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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time After Time - Guitar
Non classifié
701
Piano & claviers
Piano seul
610
Piano, Voix
115
Piano Facile
85
Instruments en Do
36
Orgue
35
1 Piano, 4 mains
26
2 Pianos, 4 mains
10
Piano Trio: piano, violon, violoncelle
9
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano, Voix et Guitare
5
Piano grosses notes
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
1
Clavecin
1
Orgue, Piano (duo)
1
Ensemble d'Accordéons
1
+ 13 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
20
Ukulele
9
Dulcimer
5
Basse electrique
4
Banjo
1
Paroles et Accords
1
Mandoline
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
169
Chorale 3 parties
56
Chorale TTBB
22
Chorale 2 parties
21
Chorale SSAA
20
Voix Alto, Piano
15
Voix seule
14
Chorale Unison
10
Voix Soprano, Piano
9
Pack Instrumental pour Chorale
5
Voix duo, Piano
3
Voix Tenor, Piano
2
Voix Tenor
1
Chorale
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Voix Baryton, Piano
1
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
109
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
85
Flûte traversière et Piano
84
2 Clarinettes (duo)
62
Quintette de Saxophone: 5 saxophones
56
Saxophone, Clarinette (duo)
52
Saxophone Alto et Piano
49
2 Flûtes traversières (duo)
45
Clarinette et Piano
45
Quatuor de Saxophones: 4 saxophones
37
Clarinette, Violon (duo)
35
Hautbois, Piano (duo)
34
Quatuor de Clarinettes: 4 clarinettes
33
Saxophone Soprano et Piano
32
Flûte, Hautbois, Clarinette, Basson
31
Clarinette, Trompette (duo)
28
Clarinette
28
Flûte, Clarinette (duo)
26
Flûte traversière
25
Saxophone Tenor et Piano
24
2 Hautbois (duo)
23
Saxophone (partie séparée)
19
Saxophone Baryton, Piano
19
Flûte, Saxophone (duo)
19
Flûte, Violon
19
Hautbois, Clarinette (duo)
18
Hautbois, Flûte
18
Hautbois, Basson (duo)
17
Ensemble de Clarinettes
16
Clarinette et Alto
16
Saxophone Alto
15
Quatuor de Flûtes : 4 flûtes
15
Cor anglais, Piano
14
Clarinette Basse, Piano
14
Flûte, Trompette (duo)
14
Ensemble de Flûtes
14
Flûte, Alto (duo)
14
Ensemble de saxophones
12
Saxophone Tenor
11
3 Saxophones (trio)
10
Quintette de Clarinettes: 5 clarinettes
9
2 Flûte à bec (duo)
8
Harmonica
8
Quintette de Flûte : 5 flûtes
7
3 Clarinettes (trio)
7
Hautbois (partie séparée)
6
Trio de Flûtes: 3 flûtes
5
Hautbois
4
Flute (partie séparée)
4
Quatuor de Flûtes à bec
4
Clarinette (partie séparée)
4
Clarinette, Basson (duo)
3
Flûte, Violoncelle
3
2 Clarinettes, Piano
2
Flûte, Clarinette et Basson
2
Flûte à Bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Soprano
2
Flûte à bec Soprano, Piano
2
Flûte à Bec, Piano
1
Flûte à bec Tenor
1
2 Saxophones, Piano
1
Piccolo
1
5 Flûtes à bec
1
3 Flûtes à bec (trio)
1
Saxophone Soprano
1
Flute, harpe et violon
1
Clarinette, Harpe (duo)
1
Ensemble De Flûte à bec
1
Saxophone
1
Piccolo, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Harpe
1
Clarinette Basse
1
Flûte à bec Alto
1
Ensemble de Hautbois
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
124
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Ensemble de Trompettes
37
Trompette, Saxophone (duo)
36
Trompette
34
Trombone et Piano
29
2 Trombones (duo)
24
2 Trompettes (duo)
22
Euphonium, Piano (duo)
21
Cor et Piano
20
Trombone
19
Trompette, Trombone (duo)
19
Trompette (partie séparée)
17
Trompette, Piano
17
Trombone (partie séparée)
16
Cor
16
Cor anglais, Piano
14
Quatuor de Cuivres
12
Tuba et Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba
6
Ensemble de Trombones
5
Quatuor de cuivres: 4 trompettes
3
Cor (partie séparée)
3
3 Trompettes (trio)
2
4 Tubas
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Quatuor de cuivres: 4 cors
2
2 Cors (duo)
2
Tuba (partie séparée)
2
Trombone basse et Piano
1
3 Euphoniums
1
Ensemble de Cors
1
2 Tubas (duo)
1
3 Trombones (trio)
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
101
Violon et Piano
72
Alto, Piano
55
Violoncelle
39
Violon
39
Violoncelle, Piano
36
Harpe
32
Violon, Violoncelle (duo)
30
2 Violons (duo)
29
2 Violoncelles (duo)
26
Violon, Alto (duo)
22
2 Altos (duo)
21
Trio à Cordes: violon, alto, violoncelle
20
Alto seul
15
Trio à Cordes: 2 violons, violoncelle
12
Contrebasse, Piano (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contre Basse
7
Ensemble d'Altos
4
Ensemble de Violons
4
2 Harpes (duo)
3
Trio à Cordes: 3 violoncelles
2
Harpe, Voix
2
Contrebasse (partie séparée)
2
Violon (partie séparée)
2
4 Violoncelles
2
Violoncelle, Orchestre
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
251
Fanfare
98
Orchestre
72
Orchestre à Cordes
47
Ensemble de cuivres
43
Ensemble Jazz
40
Batterie
25
Cloches
21
Orchestre de chambre
16
Ensemble de Percussions
4
Jazz combo
4
Percussion (partie séparée)
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
2 Xylophones
2
Orchestre, Violon
1
Batterie (partie séparée)
1
Piano et Orchestre
1
+ 12 instrumentations
Retracter
Autres
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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Crtitères actifs :
Time After Time - Guitar
Ensemble de Flûtes
Partitions à imprimer
14 partitions trouvées
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1
Twitter, for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Greg Danner
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Twitter, for Flute Choir
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Avanti Music
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Ava...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Avanti Music (A0.778282). Twitter, founded in March of 2006, is a social networking and micro-blogging service that allows users to post short messages of no more that 140 characters. Because it works as an application on cell phones people can share information immediately. In its short time, Twitter has become embedded in our increasingly networked society. The composition Twitter takes five famous tweets-some serious, others funny, and some historic and presents a musical interpretation. In keeping with the idea that a tweet is a short message, each movement of Twitter is approximately 140 seconds long. 1. There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy. Janis Krums, 12:36 p.m. Jan15, 2009Janis Krums posted this text and the first photo of US Airways flight 1549 moments after the plane made an emergency landing in the Hudson River after hitting a flock of birds. His quick action helped to notify rescue workers and the media. 2. Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.Conan O’Brien, 3:54 p.m. Feb. 24, 2009 Shortly after being dismissed from the Tonight Show and finding himself in-between jobs, Conan O’Brien joined Twitter. As with many celebrities, a Twitter account can allow fans to stay in touch and feel connected. What was amazing in this case was that in just two hours after this first tweet he had over 125,000 followers-the largest number ever in such a short time. His number has since grown to nearly 3 million. 3. ArrestedJames Buck, 9:30 a.m. April 10 A graduate student from the University of California-Berkeley, James Buck was covering an anti-government protest in Egypt. Buck was caught up in a demonstration, and while being taken to jail had time to post a one-word tweet-arrested. Within seconds colleagues in the United States got word of his arrest and notified the university, the US Embassy, and a number of press organizations on his behalf, leading to his freedom. 4. We just made history. All of this happened because you gave your time, talent and passion. All of this happened because of you. Thanks. Barack Obama, 11:34 a.m. Nov. 5, 2008 The Obama 2008 campaign was historic on a number of counts, and the use of technology and social media was one of them. This tweet was sent to over 2.6 million followers just after the election. 5. Are you ready to celebrate? Well, get ready: We have ICE!!!!! Yes, ICE, *WATER ICE* on Mars! w00t!!! Best day ever!! MarsPhoenix, 5:14 PM Jun 19th, 2008 NASA’s Jet Propulsion Laboratory has made an innovative use of twitter by sending messages from the Mars Phoenix lander’s point of view. The message above is undoubtedly the most exciting news ever to be tweeted on behalf of an extraterrestrial robot.
$40.00
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Cascades for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Cascades for Flute Choir
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Sy Brandon
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SheetMusicPlus
Flute Choir,Woodwind Ensemble - Level 4 - SKU: A0.1449511 Composed by Sy Brandon. 21st Century,Chamber,Contest,Festival. 45 pages. Sy Brandon #1029267. ...
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Flute Choir,Woodwind Ensemble - Level 4 - SKU: A0.1449511 Composed by Sy Brandon. 21st Century,Chamber,Contest,Festival. 45 pages. Sy Brandon #1029267. Published by Sy Brandon (A0.1449511). Cascades is a three-movement composition for flute choir that represents both the waterfall definition of the word and the mountain range in the Pacific Northwest. The first movement represents Multnomah Falls, the tallest waterfall in Oregon. It drops 635 feet in two tiers. The music has cascading musical figures as well as sense of power and beauty. Mt. Hood is the inspiration for second movement. Standing at 11,249 feet above sea level, this majestic mountain is dramatically visible from the valley floor and is snow covered most of the year. The music of this movement depicts the rising from the valley floor with its low to high orchestration. The almost symmetrical shape is represented by descending lines after the two climaxes.The third movement is a reminder of the relatively youngness of the Cascade mountain range. In 1980, Mt. St. Helens erupted, causing catastrophic damage to the surrounding area and loss of lives. What remains of this former symmetrical mountain is a large crater as a reminder of the volatile nature of the Cascade Range. The music of this movement is filled with tension, from the seismic tremors of the first part to the eruption itself in the second part. A final cascade, this time depicting lava flow rather than a waterfall, brings both the movement and the composition to a close.
$15.00
"March of the Musketeers" For Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Grant Horsley
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"March of the Musketeers&
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Grant Horsley
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1242171 Composed by Grant Horsley. Classical,Contest,Festival,Film/TV,March. 33 ...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1242171 Composed by Grant Horsley. Classical,Contest,Festival,Film/TV,March. 33 pages. Grant Horsley #837528. Published by Grant Horsley (A0.1242171). Scored for 4 C Flutes, Alto and Bass Flute, March of the Musketeers is a bright heroic march based upon the characters in the story of The Three Musketeers Quite a simple piece, it is in ternary form starting in the concert key of C major with the middle section in F major, before returning to C major and on to a flourishing ending. The outer sections have strong melodic lines underpinned crisp staccato support providing a solid striding beat. The middle section (which should be played in exactly the same pulse) is more lyrical and legato featuring triplets, but still retains the underpinning crotchet beat, but with a more delicate approach for variation. After a short link passage which features a couple of time signature changes, the main theme returns with a short coda- like few bars to take the piece to a conclusion.The full score is 15 pages and the parts are 3 each. It is 4 mins 15 in length. The whole score is on the youtube link for you to assess suitability. Price is for the full score and all parts.Versions for Six C Flute Ensemble is also available, as is Clarinet Choir and Brass Sextet
$13.50
"March of the Musketeers" For Flute Ensemble (6 C Flutes)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Grant Horsley
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"March of the Musketeers&
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Grant Horsley
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 3 - SKU: A0.1242173 Composed by Grant Horsley. Classical,Contest,Festival,Film/TV,March. 32 pages. Grant Hor...
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Flute Choir,Woodwind Ensemble Flute - Level 3 - SKU: A0.1242173 Composed by Grant Horsley. Classical,Contest,Festival,Film/TV,March. 32 pages. Grant Horsley #837531. Published by Grant Horsley (A0.1242173). Scored for Six C Flutes, March of the Musketeers is a bright heroic march based upon the characters in the story of The Three Musketeers Quite a simple piece, it is in ternary form starting in the concert key of C major with the middle section in F major, before returning to C major and on to a flourishing ending. The outer sections have strong melodic lines underpinned crisp staccato support providing a solid striding beat. The middle section (which should be played in exactly the same pulse) is more lyrical and legato featuring triplets, but still retains the underpinning crotchet beat, but with a more delicate approach for variation. After a short link passage which features a couple of time signature changes, the main theme returns with a short coda- like few bars to take the piece to a conclusion. The full score is 15 pages and the parts are 3 each. It is 4 mins 15 in length. The whole score is on the youtube link for you to assess suitability. Price is for the full score and all parts.Versions for Flute Choir (4 C Flutes, Alto and Bass) is also available, as is Clarinet Choir and Brass Sextet
$13.50
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Go Tell It On The Mountain
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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The Canadian Brass
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Lisa Ochoco
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Go Tell It On The Mountain
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560199 By The Canadian Brass. By Alexander M. Courage, DP, and Luther Jr. Hender...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560199 By The Canadian Brass. By Alexander M. Courage, DP, and Luther Jr. Henderson. Arranged by Lisa Ochoco. Contemporary. 18 pages. Lisa L Ochoco #6661789. Published by Lisa L Ochoco (A0.560199). Go Tell It On the Mountain is an African-American spiritual song that celebrates the birth of Jesus. While sometimes sung with adjusted lyrics so it can be sung all year long, the original lyrics make it a Christmas song - or to be sung on Christmas Day and after.
$15.00
Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457115. Published by jmsgu3 (A0.549191). Giovanni Gabrieli: Jubilate Deo (Ch. 136) Instrumentation: 1 piccolo, 5 flutes, 1 alto flute, 1 bass flute, 1 cello (or contrabass flute) Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not at all difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations.
$47.95
Monkeys Spinning Monkeys
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Kevin MacLeod
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Lisa Ochoco
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Monkeys Spinning Monkeys
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1167899 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. Comedy,Cont...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1167899 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. Comedy,Contemporary. 31 pages. Lisa L Ochoco #768254. Published by Lisa L Ochoco (A0.1167899). If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times.  It makes cute and funny videos, well, cuter and funnier.Kevin Macleod wrote this cute and funny tune, and it’s written to loop until the video ends.  The longer the video, the higher it goes (I think, although having a cute video last more than 5 minutes may wear you out.)  While I could have modulated it 5 times, I didn’t.  There is one key change, and after that key change, this cute and funny tune goes Radio City Rockette-ish before definitely coming to an end at around the 2 minute mark.Scored for flute choir – 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that can help bring out the staccato notes in the contrabass, which can also be played by any C instrument in a similar range, such as a bassoon.This would be a great recital opener, closer, or filler.  Or, you could have a few members of your group act out a cute and funny scene to it.  The possibilities are endless!Duration: 2 minutes.
$15.00
Sheep May Safely Graze " The Birthday Cantata " by Bach for flute choir / ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Sebastion Bach , J S Ba
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Sheep May Safely Graze "
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as do Ray meflute studio production
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SheetMusicPlus
Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Piccolo,Soprano Flute - Level 3 - SKU: A0.874253 Composed by Johann Sebastion Bach , J S Bach...
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Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Piccolo,Soprano Flute - Level 3 - SKU: A0.874253 Composed by Johann Sebastion Bach , J S Bach. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Baroque,Easter,Holiday,Praise & Worship,Sacred. Score and parts. 36 pages. As do Ray meflute studio production #4573517. Published by as do Ray meflute studio production (A0.874253). Https://www.youtube.com/watch?v=05dsgxhs9qM&feature=youtu.beSheep May Safely Graze Sheep may safely graze (German: Schafe können sicher weiden) is a soprano aria by Johann Sebastian Bach setting words by Salomon Franck. The piece was written in 1713 and is part of the cantata Was mir behagt, ist nur die muntre Jagd, BWV 208. The cantata's title translates The lively hunt is all my heart's desire, and it is also known as the Hunting Cantata. Like the same composer´s Jesu, Joy of Man's Desiring, it is frequently played at weddings.[1] However, it was originally written for a birthday celebration, that of Christian, Duke of SaxeWeissenfels. Bach was based at the nearby court of Weimar, and musicians from both courts appear to have joined together in the first performance in Weißenfels. Bach is known to have used the music again for other celebrations, but it remained unpublished until after his death. Perfect for church, religious holidays, weddings, Easter, Birthdays , concerts, program performances, themed performances, recital, you name it.. this arrangement is a must.Score for a larger nsemble , Piccolo, G soprano flute or 1st c flute , 2nd flute, 3rd flute, 4th flute, 5th flute, 6 th flute , Alto flute in g , Bass flute and contrabass flute . Definiately a piece that will get used many times for many occasionals.also, check out my other arrangements! Real flute choir / ensemble arrangements for real flutes, and real parts ( no piano funny business ) for real performances. **ALSO check out my other arrangemnts - https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545
$15.99
The Walking Dead - Main Title
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Halloween
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Bear McCreary and Steven Kapla
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Lisa Ochoco
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The Walking Dead - Main Title
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559874 Composed by Bear McCreary and Steven Kaplan. Arranged by Lisa Ochoco. Con...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559874 Composed by Bear McCreary and Steven Kaplan. Arranged by Lisa Ochoco. Contemporary,Film/TV,Halloween. 16 pages. Lisa L Ochoco #5311491. Published by Lisa L Ochoco (A0.559874). There are many horror movies and TV series about monsters and people surviving the apocalypse. The Walking Dead is one of the most popular TV series in modern times. The main title music is a repetitive series of notes that is full of tension and sets the listener up for a bumpy ride. Ten years after its pilot episode, The Walking Dead is still going strong.
$15.00
His Yoke is Easy from Handel's Messiah for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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His Yoke is Easy from Handel's
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Lisa Ochoco
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SheetMusicPlus
Flute Choir - Advanced Intermediate - Digital Download Composed by George Frideric Handel (1685-1759). Arranged by Lisa Ochoco. Baroque Period, Chri...
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Flute Choir - Advanced Intermediate - Digital Download Composed by George Frideric Handel (1685-1759). Arranged by Lisa Ochoco. Baroque Period, Christian, Sacred, Christmas, Recital. Score, Set of Parts. 18 pages. Published by Lisa Ochoco
Handel's Messiah is one of the most popular musical works of all time, and choirs around the world perform Part 1 of Messiah every Christmas season.
His Yoke is Easy would be a great closer for your Christmas concert. It is the last movement in the Christmas section of Messiah. The Hallelujah Chorus is usually what is sung after this.
This arrangement is for the more advanced choir, however, parts 5 & 6 could be used for those who aren't as advanced.
Scored for 6 C flutes, alto, bass, and optional contrabass. There is also a cello part, which can also be played by any C instrument in a similar range, such as a bassoon.
$14.00
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Time After Time - Guitar
