"Rolling in the Deep" is a song recorded by British singer Adele for her secondstudio album, 21. It is the leadsingle and opening track on the album. The song was written by Adele and PaulEpworth. The singer herself describes it as a "dark blues-y gospeldisco tune". The largest crossoverhit in the United States from the past 25 years, "Rolling in theDeep" gained radio airplay from many different radio formats. Itwas first released on 29 November 2010 as the lead single from 21 indigital download format. The lyrics describe the emotions of a scorned lover.

This song is arranged forFlute Choir Quintet (2 Flutes, 2 Alto Flutes and Bass Flute & Optional Drumset and Tambourine). The level is Intermediate and the duration is 3.46minutes.

Fun early 1950's boogie woogie / rock and roll tune about a hip Santa Claus. Set for 5 flutes by John Gibson (4 flutes and 1 alto flute with an alternate 5th flute if there is no alto....the alto is preferred!).

A Song of Winter?Snowmen & Icicles
PhyllisAvidan Louke
Length: 6:45
Difficulty: 3 to 3+

Evocative of a cold and windy dayin winter, A Song of Winter explores the contrasts between thesmoothness and roundness of a snowman and the hardness and jaggedness oficicles.

Beginning with a winter stormwith wind and swirling snow, the wind calms, and the building of a snowmanbegins with the rolling of a snowball. The rolling forms the biggest ball of the snowman (represented by thebass and alto flutes), which is briefly interrupted by a playful snowballfight. The flutes continue the melodyfor the rolling of the second ball of the snowman, followed by the piccolorepresenting the rolling of the smallest ball (the head of the snowman). The melody is smooth and round in a lilting I time.

With the snowman complete, thewind and swirling snow return to lead into the Icicles section. The jaggedness of the icicles is representedby the jaggedness of syncopation in a marcato style with the melody skippinglarger intervals than the Snowmen melody. Visually, the score shows the jagged shape ofthe icicles. Double-tongued ascendingand descending lines, add to hard and brittle feeling of the icicles, as wellas to the shape of the melody. Thepiccolo adds the glistening, shimmering effect of sunlight reflecting off the icicles. Eventually, fragments of the Snowmenmelody are interspersed with the Icicles, followed by a final windstorm, which calms at the end of the piece.

Christmas
Winter
Winter Holidays
Stormy
Concert
Original Composition

"2018 Chamber Music Contest Entry"
Shenandoah
arr. Phyllis Avidan Louke

One of America?s best loved songs began asa sea shanty. The Shenandoah spoken ofin the song is not about a place, but is about an Indian chief living along theMissouri River.

Oh Shenandoah,
I long to hearyou,
Away you rollingriver,
Oh Shenandoah,
I long to hearyou,
Away, I?m boundaway
?Cross the wide Missouri

Oh Shenandoah,
I love yourdaughter,
Away you rollingriver,
Oh Shenandoah,
I love yourdaughter,
Away, I?m boundaway
?Cross the wide Missouri.

This arrangementopens with a haunting Flute 1 and Alto Flute duet. The instruments are featuredin various combinations throughout the piece to explore the different of colorsproduced by the flute choir. Harmoniesand rhythms are altered during various sections--most notably a duet betweenthe bass flute and alto flute. Piccolo,alto and bass flutes play prominent roles.

Folk Song
American Folk Song


This piece isscored for piccolo, 3 flutes, alto flute, bass flute, and optional contrabassflute. Level 3, 5:30



Phyllis Avidan Louke is aflutist and award-winning composer and arranger with more than 70 publishedpieces to her credit. www.phyllislouke.com and www.fabulousflute.com