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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Study In A
Non classifié
801
Piano & claviers
Piano seul
882
Piano Facile
324
Piano, Voix
178
Instruments en Do
42
1 Piano, 4 mains
29
Piano, Voix et Guitare
22
Orgue
14
Clavecin
11
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
3
Orgue, Piano (duo)
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
225
Guitare
168
Ukulele
80
Ligne De Mélodie, (Paroles) et Accords
50
Basse electrique
18
2 Guitares (duo)
10
Mandoline
7
Paroles et Accords
6
Banjo
3
2 Ukuleles
3
Ensemble de guitares
3
Dulcimer
2
2 Dulcimers (duo)
1
Piano, Guitare (duo)
1
Guitare (partie séparée)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
51
Chorale 3 parties
28
Chorale 2 parties
14
Voix Alto, Piano
9
Chorale SSAA
7
Chorale TTBB
7
Soli, choeur mixte et accompagnement
5
Chorale Unison
4
Voix moyenne, Piano
4
Voix Soprano, Piano
2
Voix Baryton, Piano
2
Chorale
1
Chorale SSATB
1
Voix seule
1
Voix haute
1
Voix duo, Piano
1
+ 11 instrumentations
Retracter
Vents
Clarinette
122
Flûte traversière
84
Flûte traversière et Piano
74
Hautbois, Piano (duo)
66
Clarinette et Piano
66
2 Saxophones (duo)
64
Saxophone Alto et Piano
48
2 Flûtes traversières (duo)
48
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Quatuor de Saxophones: 4 saxophones
41
2 Clarinettes (duo)
25
Quintette de Saxophone: 5 saxophones
23
Flûte, Hautbois, Clarinette, Basson
23
2 Hautbois (duo)
22
Saxophone Tenor et Piano
21
Saxophone Baryton, Piano
19
Saxophone Alto
18
Quatuor de Clarinettes: 4 clarinettes
16
Saxophone Soprano et Piano
16
3 Saxophones (trio)
13
Hautbois
13
Cor anglais, Piano
13
Hautbois (partie séparée)
10
Saxophone Tenor
9
Saxophone (partie séparée)
9
Ensemble de Clarinettes
9
2 Flûte à bec (duo)
9
Quatuor de Flûtes : 4 flûtes
9
Quintette de Clarinettes: 5 clarinettes
7
3 Clarinettes (trio)
7
Flûte, Clarinette (duo)
7
Clarinette Basse, Piano
7
Trio de Flûtes: 3 flûtes
6
Ensemble de Flûtes
6
Quintette de Flûte : 5 flûtes
5
Saxophone, Clarinette (duo)
5
Flûte, Violon
5
Clarinette, Violon (duo)
5
Saxophone
5
Ensemble de Hautbois
4
Hautbois, Basson (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte à bec Alto, Piano
4
Flûte à bec Soprano, Piano
3
Flûte à bec Alto
3
Clarinette, Basson (duo)
3
Clarinette et Alto
3
Hautbois, Clarinette (duo)
3
Flûte, Violon, Piano
3
Flûte, Alto (duo)
3
Flûte à bec Soprano
3
Clarinette, Trompette (duo)
3
Ensemble de saxophones
3
4 Hautbois
2
Saxophone Baryton
2
Flûte à Bec
2
Flûte, Saxophone (duo)
2
3 Flûtes à bec (trio)
2
Clarinette, Orchestre
2
Flute, harpe et violon
2
Quatuor de Flûtes à bec
2
Saxophone Soprano
2
3 Hautbois
2
Flûte, Violoncelle
2
Cornemuse
1
Piccolo
1
Harmonica
1
Ensemble De Flûte à bec
1
Piccolo, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Violoncelle, Guitare
1
Flûte à bec Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Flûte de Pan
1
Flûte traversière, Orchestre
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte et Guitare
1
Hautbois, Flûte
1
Clarinette, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle (duo)
1
+ 78 instrumentations
Retracter
Cuivres
Trompette
59
Trompette, Piano
36
Cor et Piano
36
Tuba
34
Trombone et Piano
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Trombone
27
Cor
21
2 Trompettes (duo)
18
2 Trombones (duo)
18
Tuba et Piano
18
2 Cors (duo)
13
Cor anglais, Piano
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
2 Tubas (duo)
8
Tuba et Orgue
7
Euphonium, Piano (duo)
6
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 trombones
4
Ensemble de Trombones
3
Ensemble de Cors
3
Trompette, Saxophone (duo)
3
Trompette, Trombone (duo)
3
4 Tubas
3
3 Tubas (trio)
2
Trombone, Tuba (duo)
2
Quatuor de Cuivres
2
Trombone, Cor (duo)
2
3 Cors (trio)
2
Trompette, Cor (duo)
2
Trompette (partie séparée)
2
3 Trombones (trio)
1
Bass Clef Instruments
1
Trombone (partie séparée)
1
Clarinette, Cor (duo)
1
+ 32 instrumentations
Retracter
Cordes
Violon et Piano
94
Quatuor à cordes: 2 violons, alto, violoncelle
86
Violon
78
Alto, Piano
66
Violoncelle, Piano
55
Violoncelle
40
Harpe
34
Alto seul
33
Contrebasse, Piano (duo)
28
2 Altos (duo)
27
2 Violons (duo)
27
2 Violoncelles (duo)
23
Contre Basse
23
Alto (partie séparée)
18
Violon (partie séparée)
16
Trio à Cordes: violon, alto, violoncelle
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violon, Violoncelle (duo)
11
Violon, Alto (duo)
9
Violon, Guitare (duo)
8
Contrebasse (partie séparée)
6
Violoncelle (partie séparée)
5
Violoncelle, Orchestre
5
Violoncelle , Guitare (duo)
5
2 Contrebasses (duo)
4
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 altos
3
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes : 4 altos
3
Alto, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
2 Altos, Piano
1
Violon, Basson (duo)
1
Trio à cordes: 3 violins
1
Alto et Basson
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
105
Orchestre à Cordes
101
Orchestre
84
Orchestre de chambre
29
Marimba
18
Ensemble Jazz
8
Jazz combo
8
Vibraphone
8
Ensemble de cuivres
8
Orchestre, Violon
7
Batterie
7
Ensemble de Percussions
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Cloches
3
Xylophone
3
Percussion (partie séparée)
2
Piano et Orchestre
2
Conga
1
2 Xylophones
1
Marimba, Piano (duo)
1
Caisse Claire
1
Batterie (partie séparée)
1
Percussion
1
Fanfare
1
+ 19 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
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BASSE
BASSON
BATTERIE
BOUZOUKI
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CHARANGO
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CLAIRON
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CLOCHES
CONTREBASSE
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DOBRO - GUI…
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CHANSON FRANÇAISE
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Study In A
Ensemble de Flûtes
Partitions à imprimer
6 partitions trouvées
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1
Air from Suite in D by Bach for flute choir / flute ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Johann Sebastion Bach , J S Ba
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Ray-Michael Kauffman
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Air from Suite in D by Bach fo
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as do Ray meflute studio production
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacre...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacred,Standards,Wedding. 17 pages. As do Ray meflute studio production #3591641. Published by as do Ray meflute studio production (A0.874245). https://www.youtube.com/watch?v=EKPo0RPP-E4&feature=youtu.beAir from Suite in D by J. S. Bacharranged for flute choir / ensemble by me Ray-Michael Kauffman. I know there is a lot of versions of this , but unhappy with most of them and lack of over all music musicality I decided to create one that was interesting to play and hear a swell as make good musical sense. After much debate, I decided changing the key to E flat would be most appropriate for either small group of players ( minimum 7) or larger groups . In the piece there is even additional divisions to help create more texture and colors in parts 3 & 4, yet remaining simple and true but sounding beautiful , what flutes should sound like.Great for studying flutist, to high school and college students. Flute choir groups, etcwould be a great addition for your ensemble, whether playing at a recital, concert, church and other spiritual events, graduation, weddings, etc. This would also be a great tool or warm up for balance and shaping sound, volume, color, blending, phrasing and other important technique builders for your group.You'll love this arrangement ,and so will the flutists and your audience!
$13.99
Dona Nobis Negative Harmony Pacem for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Lisa Ochoco
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Dona Nobis Negative Harmony Pa
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560043 Composed by Wolfgang Amadeus Mozart. Arranged by Lisa Ochoco. Classical,I...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560043 Composed by Wolfgang Amadeus Mozart. Arranged by Lisa Ochoco. Classical,Instructional. 15 pages. Lisa L Ochoco #6381373. Published by Lisa L Ochoco (A0.560043). Dona Nobis Pacem is a very well-known canon that most musicians have played. This arrangement is a fun study in negative harmony - as the title indicates. Negative harmony is the brainchild of Swiss composer, Ernst Levy. The concept, very simply put, is an inversion of chords and notes centered around an axis. The result is often quite interesting. I am only a beginner at negative harmony, and this song was an experiment, but it turned out to be quite lovely.
$12.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
O Jesulein süss by Bach for Flute Choir Quartet
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Ensemble de Flûtes
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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O Jesulein süss by Bach f
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 1 - SKU: A0.957361 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Multicultural,Sacr...
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Woodwind Ensemble,Woodwind Quartet - Level 1 - SKU: A0.957361 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Multicultural,Sacred,Standards,World. 6 pages. Woods Only, Arrangements #6856963. Published by Woods Only, Arrangements (A0.957361). This easy arrangement for flute choir quartet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song.
$7.99
Danza Sueno (Flute Quintet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jeffrey Ouper
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Danza Sueno
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Jeffrey Ouper
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SheetMusicPlus
Flute Quintet - Advanced Intermediate - Digital Download Composed by Jeffrey Ouper. 21st Century, Contemporary Classical, World, Latin, South America...
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Flute Quintet - Advanced Intermediate - Digital Download Composed by Jeffrey Ouper. 21st Century, Contemporary Classical, World, Latin, South American. Set of Parts. 38 pages. Published by Jeffrey Ouper
Danza Sueno is one of many works I have written for flute ensemble. It was a study piece for me writing in a Latin style, inspired by Latin rhythm. My primary influence is the music of Astor Piazzolla, though there are some of my own creative choices that lead to it being more of a ?Dance Dream? than a formal dance. The duration of the piece is about 4:40. It is designed to work with one on a part (no divided parts) or more. This version is for 5 flutes: 3 C flutes, 1 alto, and 1 bass. It does not include any optional percussion, piano, or string parts like the full flute choir version has.
$24.95
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Study In A
