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ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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The Greatest Story
Non classifié
166
Piano & claviers
Piano, Voix
57
Piano seul
20
Piano, Voix et Guitare
11
Piano Facile
11
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue
1
Instruments en Do
1
+ 4 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
6
Guitare notes et tablatures
2
Ukulele Baryton
1
Guitare
1
Mandoline
1
Voix
Chorale SATB
11
Chorale Unison
5
Chorale 3 parties
4
Chorale SSAA
2
Chorale TTBB
2
Chorale SSAB, Piano
2
Voix Soprano, Piano
1
Voix moyenne, Piano
1
Voix haute
1
Voix duo
1
Chorale 2 parties
1
+ 6 instrumentations
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Vents
Flûte traversière et Piano
58
Clarinette et Piano
54
Hautbois, Piano (duo)
28
Saxophone Alto et Piano
27
Flûte, Hautbois, Clarinette, Basson
25
Saxophone Soprano et Piano
21
Saxophone Tenor et Piano
21
Quatuor de Saxophones: 4 saxophones
19
Cor anglais, Piano
16
Clarinette
16
Saxophone Baryton, Piano
16
2 Saxophones (duo)
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Flûte traversière
14
Quatuor de Flûtes : 4 flûtes
11
Saxophone Alto
9
3 Saxophones (trio)
8
Clarinette Basse, Piano
8
Piccolo, Piano
7
2 Clarinettes (duo)
7
Ensemble de Clarinettes
7
Flûte à bec Soprano
6
Quatuor de Flûtes à bec
6
Quintette de Saxophone: 5 saxophones
6
2 Flûtes traversières (duo)
6
Saxophone (partie séparée)
6
Saxophone Tenor
6
Saxophone Baryton
4
Ensemble De Flûte à bec
4
Ensemble de saxophones
4
Flûte à Bec, Piano
4
Flûte à bec Tenor
4
Flûte à bec Alto, Piano
4
Hautbois
4
Cor Anglais
4
2 Hautbois (duo)
4
2 Flûte à bec (duo)
4
Piccolo
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Soprano
4
Hautbois, Basson (duo)
3
5 Flûtes à bec
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Violoncelle (duo)
2
3 Clarinettes (trio)
2
Hautbois (partie séparée)
2
Hautbois, Clarinette (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Clarinette (duo)
2
Clarinette, Basson (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Hautbois (duo)
2
Flûte, Hautbois, Basson
2
Ensemble de Flûtes
2
Hautbois, Violoncelle
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette, Piano (trio)
1
+ 53 instrumentations
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Cuivres
Trompette, Piano
32
Trombone et Piano
31
Cor et Piano
25
Trompette
22
Euphonium, Piano (duo)
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Cor anglais, Piano
16
Tuba et Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trombone
10
Cor
7
Quatuor de cuivres: 4 cors
6
2 Trompettes (duo)
6
Quatuor de cuivres: 4 trombones
6
Quatuor de cuivres: 4 trompettes
6
Trombone basse
4
Cor Anglais
4
2 Trombones (duo)
4
2 Cors (duo)
3
Ensemble de Trombones
3
4 Tubas
2
Tuba
2
Trompette, Trombone (duo)
2
2 Tubas (duo)
2
3 Trompettes (trio)
2
3 Trombones (trio)
2
Trombone basse et Piano
2
Quatuor de Cuivres
2
Trompette, Cor (duo)
2
Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
Ensemble de Cors
1
Euphonium
1
+ 29 instrumentations
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Cordes
Violon et Piano
45
Alto, Piano
44
Violoncelle, Piano
38
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violon
12
Violoncelle
8
2 Violons (duo)
8
Contrebasse, Piano (duo)
8
4 Violoncelles
7
Alto seul
6
Harpe
6
Trio à Cordes: violon, alto, violoncelle
5
Violon, Violoncelle (duo)
5
2 Altos (duo)
4
2 Violoncelles (duo)
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
4
Alto, Violoncelle (duo)
3
Violon, Alto (duo)
3
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Contre Basse
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 20 instrumentations
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Orchestre d'harmonie
46
Fanfare
22
Orchestre à Cordes
11
Batterie
8
Orchestre
3
Ensemble de cuivres
2
+ 1 instrumentations
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The Greatest Story
Ensemble de Flûtes
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Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Bach: Jesu, Joy of Man's Desiring for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95
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