"Rolling in the Deep" is a song recorded by British singer Adele for her secondstudio album, 21. It is the leadsingle and opening track on the album. The song was written by Adele and PaulEpworth. The singer herself describes it as a "dark blues-y gospeldisco tune". The largest crossoverhit in the United States from the past 25 years, "Rolling in theDeep" gained radio airplay from many different radio formats. Itwas first released on 29 November 2010 as the lead single from 21 indigital download format. The lyrics describe the emotions of a scorned lover.

This song is arranged forFlute Choir Quintet (2 Flutes, 2 Alto Flutes and Bass Flute & Optional Drumset and Tambourine). The level is Intermediate and the duration is 3.46minutes.

Percy Faith was well known for his spicy orchestration and this Samba setting makes for a unique sleigh bell piece. There is an optional sleigh bell part, but that can be omitted if you want to play this lively piece any time of year.....not just Christmas! It is set by John Gibson for flute choir (Piccolo, Flute 1-2-3, Alto, Bass, an alternate 4th flute for alto, and an optional sleigh bell part).

Two of the most well-known U.S. patriotic songs have been joined together and arranged with lush harmonies for a Flute Choir (Flute (2), Alto Flute, Bass Flute) with Piano accompaniment. Accessible and appropriate for any church, school or concert setting. An accompaniment track is also available.

The haunting and beautiful song by the American music duo Simon & Garfunkel has been freshly arranged for Flute Choir (Flute (2), Alto Flute, Bass Flute) with Piano accompaniment. Accessible and appropriate for any school or concert setting.

Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Piccolo, Flute 1-3, Alto Flute, Bass Flute, and Contra Bass Flute.

3 Irish Folksongs arranged by Charles Villiers Stanford and set for flute quintet by John Gibson. Charles Stanford arranged many folksongs that he and others collected. This set comes from his "Songs of Erin" (1901) and is set for 4 C Flutes and 1 Alto Flute with an alternate 5th C part provided. The tunes are : The Killarney Hunt, Now Mary What's the Matter, and Reynard on the Mountain High.

Flute Quintet - Intermediate - Digital Download. This selection, "Carol of the Bells", also known as "Ring, Christmas Bells", is suitable for high school and college students and is perfect for Christmas concerts and church services. "Carol of the Bells' was written by the Ukrainian composer Mykola Leontovych in 1914 with lyrics by Peter J. Wilhousky. The song is based on the Ukrainian folk chant "Shchedryk", a New Year's song, known in English as "The Little Swallow", and utilizes a four-note ostinato which brings to mind the ringing of bells. Originally intended to be sung a capella by a mixed four-part choir it has since been recorded into over 150 versions and re-arrangements for various vocal and instrumental compositions. One version, "Ring, Christmas Bells", an English-language variant with Nativity-based lyrics, was written by Minna Louise Hohman in 1947. Regis Bookshar has now arranged the music for a Flute Quintet. Included are a score and a complete set of parts (16 pages). In addition to this version for 5 Flutes, many other arrangements of this selection are also available for a variety of instrumental ensembles, including Quintets, Sextets, Septets and Octets, as well as numerous other selections in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come.

An exciting arrangement of the theme from popular television series 'Game of Thrones', arranged for Flute Choir by Kate Agioritis. Download includes score and a full set of parts. View the full catalogue of Musika works on our website: www.musikapublishing.com LIKE Musika Publishing on Facebook!

This is the first movement of Part 2, Christ's Passion, of Handel's oratorio, The Messiah.

Flutes 1 - 4 represent the SATB chorus, and the lower parts represent the orchestral parts. That said, Flutes 5 and 6 are more diffcult because they are playing the violin parts, which include more ornamentation than the voice parts.

Scored for 6 C, alto, bass, and optional contrabass flutes.

This is a powerful piece to add to your Easter recital program.

Behold the Lamb of God, that taketh away the sins of the world.

Flute choir meets heavy metal!

Avenged Sevenfold is one of my absolute favorite heavy metal bands. I don't usually hear a flute choir when I listen to their songs, or mostly any heavy metal songs for that matter, but A Little Piece of Heaven is so creative, so musical, and so funny, that I couldn't help it. Also, Oingo Boingo headed up the instrumental parts of the original song, which is evident.

If you are unfamiliar with heavy metal, you don't need to know anything about this song, other than it's incredibly unique and has to be played with an attitude. Accentuate the down beats, lay off the full vibratos, keep pushing the tempo - it never should slow down, and channel your inner rocker.

This song was the brainchild of the late James "The Rev" Sullivan. With the help of Oingo Boingo musicians, the song was scored to include an orchestra, full wind section, and choir. This arrangement is less than half the length of the original song, but it still clocks in at around 3 1/2 minutes.

This arrangement is scored for 4 flutes, alto, bass, contrabass, and upright string bass or keyboard. It is essential that there is a strong bass line. The upright bass part could also be played by any bass clef C instrument, like a euphonium, trombone, or tuba. If you are lucky enough to know a drummer, that would help a great deal too. I did not include a drum part, only because I am not knowledgeable enough at writing for drums and would rather leave it out than mess it up!

I hope you and your group will enjoy playing this song as much as I enjoyed arranging it. And I hope your audience will like it too!

This arrangement of the beautiful song by Freddie Mercury is for 4-5 flute parts. Flutes 1 , 2 and 3 plus Alto flute and Bass flute. Flute 3 mostly doubles Alto flute, so either can be omitted.

A Song of Winter?Snowmen & Icicles
PhyllisAvidan Louke
Length: 6:45
Difficulty: 3 to 3+

Evocative of a cold and windy dayin winter, A Song of Winter explores the contrasts between thesmoothness and roundness of a snowman and the hardness and jaggedness oficicles.

Beginning with a winter stormwith wind and swirling snow, the wind calms, and the building of a snowmanbegins with the rolling of a snowball. The rolling forms the biggest ball of the snowman (represented by thebass and alto flutes), which is briefly interrupted by a playful snowballfight. The flutes continue the melodyfor the rolling of the second ball of the snowman, followed by the piccolorepresenting the rolling of the smallest ball (the head of the snowman). The melody is smooth and round in a lilting I time.

With the snowman complete, thewind and swirling snow return to lead into the Icicles section. The jaggedness of the icicles is representedby the jaggedness of syncopation in a marcato style with the melody skippinglarger intervals than the Snowmen melody. Visually, the score shows the jagged shape ofthe icicles. Double-tongued ascendingand descending lines, add to hard and brittle feeling of the icicles, as wellas to the shape of the melody. Thepiccolo adds the glistening, shimmering effect of sunlight reflecting off the icicles. Eventually, fragments of the Snowmenmelody are interspersed with the Icicles, followed by a final windstorm, which calms at the end of the piece.

Christmas
Winter
Winter Holidays
Stormy
Concert
Original Composition

This lively and enchanting work -- lovingly crafted by an arranger who once played Friedrich von Trapp in a theatrical production -- can stand alone or can be combined with Prof. Hays' other arrangements to create a SOUND OF MUSIC SUITE. All members of the ensemble are featured in this arrangement which includes both the introductory and wedding versions of the endearing tune.

An arrangement of two traditional Chanukah pieces for flute choir. Just in time for the upcoming holidays!

This spritely and delightful tune from Rodger's and Hammerstein's beloved THE SOUND OF MUSIC is masterfully and lovingly adapted for flute choir by an arranger who once portrayed Friedrich von Trapp in a theatrical production.