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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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22
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175
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94
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77
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69
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40
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19
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18
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18
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16
Contrebasse (partie séparée)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Trio à Cordes: violon, alto, violoncelle
10
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9
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9
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7
Contrebasse, Piano (duo)
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2 Altos (duo)
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2 Contrebasses (duo)
6
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Trio à Cordes: 2 violons, violoncelle
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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Alto et Basson
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Violon, Guitare (duo)
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Trio à Cordes: 3 violoncelles
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4 Violoncelles
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Violoncelle, Contrebasse (duo)
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Piano Trio: Violon, Alto, Piano
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1136
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148
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42
Fanfare
36
Ensemble Jazz
36
Orchestre
26
Cloches
21
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15
Vibraphone
2
Batterie
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Timbales
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Marimba
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Xylophone
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AUTRES
Vous avez sélectionné:
The Sound of Music - Percussion 1
Ensemble de Flûtes
Partitions à imprimer
13 partitions trouvées
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1
The Lonely Goatherd from the Sound of Music (for flute choir)
Ensemble de Flûtes
Flute, Woodwind Choir or Ensemble, Flute Choir (Piccolo, Flute 1, 2, and 3, Alto, Ba…
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Flute, Woodwind Choir or Ensemble, Flute Choir (Piccolo, Flute 1, 2, and 3, Alto, Bass, and Contrabass) - Advanced Intermediate - Digital Download By Rodgers & Hammerstein. Arranged by Ralph Raymond Hays. Score, Set of Parts. 20 pages. Published by Ralph Raymond Hays
This spritely and delightful tune from Rodger's and Hammerstein's beloved THE SOUND OF MUSIC is masterfully and lovingly adapted for flute choir by an arranger who once portrayed Friedrich von Trapp in a theatrical production.
$12.99
11.64 €
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Ensemble de Flûtes
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Rodgers & Hammerstein
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Ralph Raymond Hays
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Hammerstein
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The Lonely Goatherd from the Sound of Music
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Ralph Raymond Hays
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SheetMusicPlus
Maria from "The Sound of Music" (for flute choir)
Ensemble de Flûtes
Flute Choir (Piccolo, Flute 1, 2, and 3, Alto, Bass, and Contrabass) - Intermediate - D…
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Flute Choir (Piccolo, Flute 1, 2, and 3, Alto, Bass, and Contrabass) - Intermediate - Digital Download By Rodgers and Hammerstein. Arranged by Ralph Raymond Hays. Score, Set of Parts. 11 pages. Published by Ralph Raymond Hays
This lively and enchanting work -- lovingly crafted by an arranger who once played Friedrich von Trapp in a theatrical production -- can stand alone or can be combined with Prof. Hays' other arrangements to create a SOUND OF MUSIC SUITE. All members of the ensemble are featured in this arrangement which includes both the introductory and wedding versions of the endearing tune.
$12.99
11.64 €
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Ensemble de Flûtes
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Rodgers and Hammerstein
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Ralph Raymond Hays
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Maria from "The Sound of Music"
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Ralph Raymond Hays
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SheetMusicPlus
Pie In The Face Polka for Flute Choir
Ensemble de Flûtes
Flute Choir - Advanced Intermediate - Digital Download By Henry Mancini. Arranged by …
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Flute Choir - Advanced Intermediate - Digital Download By Henry Mancini. Arranged by Lisa Ochoco. Score, Set of Parts. 34 pages. Published by Lisa Ochoco
This absolutely fabulous song comes from the 1965 slapstick comedy film, The Great Race. I first heard it on James Galway's album, In the Pink, which features Galway playing 13 of Henry Mancini's songs.<br> <br> This piece just screams fun in the middle of a gazillion notes just flying by. Filled with arpeggios, this is a workout for the fingers and requires quite a bit of precision for the song to sound really good. As with most of my arrangements, I have tried to give every part something interesting to play, with the exception of the contrabass flute and optional upright bass, which could also be played by any C instrument in the bass clef range. These lower parts are important in helping maintain good downbeats.<br> <br> Scored for 5 C flutes, alto, bass, contrabass, and optional upright bass. There are 2-part divisis in flutes 1 - 4. This piece is for the more advanced flute choir and would be a great opener or encore for your recitals.<br> <br> Duration: 2.75 minutes
$16.00
14.33 €
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Ensemble de Flûtes
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Henry Mancini
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Lisa Ochoco
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Pie In The Face Polka for Flute Choir
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Lisa Ochoco
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
42.95 €
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Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
42.95 €
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Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
Oh Worship the King
Ensemble de Flûtes
Composed by Robert Grant, Joseph Martin Kraus. Arranged by Beka Wilson. Christian, Spir…
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Composed by Robert Grant, Joseph Martin Kraus. Arranged by Beka Wilson. Christian, Spiritual, Sacred, Praise and Worship, General Worship. Score, Set of Parts. 27 pages. Published by Beka Wilson
Whether you have a full flute choir or just a few flutes, this version of "Oh Worship the King" is flexible for your needs! It can be played with as little as 4 flutes (parts 1-4), but there are optional flute 5, piccolo, alto flute, and bass flute/flute 6 parts for a fuller sound. It would be perfect for an offertory or prelude for a church service, or as a learning tool for students to practice expanding their range and learning to blend. Length: approximately 3 minutes, suggested bpm 90-100 Contains: 27 pages, includes score and parts Level: 2-3, some 16th note passages in several parts, and upper 3rd register for parts 1 and 3.
$14.99
13.43 €
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Ensemble de Flûtes
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Robert Grant, Joseph Martin Kraus
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Oh Worship the King
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Beka Wilson
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SheetMusicPlus
Follow the Omens for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.11…
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1183161 Composed by Gabrielle Liriano. Contemporary. 21 pages. Art Haus Music Publishing #782841. Published by Art Haus Music Publishing (A0.1183161). Follow the Omens tells the story of a huntress lost in a forest. The forest is beautiful, but dense filled with all sorts of peculiar creatures, rustling sounds, earthy smells, and lush natural scenes.There are no obvious trails out of the forest and the huntress fears she might never find her way back home. She finds herself running away from anonymous threats, the startling sounds of things she cannot see and relies on signs the forests gives her to bring her to safety.One might imagine the end of this piece as arriving at the edge of cliff to a striking view, the presence cozy cabin, or a humble village. Ultimately, the forest guides the huntress home.Instrumentation: Piccolo, Flute 1, Flute 2, Flute 3, Alto Flute, & Bass FluteDuration: Approx. 1 minutes & 30 seconds.
$35.00
31.35 €
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Ensemble de Flûtes
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Gabrielle Liriano
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Follow the Omens for Flute Choir
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Art Haus Music Publishing
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SheetMusicPlus
Up Where We Belong for Flute Choir
Ensemble de Flûtes
Flute Choir (consisting of Piccolo, 4 C Flutes, Alto Flute, and Bass Flute) - Early …
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Flute Choir (consisting of Piccolo, 4 C Flutes, Alto Flute, and Bass Flute) - Early Intermediate - Digital Download By Joe Cocker & Jennifer Warnes. Arranged by James- Michael Sellers. Score, Set of Parts. 13 pages. Published by JMS Composer
Let your flute choir take off to where they belong with this wonderful arrangement of "Up Where We Belong", the 1982 #1 Hit from the Paramount motion picture An Officer and a Gentleman. This wonderful work stays true to the feel of the work without pushing your flute choir too much. A wonderful song which emphasizes that true love can make any relationship stronger, this is a great addition to any concert.<br> <br> This work's 4th Flute part is a concert transposition of the Alto Flute part.<br> <br> Duration is around 4 minutes. <br> <br> Included Parts and Ranges:<br> - Piccolo (sounding F#5 to A6)<br> - Flute 1 (A4 to G6)<br> - Flute 2 (G4 to G6)<br> - Flute 3 (E4 to D6)<br> - Flute 4 (C Alto part, D4 to A5)<br> - Alto Flute (sounding D4 to A5)<br> - Bass Flute (sounding D3 to F4)
$12.99
11.64 €
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Ensemble de Flûtes
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Joe Cocker & Jennifer Warnes
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James- Michael Sellers
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Jennifer Warnes
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Up Where We Belong for Flute Choir
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SheetMusicPlus
Joseph Haydn. String Quartet in C major 'The Bird', Op 33 No 3, movement 1
Ensemble de Flûtes
Flute, Woodwind Quintet, Woodwind Choir or Ensemble - Intermediate - Digital Downloa…
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Flute, Woodwind Quintet, Woodwind Choir or Ensemble - Intermediate - Digital Download Composed by Franz Joseph Haydn (1732-1809). Arranged by Janna Menhel. Classical Period, European. Score, Set of Parts. 28 pages. Published by Janna Menhel
The famous Bird Quartet arrangement for 5 flutes or flute choir, which sounds much more bird-like then strings.
$6.90
6.18 €
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Ensemble de Flûtes
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Franz Joseph Haydn
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Joseph Haydn. String Quartet in C major 'The Bird', Op 33 No 3, movement 1
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SheetMusicPlus
The Pink Panther
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1397069 By A Century Of Movie Soundtracks. By Henry Mancini. Arranged by Kent S. Burchill. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Pop. 23 pages. WINDCREST #980395. Published by WINDCREST (A0.1397069). THE PINK PANTHER (from the Film The Pink Panther) for FLUTE CHOIR - This arrangement of the classic Mancini song has been written for 6 part Flute Choir (1 Soprano Flutes, 3 Alto Flutes, and 2 Bass Flutes). One of the Alto Flute parts has also been written for Soprano Flute, although the Alto Flute is preferred because of its timbre and sonority. This arrangement has been written in the following keys: E minor, G minor, and F minor. Tempo is about 112 bpm and performance duration is about 3 minutes and 22 seconds at that tempo. Difficulty level is a 3 on a six-point scale.
$20.00
17.92 €
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Ensemble de Flûtes
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A Century Of Movie Soundtracks
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Kent S
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The Pink Panther
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WINDCREST
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SheetMusicPlus
Metallica - Nothing Else Matters - flute choir
Ensemble de Flûtes
Flute, Woodwind Choir or Ensemble, flute choir - Advanced - Digital Download By James…
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Flute, Woodwind Choir or Ensemble, flute choir - Advanced - Digital Download By James Hetfield,Lucie Silvas. Arranged by C. Burdzinski. Individual Part, Score, Set of Parts. 17 pages. Published by Carrie Burdzinski
This arrangement of Metallica's "Nothing Else Matters" is based on the original recording with added harmonies and elements from the live orchestral version. Here it is arranged for flute choir consisting of 3 C flutes, 1 alto flute, and 1 bass flute. It has a full, rich sound and stays true to the original melody and background. Each player has an interesting and challenging part, so this is best suited for advanced musicians. Run time is approximately 4:25.<br> <br> Sheet music includes conductor's score plus the five individual parts.
$12.99
11.64 €
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Ensemble de Flûtes
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James Hetfield,Lucie Silvas
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C
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Metallica - Nothing Else Matters - flute choir
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Carrie Burdzinski
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SheetMusicPlus
Mussorgsky: Night on Bald Mountain for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549955 Composed by Mod…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549955 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Romantic Period,Standards. 227 pages. Jmsgu3 #4337561. Published by jmsgu3 (A0.549955). Score: 140 pages. Duration ca. 11:00. Instrumentation: 1 piccolo, 3 concert flutes, 2 alto flutes, 1 bass flute, 1 cello (optional). Piccolo part: 7 pages, Flute 1 part: 14 pages, Flute 2 part: 13 pages, Flute 3 part: 10 pages, Alto Flute 1 part: 10 pages, Alto Flute 2 part: 11 pages, Bass Flute part: 11 pages, Cello part: 11 pages.Mussorgsky's Night on Bald Mountain is significant for several reasons. Composed in 1867, it is a tone poem inspired by the Russian legend of nocturnal revels on St. John's Night, involving a witches' Sabbath on Bald Mountain near Kiev. The piece is known for its high drama, dark textures, and bold harmonies, which Mussorgsky's colleagues considered excitingly expressive and raw. The work was unpublished and unrevised at the time of the composer's death, and his colleagues, including Rimsky-Korsakov, later revised it. The composition remains a powerful representation of Russian folk tradition. It is associated with the pagan festivities of the midsummer Slavic holiday, making it a significant piece in the history of Russian classical music.The legend of the nocturnal revels on St. John's Night in June on a hill called Lysa Hora near Kiev is a prominent Slavic tale that inspired Modest Mussorgsky's Night on Bald Mountain. The legend tells of a demon, Chernobog, who leads the revels until a far-off church bell sounds disperse the Spirits of Darkness. This tale is associated with the pagan festivities of the midsummer Slavic holiday and is a significant part of Russian folklore and culture. Lysa Hora, meaning Bald Mountain or Barren Mountain, is a large wooded hill in the Ukrainian capital Kyiv, near the confluence of the Dnipro and Lybid' rivers, and is the traditional site of the witch gatherings in Slavic folklore. The legend's themes of darkness, supernatural gatherings, and the triumph of light have made it a compelling source of inspiration for various artistic works, including Mussorgsky's musical composition.
$58.95
52.81 €
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Ensemble de Flûtes
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Night on Bald Mountain for Flute Choir
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jmsgu3
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SheetMusicPlus
Suite for Flute Choir
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1190998 Composed by Erik Meyer. Chamber,Contemporary. 44 pages. Erik Meyer #790527. Published by Erik Meyer (A0.1190998). A fun, modern, and musically attractive suite of pieces for intermediate flute choir, commissioned by the Gannon University Flute Choir, Erie PA.I. Air (a whimsical 6/8 dance)II. Hymn (a gentle, sweet song)III. Ballad (a majestic tune fit for epic deeds)This Suite is for Flute Choir of at least 5 parts. The parts are flexible so that any flute choir could perform the work, regardless of size or make up:Piccolo part is optional and not required for performance.Part 5 requires an Alto or Bass flute - all other parts can use C Flute.Part 5 is written to include ContraBass Flute, for those who have one. ContraBass is not required.The Full Score is a C-score - notes are written at the sounding pitch (IE not transposed for Alto Flute).Instrument parts included:Part 0: Piccolo (optional)Part 1: C FlutePart 2: C FlutePart 3: C Flute & Alto FlutePart 4: C Flute & Alto FlutePart 5: Alto Flute & Bass Flute (marked for ContraBass)*purchasing this will give you a PDF document with a full score and set of parts. You are free to print as many parts as needed for your ensemble. Please do not share or distribue this PDF with others.*Questions? Suggestions? Requests? contact me at aemeyer.com.
$19.99
17.91 €
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Ensemble de Flûtes
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Erik Meyer
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Suite for Flute Choir
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Erik Meyer
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SheetMusicPlus
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