuor de Flûtes : 4 flûtes
7
Flûte, Hautbois, Clarinette, Basson
7
Ensemble de saxophones
6
2 Saxophones (duo)
5
Quintette de Flûte : 5 flûtes
4
Flûte traversière
4
Clarinette, Violon (duo)
4
Flûte, Violon
3
Flûte, Saxophone (duo)
2
Saxophone (partie séparée)
2
Flûte, Clarinette (duo)
2
Hautbois (partie séparée)
2
Clarinette, Trompette (duo)
2
Saxophone, Clarinette (duo)
2
Flûte et Guitare
2
2 Hautbois (duo)
1
2 Flûte à bec (duo)
1
Hautbois, Basson (duo)
1
Flûte, Violon, Piano
1
Clarinette et Alto
1
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
Flute (partie séparée)
1
Instruments en Mib
1
Saxophone Tenor
1
Trio de Flûtes: 3 flûtes
1
Clarinette (partie séparée)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Alto (duo)
1
+ 43 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor et Piano
12
Cor anglais, Piano
12
Trompette, Piano
9
Trompette (partie séparée)
8
Trompette
8
Trombone (partie séparée)
6
Cor
6
Ensemble de Trompettes
4
Ensemble de Trombones
4
Tuba et Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Trombone (duo)
3
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Tuba
1
Instruments en Sib
1
2 Trombones (duo)
1
Trombone, Violon (duo)
1
Euphonium
1
Trombone basse et Piano
1
3 Trombones (trio)
1
3 Cors (trio)
1
Bass Clef Instruments
1
Quatuor de Cuivres
1
Trompette, Tuba (duo)
1
Cor (partie séparée)
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trombones
1
Trombone
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violon et Piano
25
Violon
19
Violoncelle, Piano
16
Alto, Piano
15
Violoncelle
13
Harpe
11
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
9
Trio à Cordes: 2 violons, violoncelle
7
Alto seul
5
Ensemble de Violons
4
Ensemble d'Altos
4
2 Violons (duo)
4
Alto (partie séparée)
4
Violon, Alto (duo)
2
Contre Basse
2
4 Violoncelles
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes: 4 violons
1
Contrebasse (partie séparée)
1
Trio à cordes
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
Violon (partie séparée)
1
Violoncelle (partie séparée)
1
Quatuor à cordes : 4 altos
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
50
Orchestre à Cordes
22
Ensemble Jazz
21
Orchestre
16
Ensemble de cuivres
10
Fanfare
8
Cloches
4
Ensemble de Percussions
4
Orchestre de chambre
4
Vibraphone
3
Piano et Orchestre
1
Jazz combo
1
Marimba
1
Xylophone (partie séparée)
1
Vibraphone (partie séparée)
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
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avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Rather Be - Drums
Ensemble de Flûtes
Partitions à imprimer
7 partitions trouvées
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1
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Divertimento For Flute Choir
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Ensemble de Flûtes
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AVANCÉ
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Tooti Flooti
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Divertimento For Flute Choir
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Geraldine
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.1314344 By Tooti Flooti. By Geraldine (Denny) Green. 21st Century,Chambe...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.1314344 By Tooti Flooti. By Geraldine (Denny) Green. 21st Century,Chamber,Contemporary. 117 pages. Geraldine (Denny) Green at Oakmountmusic #903088. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314344). ALL PURCHASES COME WITH SCORE AND PARTSThe Divertimento for Flute Choir was requested by flautist David Greenalgh for the Flute choir Tooti Flooti and was written in June and July 2016. It has 3 short movements and a total duration of about 15 minutes.The outer movements are speedy, light hearted and sunny natured, while the middle movement is slower and rather haunting. The 3rd movement is the only one with a title, “The June Prune Tuneâ€, and there is a funny story behind the name. Many summers ago, my husband, Bob, and I were playing guitar and penny whistle together at home and I just happened to be snacking on dried prunes at the time. Bob joked that I should write a tune called the Prune Tune. I went a step further and said, June prune Tune, but it had to be written in June and I had to be eating prunes while actually writing it. Well, for the two Junes of 2014 and 2015 I tried to do it but no tune came. Nothing. Silence! Then, on the 1st June 2016 I was dashing home from work and I dived into a small corner shop for a sandwich and happened to spot a pack of dried prunes along with other dried fruits. So, in the local park, I stopped to have my butty and prunes while watching the birds and as I was eating the prunes a tune suddenly was there in my mind and I was subconsciously humming it. Like a thunderbolt it hit me! This was it! The June Prune Tune had arrived. Luckily I nearly always have paper on me so at once I scribbled it down, while munching very deliberately on the only two prunes left in the pack! Music doesn’t always have to be filled with sorrow and sadness and turmoil, even though much of mine is. But sometimes it’s just great to let the humour and flippancy flow,too, and simply enjoy having a good joke and a laugh. The Instrumentation is:Flute 1 – doubling Piccolo, Flute 2 – doubling piccolo, Flute 3 – doubling piccolo, Flute 4, Alto flute, Bass flute and string Double Bass.As the work was written for a specific group of players, the parts are single and do not divide within themselves. This, however, should not prevent it also working well with more than one player per part.The double bass part sometimes doubles the bass flute line, but also is an independent part in its own right.
$50.00
Berlioz - Rob Roy Overture for Flute Choir
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Ensemble de Flûtes
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AVANCÉ
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Classique
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Hector Berlioz
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John Gibson
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Berlioz - Rob Roy Overture for
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.581861 Composed by Hector Berlioz. Arranged by John Gibson. Romantic Period. 86 page...
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.581861 Composed by Hector Berlioz. Arranged by John Gibson. Romantic Period. 86 pages. JB Linear #2846671. Published by JB Linear (A0.581861). Set for flute choir by John Gibson (piccolo, flute 1-2-3, alto, bass, contrabass)The Rob Roy Overture for orchestra was composed in 1831 by Hector Berlioz with Sir Walter Scott's Rob Roy as inspiration. Scott's book took a rather romantic view of Rob Roy MacGregor as a Scottish Robin Hood character. Rob Roy was born in 1671 and became a folk hero and the focus of a number of movies. Berlioz used rollicking Scottish jig figures and many parts of the piece were later re-worked into his Harold in Italy for viola and orchestra.Berlioz's overture set for flute choir requires sufficient forces of players to carry off his intentions, so I suggest this be played by a large flute choir, preferably with at least 3 on a part for the flute, 2 on alto, and 2 on bass, A single piccolo and contrabass flute would be adequate. Of course, a smaller group could perform this, but a larger one might be more successful. The piece is about 9 minutes long.
$18.95
The Marriage of Figaro for Flute Choir 4 Duettino No. 2
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Darrell Goforth
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The Marriage of Figaro for Flu
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Darrell Harrison Goforth
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.747387 Composed by Wolfgang Amadeus Mozart. Arranged by Darrell Goforth. Classical,Instructional. 16 pages. Darrel...
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Woodwind Ensemble - Level 4 - SKU: A0.747387 Composed by Wolfgang Amadeus Mozart. Arranged by Darrell Goforth. Classical,Instructional. 16 pages. Darrell Harrison Goforth #506605. Published by Darrell Harrison Goforth (A0.747387). This arrangement is part of a series for Flute Choir which will encompass Mozart's opera The Marriage of Figaro. The series will include the Overture (Sinfonia) and many of the arias, duets and ensembles from the opera. The work can be presented as a complete performance or as standalone pieces. In each of the vocal selections the solo voices will rotate among the entire group, making it ideal for student recitals and to build confidence among the players. In this Duettino, Marcellina, the maid of honor, and Susanna engage in a rather catty conversation, revealing their mutual disdain. Contact me with questions or comments at: dgoforth2@comcast.net My facebook page is: GoForth Music (https://www.facebook.com/goforthmusic?fref=ts) and my YouTube Channel is https://www.youtube.com/user/dgoforth2.
$12.99
Amy Beach - Katy dids set for flute choir or quintet
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Amy Marcy Beach
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John Gibson
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Amy Beach - Katy dids set for
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Alto Flute - Level 3 - SKU: A0.582225 Composed by Amy Marcy Beach. Arranged by John Gibson. 20th Century. 10 pages. JB Linear #6609367...
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Woodwind Ensemble Alto Flute - Level 3 - SKU: A0.582225 Composed by Amy Marcy Beach. Arranged by John Gibson. 20th Century. 10 pages. JB Linear #6609367. Published by JB Linear (A0.582225). Amy Marcy Beach (1867 - 1944) was a pioneering woman composer at a time when women were barely considered by music publishers. She has been acclaimed to be the first important American woman composer. As a child Amy was allowed rather than encouraged to further her obvious musical talent. She wrote in a mature and virtuosic style for piano with use of chromaticism, fine melodic lines, and Impressionistic styles. This is her Katy-dids set for small flute choir or quintet by John Gibson. (flute 1-4, and alto flute) A katy did is a type of cricket and this piece would classify as a rhythm game. Can you keep up with the cricket rhythms?
$16.00
Super Mario Bros for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Film/TV
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Koji Kondo
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Lisa Ochoco
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Super Mario Bros for Flute Cho
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Lisa Ochoco
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SheetMusicPlus
Flute, Woodwind Choir or Ensemble, Flute Choir - Intermediate - Digital Download By Koji Kondo. Arranged by Lisa Ochoco. Score, Set of Parts. 17 pages. Pub...
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Flute, Woodwind Choir or Ensemble, Flute Choir - Intermediate - Digital Download By Koji Kondo. Arranged by Lisa Ochoco. Score, Set of Parts. 17 pages. Published by Lisa Ochoco
Super Mario Bros was a super popular Nintendo game, but I think the song was even more so. Back in the 80's, game music was written to attract attention to the game itself, rather than enhance the player's experience during the game. It was more or less, just a catchy tune. However, when Koji Kondo wrote the music to Super Mario Bros, he created it as an active part of the game. This idea would help change game music forever.
I feel as if I don't need to give any comments on how to play this piece, but I will say that in the interest of not inundating the sheet music with dots everywhere, this song should be played staccato throughout the piece unless otherwise noted.
This piece has a lot of syncopation, but it is repetitive, so musicians with intermediate skills should be able to play this piece.
Scored for piccolo, 4 C, alto, and bass flutes.
Duration: 2.5 minutes
$14.00
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Rather Be - Drums
