"I Want to Break Free" is a song by the Britishrock band Queen, originally from their eleventh album The Works (1984). Written by bassguitarist John Deacon, it was distributed as a single on 7-inchand 12-inch vinyl records and 3-inch and 5-inch CDs. The songhas three versions: album, single and extended. It came to be included in mostlive concerts by the group. The level is Advanced Intermediate and the duration is 2.43 minutes

This song is arranged forFlute Choir Quintet (Piccolo; 2 Flutes; Alto Flute and Bass Flute).

California Dreamin' isa classic song from the mid 1960s folk-rock era written by John Phillips and Michelle Phillips and was firstrecorded by Barry McGuire. However, the best known version is by The Mamas & the Papas, who sang backup on theoriginal version and released as a single in 1965. Thelyrics of the song express the narrator's longing for the warmth of Los Angeles during a cold winterin New York City. It was certifiedas a Gold Record (single) by the RIAA in June 1966 and was inducted into the Grammy Hall of Fame in 2001. This arrangement is for SSSSAB or SSSSSB Flute Ensemble. Duration 2:44 contact me at james.pybus@rogers.com.

Eleanor Rigby ProgramNotes

This beautiful Lennon & McCartney song made famous byThe Beatles, translates wonderfully to the scoring for flute choir, and isfaithful to the original arrangement. This arrangement can be performed with as few as 5 players or a fullflute choir with multiple players on a part. It is scored for 3 flutes, alto flute (alternate c-flute part included),and bass flute. In a large group, apiccolo may be added to the Flute 1 part, where marked.

Pop, Rock, Beatles

Phyllis Avidan Louke is a flutist and award-winning composerand arranger with more than 70 published pieces to her credit. www.phyllislouke.com

Item Number: H0.894341-SC001261623

"Bohemian Rhapsody" is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 studio album A Night at the Opera. It is a six-minute suite, consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. The song is a more accessible take on the 1970s progressive rock genre and was the most expensive single ever made at the time of its release. I have arranged it here for flute ensemble with optional drum kit, and kept it true to the original version.