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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
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FLUTE A BEC
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HARMONICA
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PIANO & CLAVIERS
Piano seul
291
2 Pianos, 4 mains
35
Piano Facile
33
Orgue, Trompette (duo)
32
Orgue
31
Piano, Voix
13
1 Piano, 4 mains
10
Clavecin
7
Orgue, Piano (duo)
5
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
4
Piano, Voix et Guitare
3
2 Accordéons
3
Accordéon
2
Instruments en Do
2
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GUITARES
2 Guitares (duo)
38
Guitare
35
Guitare notes et tablatures
28
Ukulele
13
Mandoline
5
Ensemble de guitares
1
Basse electrique
1
4 Guitares (Quatuor)
1
2 Ukuleles
1
3 Guitares (trio)
1
2 Dulcimers (duo)
1
Dulcimer
1
Piano, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
2 Mandolines (duo)
1
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VOIX
Chorale SATB
25
Chorale 2 parties
12
Chorale 3 parties
11
Voix duo, Piano
9
Voix duo
9
Chorale Unison
6
Voix seule
4
Voix Soprano, Piano
4
Voix moyenne, Piano
3
Chorale TTBB
3
Chorale SSAA
2
Voix haute
1
Instrumentations suivantes
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VENTS
2 Flûtes traversières (duo)
130
2 Clarinettes (duo)
117
2 Saxophones (duo)
73
Flûte traversière et Piano
51
Flûte, Hautbois, Clarinette, Basson
35
Quatuor de Saxophones: 4 saxophones
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Clarinette et Piano
32
Hautbois, Piano (duo)
29
3 Clarinettes (trio)
29
2 Hautbois (duo)
29
Quintette de Saxophone: 5 saxophones
27
Quatuor de Flûtes : 4 flûtes
20
2 Flûte à bec (duo)
19
3 Saxophones (trio)
18
2 Flûtes traversières, Piano
17
Hautbois, Basson (duo)
17
Quatuor de Clarinettes: 4 clarinettes
16
Saxophone Alto et Piano
16
Trio de Flûtes: 3 flûtes
15
Flûte, Clarinette (duo)
12
Saxophone Tenor et Piano
12
Clarinette
11
Flûte, Hautbois, Clarinette (trio)
11
Flûte traversière
11
Saxophone Soprano et Piano
11
Ensemble de Clarinettes
10
Flûte, Violoncelle
9
Hautbois, Violoncelle
9
Flûte, Violon
9
Clarinette, Violon (duo)
9
Cor anglais, Piano
8
Saxophone, Clarinette (duo)
7
Ensemble de Flûtes
7
Clarinette, Violoncelle (duo)
7
2 Cors Anglais Et Pianoforte
7
Quatuor de Flûtes à bec
7
Flûte, Clarinette et Basson
6
Clarinette, Basson (duo)
6
Quintette de Flûte : 5 flûtes
5
Flûte, Alto (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Saxophone Baryton, Piano
5
Hautbois, Clarinette (duo)
5
Flûte, Clarinette, Piano (trio)
4
Flûte, Saxophone (duo)
4
Flûte, Hautbois, Basson
4
Clarinette, Trompette (duo)
4
Ensemble De Flûte à bec
4
Saxophone Alto
4
Flûte à bec Tenor
4
Hautbois (partie séparée)
4
Ensemble de saxophones
4
Flûte et Guitare
3
Flûte, Violon et Violoncelle
3
Clarinette Basse, Piano
3
Flûte à bec Soprano, Piano
3
3 Flûtes à bec (trio)
3
Saxophone (partie séparée)
3
Saxophone Tenor
3
Flûte, Violoncelle, Guitare
2
2 Clarinettes, Basson
2
Flûte à bec Soprano
2
Clarinette et Alto
2
Flûte, Hautbois, Piano (trio)
2
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2
Clarinette, Harpe (duo)
2
Hautbois, Flûte
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Cor Anglais
1
Melodica
1
Piccolo
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Saxophone, Basson (duo)
1
Cor anglais et Harpe (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Violon
1
Flûte, Basson et Piano
1
Piccolo, Piano
1
4 Hautbois
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Guitare (duo)
1
Saxophone et violoncelle
1
Clarinette, trompette et piano
1
Flûte, Violon, Guitare
1
Flûte, Hautbois (duo)
1
Saxophone
1
Hautbois, Harpe
1
2 Hautbois et Basson
1
Flûte et Trio à cordes
1
Flûte, Alto et Piano
1
2 Hautbois et Cor anglais
1
Flûte, Violon, Piano
1
5 Flûtes à bec
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Harpe
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
2 Trombones (duo)
39
2 Trompettes (duo)
38
Trompette, Piano
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Trombone et Piano
18
Trompette
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Ensemble de Trombones
15
Quatuor de cuivres: 4 trombones
12
2 Cors (duo)
12
2 Trompettes, Clavier (piano ou orgue)
9
Trompette, Trombone (duo)
9
Ensemble de Trompettes
9
Cor et Piano
8
Cor anglais, Piano
8
2 Tubas (duo)
8
3 Trombones (trio)
7
Trombone
7
2 Cors Anglais Et Pianoforte
7
Trompette, Basson (duo)
6
2 Euphoniums (duo)
6
Trompette, Saxophone (duo)
5
Euphonium, Piano (duo)
5
Quatuor de cuivres: 4 cors
4
Cor
4
Tuba
4
Trompette, Violoncelle (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor, Violoncelle (duo)
3
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 4 trompettes
3
Trompette, Cor (duo)
2
Cor et Basson (duo)
2
Euphonium
2
Tuba et Orgue
2
3 Tubas (trio)
2
3 Cors (trio)
2
Ensemble de Cors
2
Cor et Harpe
2
Trompette (partie séparée)
2
4 Tubas
1
Cor Anglais
1
Cor anglais et Harpe (duo)
1
Trio de Cuivres
1
Trombone basse
1
Trompette, Trombone, Piano
1
Cor, Violoncelle et Piano
1
Tuba et Piano
1
Euphonium, Tuba (duo)
1
3 Euphoniums
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de Cuivres
1
Trompette, Harpe
1
Instrumentations suivantes
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CORDES
2 Violons (duo)
147
Quatuor à cordes: 2 violons, alto, violoncelle
109
Violon, Violoncelle (duo)
105
2 Violoncelles (duo)
77
Trio à Cordes: violon, alto, violoncelle
55
Trio à Cordes: 2 violons, violoncelle
51
2 Altos (duo)
50
Violon et Piano
48
Violon
46
Violon, Alto (duo)
42
Harpe
30
Alto, Piano
28
Violoncelle, Piano
26
Violoncelle
17
Trio à Cordes: 2 violons, alto
16
2 Violons, Piano
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
2 Harpes (duo)
14
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
7
4 Violoncelles
7
Alto seul
6
Violon (partie séparée)
6
Alto (partie séparée)
6
Harpe, Violon (duo)
6
Violon, Basson (duo)
5
Quatuor à cordes: 4 violons
5
Trio à Cordes: 3 violoncelles
5
Contrebasse, Piano (duo)
5
Alto et Basson
5
Trio à cordes
4
2 Contrebasses (duo)
4
Ensemble d'Altos
3
Ensemble de Violons
3
Trio à cordes: 3 violins
3
Violoncelle, Contrebasse (duo)
2
Violoncelle, Basse continue
2
Harpe et Piano
2
Quatuor à cordes : 4 altos
2
Contrebasse (partie séparée)
2
Contre Basse
2
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Alto et Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violon, Violoncelle
1
Trio à cordes: 3 altos
1
Harpe, Violoncelle (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
82
Orchestre de chambre
63
Ensemble de cuivres
48
Orchestre
16
Orchestre d'harmonie
14
Cloches
4
Xylophone
2
Marimba
2
2 Xylophones
1
Ensemble Jazz
1
Xylophone, Piano
1
Ensemble de Percussions
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Two Baroque
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Beethoven: Sonata Op. 49 No. 2 for Flute Choir
Ensemble de Flûtes
Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and…
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Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and 1 cello (optional). - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 103 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute choir. Duration: ca: 10:15 Score: 60 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute choir.
$49.95
45.43 €
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Ensemble de Flûtes
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Ludwig van Beethoven
#
James M
#
Beethoven: Sonata Op. 49 No. 2 for Flute Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.61 €
#
Ensemble de Flûtes
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.61 €
#
Ensemble de Flûtes
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
#
jmsgu3
#
SheetMusicPlus
Concerto in a minor TWV 52:a2 for flute choir
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.1406432 Composed by Gerog Philipp Telemann. Arranged by Dana H. Joras. Baroque,Chamber,Classical. 41 pages. Dana H. Joras #989258. Published by Dana H. Joras (A0.1406432). Telemann's Concerto in a minor TWV 52:a2, originally written for strings and recorders has been arranged in this setting for flute choir and two solo piccolos.
$24.99
22.73 €
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Ensemble de Flûtes
#
Gerog Philipp Telemann
#
Dana H
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Concerto in a minor TWV 52:a2 for flute choir
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Dana H. Joras
#
SheetMusicPlus
Sonata in D Major for Flute Choir (K448)
Ensemble de Flûtes
Large Ensemble Alto Flute,Bass Flute,Piccolo - Digital Download SKU: A0.501245 Comp…
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Large Ensemble Alto Flute,Bass Flute,Piccolo - Digital Download SKU: A0.501245 Composed by Wolfgang Amadeus Mozart. Arranged by Heather Bell. Baroque,Classical,Traditional. Score and parts. 48 pages. Published by HB (A0.501245). This piece was originally written by Wolfgang Amadeus Mozart under the original name Sonata in D for Two Pianos (K448). This is an arrangement that changes the instrumentation from pianos to a choir of flutes. It is a classic piece that most people recognize when they hear it. Arranging this for Flute Choir gave it a new sweet and fun timbre whilst keeping the original charm. It is a challenging piece, that allows all members of the choir to shine in the melody while sharing the background and bass responsibilities. It is charming and fun to both play and listen to.
$15.00
13.64 €
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Ensemble de Flûtes
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Wolfgang Amadeus Mozart
#
Heather Bell
#
Sonata in D Major for Flute Choir
#
HB
#
SheetMusicPlus
Hallelujah
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1292219 By Andrea Bocelli. By Leonard Cohen. Arranged by Kim Sheard. Baroque,Christian,Contemporary,Pop,Sacred. 29 pages. Kim Sheard #882826. Published by Kim Sheard (A0.1292219). Two Hallelujahs includes Handel's Hallelujah Chorus and Leonard Cohen's classic Hallelujah in one arrangement for piccolo, 5 C flutes, alto flute, and bass flute. Fans of both classical music and pop music will find something to enjoy in this piece. 3:15.More flute choir arrangements at www.kimsheardauthor.com.
$20.00
18.19 €
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Ensemble de Flûtes
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Andrea Bocelli
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Kim Sheard
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Hallelujah
#
Kim Sheard
#
SheetMusicPlus
Ave Maria Medley for Flute Choir
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.1335737 By Kim Sheard. By Franz Schubert, J.S. Bach/Charles Gounod. Arranged by Kim Sheard. Baroque,Classical,Religious,Sacred,Traditional. 27 pages. Kim Sheard #921562. Published by Kim Sheard (A0.1335737). The world's two most familiar Ave Marias in one arrangement for flute choir (4 C flutes, alto flute, and bass flute). Perfect for church or concert. 5:05. More flute choir arrangements at www.kimsheardauthor.com.
$20.00
18.19 €
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Ensemble de Flûtes
#
Kim Sheard
#
Kim Sheard
#
Ave Maria Medley for Flute Choir
#
Kim Sheard
#
SheetMusicPlus
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Compositeurs
Mentions légales
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Version intégrale