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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Second Line: Score
Non classifié
242
Piano & claviers
Piano seul
153
Piano Facile
85
Piano, Voix
35
1 Piano, 4 mains
26
Piano, Voix et Guitare
23
Accompagnement Piano
23
Orgue
10
2 Pianos, 4 mains
4
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 6 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
14
Mandoline
9
Basse electrique
7
Guitare
5
Guitare (partie séparée)
4
Mandoline, Guitare (duo)
4
2 Guitares (duo)
3
Ukulele
2
Guitare notes et tablatures
1
+ 4 instrumentations
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Voix
Chorale SATB
27
Chorale 3 parties
4
Chorale SSAA
4
Chorale 2 parties
3
Chorale Unison
3
Chorale TTBB
3
Voix Soprano, Piano
3
Voix seule
1
Voix moyenne, Piano
1
Voix haute
1
Chorale SSAATTBB
1
+ 6 instrumentations
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Vents
Flûte traversière et Piano
23
Saxophone Alto et Piano
13
Clarinette et Piano
13
Hautbois, Piano (duo)
12
Saxophone Tenor et Piano
11
Saxophone (partie séparée)
10
2 Clarinettes (duo)
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Saxophone Soprano et Piano
6
2 Flûtes traversières (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
2 Saxophones (duo)
5
Quatuor de Saxophones: 4 saxophones
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
3 Saxophones (trio)
2
Hautbois, Basson (duo)
2
Clarinette
2
Cor anglais, Piano
2
Ensemble de Flûtes
2
Quintette de Saxophone: 5 saxophones
2
Flûte et Guitare
2
Clarinette, Harpe (duo)
2
Hautbois, Harpe
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Clarinette, Trombone (duo)
1
Hautbois, Basson et Piano
1
Clarinette Basse, Piano
1
Flûte, Saxophone (duo)
1
3 Flûtes à bec (trio)
1
Saxophone Baryton, Piano
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
2 Flûte à bec (duo)
1
+ 37 instrumentations
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Cuivres
Trombone et Piano
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette, Piano
11
Trombone (partie séparée)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette (partie séparée)
7
Cor et Piano
6
2 Trompettes (duo)
4
Euphonium, Piano (duo)
4
Trompette
3
Cor
2
Tuba et Piano
2
Cor anglais, Piano
2
3 Trombones (trio)
2
2 Trombones (duo)
2
2 Cors (duo)
2
2 Cors, Piano
1
Tuba
1
Quatuor de Cuivres
1
3 Trompettes (trio)
1
Trompette, Trombone (duo)
1
Trombone
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
+ 19 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon et Piano
25
Alto, Piano
19
Violoncelle, Piano
18
Harpe
15
Trio à Cordes: violon, alto, violoncelle
10
Violon
7
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
4
2 Altos (duo)
3
Violoncelle
3
Harpe, Violon (duo)
3
2 Violons (duo)
3
Contrebasse, Piano (duo)
2
Violon, Alto (duo)
2
4 Violoncelles
2
Harpe, Flûte (duo)
2
Contrebasse (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
Alto, Violoncelle (duo)
1
Contre Basse
1
Alto seul
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
2 Violons, Piano
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
2 Altos, Piano
1
+ 24 instrumentations
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Orchestre & Percussions
Ensemble Jazz
49
Orchestre d'harmonie
41
Orchestre
23
Cloches
18
Ensemble de cuivres
18
Orchestre à Cordes
16
Batterie
15
Ensemble de Percussions
8
Orchestre de chambre
7
Fanfare
6
Jazz combo
4
Batterie (partie séparée)
2
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HAUTBOIS
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MARIMBA
OCARINA
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The Second Line: Score
Ensemble de Flûtes
Partitions à imprimer
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A Song of Winter for Flute Choir
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Ensemble de Flûtes
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Noël
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Phyllis Avidan Louke, ASCAP
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A Song of Winter for Flute Cho
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Louke Publishing
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SheetMusicPlus
Composed by Phyllis Avidan Louke, ASCAP. Contemporary Classical, Christmas, Hanukkah. Score, Set of Parts. 32 pages. Published by Louke Publishing ...
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Composed by Phyllis Avidan Louke, ASCAP. Contemporary Classical, Christmas, Hanukkah. Score, Set of Parts. 32 pages. Published by Louke Publishing
A Song of Winter?Snowmen & Icicles
PhyllisAvidan Louke
Length: 6:45
Difficulty: 3 to 3+
Evocative of a cold and windy dayin winter, A Song of Winter explores the contrasts between thesmoothness and roundness of a snowman and the hardness and jaggedness oficicles.
Beginning with a winter stormwith wind and swirling snow, the wind calms, and the building of a snowmanbegins with the rolling of a snowball. The rolling forms the biggest ball of the snowman (represented by thebass and alto flutes), which is briefly interrupted by a playful snowballfight. The flutes continue the melodyfor the rolling of the second ball of the snowman, followed by the piccolorepresenting the rolling of the smallest ball (the head of the snowman). The melody is smooth and round in a lilting I time.
With the snowman complete, thewind and swirling snow return to lead into the Icicles section. The jaggedness of the icicles is representedby the jaggedness of syncopation in a marcato style with the melody skippinglarger intervals than the Snowmen melody. Visually, the score shows the jagged shape ofthe icicles. Double-tongued ascendingand descending lines, add to hard and brittle feeling of the icicles, as wellas to the shape of the melody. Thepiccolo adds the glistening, shimmering effect of sunlight reflecting off the icicles. Eventually, fragments of the Snowmenmelody are interspersed with the Icicles, followed by a final windstorm, which calms at the end of the piece.
Christmas
Winter
Winter Holidays
Stormy
Concert
Original Composition
$18.00
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
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