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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing Sacred
Sheetmusicplus
Non classifié
5 032
Piano & claviers
Piano seul
2 887
Piano, Voix
1 197
Piano, Voix et Guitare
850
Orgue
636
Piano Facile
633
Accompagnement Piano
281
Instruments en Do
227
1 Piano, 4 mains
113
2 Pianos, 4 mains
69
Piano Trio: piano, violon, violoncelle
39
Clavecin
16
Piano Quatuor: piano, 2 violons, violoncelle
15
Piano grosses notes
14
Orgue, Trompette (duo)
9
Orgue, Piano (duo)
9
Piano (partie séparée)
8
Orgue, Voix
8
1 Piano, 6 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Accordéon
3
3 Pianos
2
Ensemble de Pianos
1
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
76
Ligne De Mélodie, (Paroles) et Accords
70
Guitare
48
Ukulele
46
Paroles et Accords
12
2 Guitares (duo)
7
Piano, Guitare (duo)
5
Guitare (partie séparée)
3
Ukulele Baryton
3
4 Guitares (Quatuor)
3
Basse electrique
2
Banjo
2
Dulcimer
2
Guitare Pedal Steel
1
Mandoline
1
3 Guitares (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
3 872
Chorale Unison
1 000
Chorale 2 parties
952
Chorale 3 parties
897
Pack Instrumental pour Chorale
491
Voix duo, Piano
329
Chorale TTBB
216
Chorale
207
Voix seule
125
Chorale SSAA
107
Voix duo
83
Voix haute
40
Voix Soprano, Piano
28
Voix moyenne, Piano
22
Voix, Guitare
19
Chorale, Orgue
14
Voix Alto, Piano
12
Voix basse, Piano
12
Voix Tenor, Piano
9
Voix Baryton, Piano
7
Chorale SSATTB
5
Chorale SSATB
3
Voix basse
3
Chorale SSAATTBB
3
Chorale SSAB a cappella
2
Voix Tenor
2
Voix Soprano, Orchestre
1
Voix duo, Orgue
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATB
1
Chorale SSAATB A Cappella
1
+ 27 instrumentations
Retracter
Vents
Flûte traversière et Piano
278
Saxophone Alto et Piano
209
Clarinette et Piano
191
Hautbois, Piano (duo)
163
Quatuor de Saxophones: 4 saxophones
148
Flûte, Hautbois, Clarinette, Basson
148
2 Flûtes traversières (duo)
133
Saxophone Tenor et Piano
99
2 Saxophones (duo)
91
2 Clarinettes (duo)
85
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
76
Flûte traversière
74
Flûte, Clarinette (duo)
66
Saxophone Soprano et Piano
59
Quatuor de Clarinettes: 4 clarinettes
55
Clarinette
50
Saxophone Baryton, Piano
48
Quatuor de Flûtes : 4 flûtes
42
Quintette de Saxophone: 5 saxophones
40
Saxophone Alto
40
Hautbois (partie séparée)
37
Trio de Flûtes: 3 flûtes
36
Flute (partie séparée)
35
Saxophone (partie séparée)
30
Cor anglais, Piano
29
Saxophone Tenor
25
Saxophone et Piano
24
3 Saxophones (trio)
23
Clarinette (partie séparée)
23
Ensemble de Clarinettes
23
3 Clarinettes (trio)
22
Hautbois, Basson (duo)
19
Clarinette, Basson (duo)
17
Flûte, Violon, Piano
16
Flûte et Guitare
16
Clarinette Basse, Piano
14
Clarinette, Violon (duo)
14
Ensemble de Flûtes
14
2 Hautbois (duo)
13
Flûte, Clarinette, Piano (trio)
12
Saxophone, Clarinette (duo)
12
Hautbois
11
Hautbois, Clarinette (duo)
11
Clarinette, Trompette (duo)
11
Flûte, Hautbois, Violon
11
2 Flûtes traversières, Piano
10
Hautbois, Flûte
9
Flûte, Violon
9
Quintette de Flûte : 5 flûtes
9
Flûte, Trompette (duo)
9
Flûte, Violoncelle
8
Flûte à bec Soprano
8
Quintette de Clarinettes: 5 clarinettes
8
Piccolo
8
2 Saxophones, Piano
7
Flûte, Basson et Piano
7
2 Clarinettes, Piano
7
Flûte, Violoncelle, Piano (trio)
7
Flûte, Trombone (duo)
6
Flûte à bec Soprano, Piano
6
Flûte à bec Alto
6
Flûte, Guitare, Piano
6
Ensemble de saxophones
6
Quatuor de Flûtes à bec
5
Clarinette, Harpe (duo)
5
Ocarina
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte à Bec
5
Clarinette et Alto
5
Flûte, Hautbois (duo)
5
2 Flûte à bec (duo)
5
Flûte, Alto (duo)
4
Flûte, Clarinette et Basson
4
Flûte, Hautbois, Piano (trio)
4
Flûte à bec Tenor
4
Cor Anglais
4
Saxophone
3
Clarinette, Violoncelle, Piano (trio)
3
Saxophone et Orgue
3
Flûte, Saxophone (duo)
3
Flûte, Alto et Piano
3
Hautbois, Violoncelle
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Clarinette, Basson, Piano (trio)
3
Clarinette, Violoncelle (duo)
2
Ensemble De Flûte à bec
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Saxophone et Harpe
2
Instruments en Mib
2
Flûte, Hautbois, Basson
2
Flûte, Violon et Violoncelle
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Violon, Violoncelle et Piano
2
Flute, Cor (duo)
2
Flûte, trombone et piano
2
Clarinette, trompette et piano
2
Saxophone Baryton
1
Flûte, Violon, Guitare
1
Piccolo, Piano
1
3 Flûtes à bec (trio)
1
3 Hautbois
1
Hautbois, trombone (duo)
1
Flute, harpe et violon
1
Saxophone Soprano
1
Clarinette, Tuba
1
Clarinette, Trombone (duo)
1
Flûte à bec Alto, Piano
1
Hautbois et alto (duo)
1
4 Hautbois
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Harpe
1
Flûte, Tuba (duo)
1
+ 108 instrumentations
Retracter
Cuivres
Trompette, Piano
167
Trombone et Piano
141
Cor et Piano
125
Quatuor de Cuivres : 2 trompettes, trombone, tuba
117
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
92
Trompette
73
Trompette (partie séparée)
55
Quatuor de Cuivres
45
2 Trompettes (duo)
44
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
Tuba et Piano
37
2 Trombones (duo)
32
2 Cors (duo)
30
Trombone
30
Cor anglais, Piano
29
Trombone (partie séparée)
26
Euphonium, Piano (duo)
24
Trompette, Trombone (duo)
21
Quatuor de cuivres: 4 cors
19
Cor
19
Trompette, Cor (duo)
13
Trio de Cuivres
11
Quatuor de cuivres: 4 trombones
10
Quatuor de cuivres: 2 trompettes, 2 trombones
9
Trompette, Saxophone (duo)
8
Ensemble de Trombones
8
Ensemble de Trompettes
8
3 Trompettes (trio)
7
Cor (partie séparée)
6
Trompette, Violoncelle et Piano
6
3 Trombones (trio)
5
Tuba
5
Quatuor de cuivres: 4 trompettes
5
Cor Anglais
4
Trompette, Tuba (duo)
3
Trombone, Orgue
3
3 Cors (trio)
3
Instruments en Sib
3
2 Trompettes, Clavier (piano ou orgue)
2
Instruments en Fa
2
Trompette, Trombone, Piano
2
Bass Clef Instruments
2
Tuba (partie séparée)
2
2 Tubas (duo)
2
2 Euphoniums (duo)
2
Euphonium, Tuba (duo)
2
Cor et Harpe
2
Trompette, Harpe
1
Trombone, Violon (duo)
1
2 Euphoniums et 2 Tubas
1
Cor et Orgue
1
Trombone, violoncelle (duo)
1
Trombone, Tuba (duo)
1
Clarinette, Cor (duo)
1
+ 49 instrumentations
Retracter
Cordes
Violon et Piano
356
Quatuor à cordes: 2 violons, alto, violoncelle
301
Violoncelle, Piano
177
Alto, Piano
152
Harpe
120
2 Violons (duo)
73
Violon, Violoncelle (duo)
72
Violon
71
Trio à Cordes: violon, alto, violoncelle
56
2 Violoncelles (duo)
56
Violon, Alto (duo)
52
Alto seul
43
Violoncelle
43
Violon (partie séparée)
39
Trio à Cordes: 2 violons, violoncelle
28
Piano Trio: Violon, Alto, Piano
26
Alto, Violoncelle (duo)
25
2 Altos (duo)
23
2 Harpes (duo)
23
Contrebasse, Piano (duo)
18
Violoncelle (partie séparée)
18
Contre Basse
15
Alto (partie séparée)
15
Harpe, Flûte (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Contrebasse (partie séparée)
9
Ensemble de Violons
8
Harpe, Voix
8
Trio à cordes: 3 violins
7
4 Violoncelles
7
Trio à Cordes: 2 violons, alto
7
Ensemble d'Altos
7
Quatuor à cordes: 4 violons
6
2 Violoncelles, Piano
4
Trio à Cordes: 3 violoncelles
4
Harpe, Violon (duo)
4
Violon, Clarinette, Piano (trio)
3
Quatuor à cordes : 4 altos
3
2 Violons, Piano
3
2 Contrebasses (duo)
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Orgue
1
Harpe, Trombone (duo)
1
Violon, Guitare (duo)
1
Violon, Basson (duo)
1
Violon, Tuba (duo)
1
Violoncelle, Orgue
1
3 Harpes
1
Autoharp
1
Violon, Trompette et Piano
1
Harpe et Piano
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Cloches
665
Orchestre
119
Orchestre d'harmonie
111
Orchestre à Cordes
92
Ensemble de cuivres
77
Ensemble Jazz
62
Orchestre de chambre
58
Piano et Orchestre
18
Percussion (partie séparée)
15
Jazz combo
15
Quintette à Vent
4
Ensemble de Percussions
3
Batterie (partie séparée)
3
Timbales
3
Batterie
2
Xylophone, Piano
2
Fanfare
2
Percussion
2
Quintette de Cuivres: autres combinaisons
2
Marimba
1
Instrumentation Flexible
1
Quatuor à Vent : 4 instruments à vents
1
Timbales (partie séparée)
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
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CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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COMEDIES MUSICALES -…
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Sing Sacred
SheetMusicPlus
Partitions à imprimer
14 partitions trouvées
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1
Lift Every Voice And Sing (for Flute Choir and Piano)
#
Ensemble de Flûtes
#
FACILE
#
J
#
Stephen DeCesare
#
Lift Every Voice And Sing
#
Exultet Music
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 2 - SKU: A0.627573 Composed by J. Rosamond Johnson. Arranged by Stephen DeCesare. Sacred,Standards. 25 pages. Exultet Mu...
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Woodwind Ensemble Flute - Level 2 - SKU: A0.627573 Composed by J. Rosamond Johnson. Arranged by Stephen DeCesare. Sacred,Standards. 25 pages. Exultet Music #6021117. Published by Exultet Music (A0.627573). The song of prayer and thanksgiving for faithfulness and freedom which is often referred to as the Black national anthem in the United States and was publicly performed first as a poem as part of a celebration of Abraham Lincoln's birthday, has now been freshly arranged for a Flute Choir (Flute (2), Alto Flute, Bass Flute) with Piano accompaniment. Accessible and appropriate for any church, school or concert setting. An accompaniment track is also available.
$12.99
Come Thou Fount of Ev'ry Blessing (for flute choir)
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Robert Robinson
#
Ralph Raymond Hays
#
Come Thou Fount of Ev'ry Bless
#
Ralph Raymond Hays
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.720694 Composed by Robert Robinson. Arranged by Ralph Raymond Hays. Concert,Contemporary,Easter,Sacred,Weddi...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.720694 Composed by Robert Robinson. Arranged by Ralph Raymond Hays. Concert,Contemporary,Easter,Sacred,Wedding. 10 pages. Ralph Raymond Hays #6022361. Published by Ralph Raymond Hays (A0.720694). Beautiful in its simplicity and emulating the Shape-Note tradition of Appalachia, this charming arrangement -- with cleverly composed counterpoint and an engaging fugue section -- is perfect as an introit, anthem, meditation, or recessional for an ecumenical church service, wedding, funeral, or recital.
$10.99
Hark! The Herald Angels Sing for Flutes
#
Ensemble de Flûtes
#
Classique
#
Felix Bartholdy Mendelssohn
#
John Jay Hilfiger
#
Hark! The Herald Angels Sing f
#
John Jay Hilfiger
#
SheetMusicPlus
Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by John Jay Hilfiger. Christian, Sacred, Christmas. Score, Set of Parts. 10 pages. Published by Jo...
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Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by John Jay Hilfiger. Christian, Sacred, Christmas. Score, Set of Parts. 10 pages. Published by John Jay Hilfiger (S0.138377). - Score,Set of Parts - Christian,Sacred,Christmas - John Jay Hilfiger
$8.00
An Irish Blessing (for flute choir & voice)
#
Ensemble de Flûtes
#
#
Jeffrey Ouper
#
An Irish Blessing
#
Jeffrey Ouper
#
SheetMusicPlus
Composed by Jeffrey Ouper. 21st Century, Contemporary Classical, Sacred, Celtic, Wedding. Score, Set of Parts. 48 pages. Published by Jeffrey Ouper (S0.112997)....
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Composed by Jeffrey Ouper. 21st Century, Contemporary Classical, Sacred, Celtic, Wedding. Score, Set of Parts. 48 pages. Published by Jeffrey Ouper (S0.112997). - Score,Set of Parts - 21st Century,Contemporary Classical,Sacred,Celtic,Wedding - Jeffrey Ouper
$26.95
Bach: Wachet auf for Flute Choir
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Flute Cho
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Thanksgiving Medley for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Various
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Yoel Epstein
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Thanksgiving Medley for Flute
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Yoel Epstein
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.773303 Composed by Various. Arranged by Yoel Epstein. Christian,Folk,Holiday,Praise & Worship,Sacred. 32 pag...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.773303 Composed by Various. Arranged by Yoel Epstein. Christian,Folk,Holiday,Praise & Worship,Sacred. 32 pages. Yoel Epstein #3238781. Published by Yoel Epstein (A0.773303). I wish you the greatest pleasure playing these arrangements of traditional Thanksgiving songs. Thanksgiving is one of the most beautiful of holidays, a holiday filled with joy and music. We Gather Together to Ask the Lord's Blessing: Written in 1597 by Dutch composer Adrianus Valerius to celebrate Holland's victory over Spain, the tune was brought to American shores by the early Dutch settlers. Poet Theodore Baker wrote a new version of the lyrics in 1894, which became the standard Thanksgiving version. Over the River and Through the Wood: Lydia Maria Child, an outspoken abolitionist and advocate for Indian rights, wrote this poem in 1845. It was set to music by an unknown composer. Let All Things Now Living (The Ash Grove) This traditional Welsh melody (Llwyn Onn or The Ash Grove in Welsh) has inspired numerous lyricists to write words to the hauntingly beautiful tune. The poem by Katherine Davis, written in 1939, is the text most associated with Thanksgiving. Amazing Grace: Written by reprobate sailor John Newton in 1779. Known for his profanity, vulgarity and venery, he was imprisoned, beaten, and enslaved, before he reformed, and became a leading minister and hymn-writer. This is one of the most popular hymns ever written. This Land is Your Land: A traditional American tune, made famous by folksinger Woody Guthrie in 1940. Guthrie wrote the words as a rebuff to the song God Bless America, the huge hit by songwriter Irving Berlin. As a counter to Berlin's drum-beating patriotism, Guthrie would occasionally add politically charged verses expressing his support for communism. I hope you enjoy playing this as much as I enjoyed writing it. If you need other pieces of Americana for your ensemble, you might find them in Best-Loved American Folksongs, in two volumes, available here (volume 1) and here (volume 2). There are also arrangements of Battle Hymn of the Republic, Stars and Stripes Forever, America the Beautiful, and The Star-Spangled Banner. You can see them all and more at my composer page. I have also arranged three songs from the Holocaust, which I distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
$34.99
Christmas Joy Medley for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn, J
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Stephanie Daige
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Christmas Joy Medley for Flute
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.796895 Composed by Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional. Arranged by Stephani...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.796895 Composed by Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional. Arranged by Stephanie Daige. Christian,Christmas,Concert,Sacred,Traditional. 28 pages. Stephanie Daige #5178771. Published by Stephanie Daige (A0.796895). This arrangement of seven traditional Christmas favorites will make your heart joyful as you prepare for the holiday season! The melody moves around from instrument to instrument in a conversation-like way, with rich harmonies and beautiful descants enhancing the melodies. There are parts for piccolo, flute 1, flute 2, alto flute, and bass flute. I’ve included a transposition of the alto flute part for an optional third C flute in case you don’t have an alto flute available. This triumphant medley is in the key of concert G major. Christmas carols featured are:• Hark! The Herald Angels Sing• O Come, All Ye Faithful• O Little One Sweet• Bring A Torch, Jeannette, Isabella• It Came Upon the Midnight Clear• O Little Town of Bethlehem• We Wish You a Merry ChristmasI hope you will enjoy performing this medley as much as I have enjoyed arranging it! Audiences are sure to love it. This medley works well in a variety of venues during the Christmas season: school concert, church, shopping mall background music, chamber music recital, prelude to a choral performance/ sing-along, etc. It'd perfect for anywhere you want to lift people's spirits with beautiful, familiar seasonal music. Duration is approximately 4.5 minutes. There are also versions of this medley available for piano and other chamber music ensembles.
$17.99
"Aria" for Flute Choir- F major version
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Grant Horsley
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"Aria" for Flute Cho
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Grant Horsley
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1138249 Composed by Grant Horsley. Christmas,Classical,Contest,Easter,Festival,S...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1138249 Composed by Grant Horsley. Christmas,Classical,Contest,Easter,Festival,Sacred. 30 pages. Grant Horsley #738520. Published by Grant Horsley (A0.1138249). Aria is scored for 4 C Flutes, Alto and Bass Flute. This version is in F major- also a D major version is available. It is a very restful melodic piece based on a single motif heard in bar 1. Written in the key of F major the piece is very hymn -like in design- with long notes and chords but has some unusual harmonies. The searing theme is stated then repeated with variation in texture. The theme is then developed using the rhythmic motif in the beginning climaxing in G major briefly before calmly returning to F major to repeat again. On this repeat more variation and articulation takes place before a restful conclusion. I've tried to keep all parts interesting. The full score is 11 pages and parts are 3 pages each- it is roughly 5 mins 30 in length. I have set it to intermediate level but an early intermediate should be ok with some of the parts. The whole score is on the youtube link for you to assess suitability. Price is for the full score and all parts. Suitable for a variety of purposes: Concerts, Recitals, Contests, Festivals, Easter, Church services, Weddings, Productions or an addition to the repertoire.
$13.50
Thus Saith the Lord & But Who May Abide the Day of His Coming from The Messiah for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Lisa Ochoco
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Thus Saith the Lord & But
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.559360 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Chri...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.559360 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 36 pages. Lisa L Ochoco #519507. Published by Lisa L Ochoco (A0.559360). This is a full arrangement for flute choir from Handel's Messiah written in the same key as the vocal score. Thus Saith the Lord: Flute 1 & 2 take the lead here as a soli, playing octaves apart throughout the entire piece in this fiery movement. But Who May Abide the Day of His Coming: The solo part can be played by an alto, bass, or C flute, whichever the group desires, but the solo part should be amplified so it can be heard above the volume of the accompaniment. Both of these movements can also be used to accompany a solo singer using the Orch parts. This is a must have for your choir!
$15.00
Rejoice, the Lord Is King (Flute Sextet)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Musique Sacrée
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John Darwall
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Wesley D
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Rejoice, the Lord Is King
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Asbury Publishing
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SheetMusicPlus
Flute Choir,Woodwind Ensemble - Level 3 - SKU: A0.764089 Composed by John Darwall. Arranged by Wesley D. Peters. Christian,Easter,Sacred,Traditional. 11...
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Flute Choir,Woodwind Ensemble - Level 3 - SKU: A0.764089 Composed by John Darwall. Arranged by Wesley D. Peters. Christian,Easter,Sacred,Traditional. 11 pages. Asbury Publishing #4727647. Published by Asbury Publishing (A0.764089). This two-minute arrangement of Rejoice, the Lord Is King is appropriate for a Call to Worship, an Offertory, or a Postlude. The arrangement makes use of the hymn tune, DARWALL, which is also used for the hymn Join All the Glorious Names. A fanfare-like introduction and conclusion bookend this rousing arrangement of a well-loved hymn.Includes 1 score and the following parts:Flute 1Flute 2Flute 3Flute 4Flute 5Alto Flute (alternate part for Flute 6).
$14.99
Air from Suite in D by Bach for flute choir / flute ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Johann Sebastion Bach , J S Ba
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Ray-Michael Kauffman
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Air from Suite in D by Bach fo
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as do Ray meflute studio production
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacre...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacred,Standards,Wedding. 17 pages. As do Ray meflute studio production #3591641. Published by as do Ray meflute studio production (A0.874245). https://www.youtube.com/watch?v=EKPo0RPP-E4&feature=youtu.beAir from Suite in D by J. S. Bacharranged for flute choir / ensemble by me Ray-Michael Kauffman. I know there is a lot of versions of this , but unhappy with most of them and lack of over all music musicality I decided to create one that was interesting to play and hear a swell as make good musical sense. After much debate, I decided changing the key to E flat would be most appropriate for either small group of players ( minimum 7) or larger groups . In the piece there is even additional divisions to help create more texture and colors in parts 3 & 4, yet remaining simple and true but sounding beautiful , what flutes should sound like.Great for studying flutist, to high school and college students. Flute choir groups, etcwould be a great addition for your ensemble, whether playing at a recital, concert, church and other spiritual events, graduation, weddings, etc. This would also be a great tool or warm up for balance and shaping sound, volume, color, blending, phrasing and other important technique builders for your group.You'll love this arrangement ,and so will the flutists and your audience!
$13.99
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Stabat Mater for Flute Choir (Palestrina)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Giovanni Pierluigi da Palestri
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Stabat Mater for Flute Choir
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Jeff McKeehan
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.930848 Composed by Giovanni Pierluigi da Palestrina. Arranged by Jeff McKeehan and Jeff McKe...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.930848 Composed by Giovanni Pierluigi da Palestrina. Arranged by Jeff McKeehan and Jeff McKeehan. Christmas,Easter,Renaissance,Sacred. 48 pages. Jeff McKeehan #2857263. Published by Jeff McKeehan (A0.930848). A perfect addition to the flute choir repertoire. The work, originally composed for Pope Gregory, was traditionally performed at Palm Sunday Mass, but is a joy to hear any time of the year.Duration: 8'40, using the provided tempo markings. The conductor may wish to take slower tempos, following the tradition of vocal performances of this work. In that case, a duration of 10-11 minutes is typical. An excellent demonstration of counterpoint and harmony, Stabat Mater is an enduring classic.
$12.95
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