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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Vem var han?
Non classifié
196
Piano & claviers
Piano seul
72
Piano Facile
12
1 Piano, 4 mains
9
Orgue
5
Piano, Voix
4
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
Piano, Voix et Guitare
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Instruments en Do
1
+ 5 instrumentations
Retracter
Guitares
Guitare
10
Piano, Guitare (duo)
6
Guitare notes et tablatures
3
Dulcimer
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
12
Chorale Unison
4
Chorale 3 parties
2
Voix duo
1
Chorale SSAATTBB
1
Chorale 2 parties
1
+ 1 instrumentations
Retracter
Vents
2 Flûtes traversières, Piano
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Flûte traversière et Piano
22
Quintette de Saxophone: 5 saxophones
17
Clarinette et Piano
16
Hautbois, Piano (duo)
15
Saxophone Alto et Piano
15
Quatuor de Saxophones: 4 saxophones
12
Saxophone Tenor et Piano
10
Ensemble de Clarinettes
8
Ensemble de saxophones
8
2 Saxophones (duo)
7
Saxophone Baryton, Piano
7
Saxophone Soprano et Piano
7
Flûte, Hautbois, Clarinette, Basson
7
Quatuor de Clarinettes: 4 clarinettes
7
Cor anglais, Piano
6
2 Flûtes traversières (duo)
6
Ensemble de Flûtes
6
Clarinette
5
Quintette de Flûte : 5 flûtes
5
Quintette de Clarinettes: 5 clarinettes
4
3 Saxophones (trio)
4
3 Clarinettes (trio)
3
Clarinette Basse, Piano
3
Flûte traversière
3
Saxophone Alto
2
Hautbois
2
Clarinette, Basson (duo)
2
Piccolo, Piano
2
2 Clarinettes (duo)
2
2 Flûte à bec (duo)
2
Saxophone et Guitare
2
Flûte à bec Tenor
2
Flûte à bec Soprano
1
Flûte, Clarinette (duo)
1
Clarinette, Harpe (duo)
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Basson (duo)
1
Hautbois, Harpe
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette, Violon (duo)
1
Trio de Flûtes: 3 flûtes
1
+ 42 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Euphonium, Piano (duo)
12
Trombone et Piano
12
Trompette, Piano
11
Quatuor de Cuivres
11
Cor et Piano
11
Ensemble de Trompettes
7
Ensemble de Trombones
7
Cor anglais, Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette
5
Tuba et Piano
4
Ensemble de Cors
4
Cor
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Cor (duo)
2
Trombone
2
2 Cors (duo)
2
2 Trompettes (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
3 Cors (trio)
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
Tuba et Orgue
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
3 Trombones (trio)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29
Violon et Piano
22
Alto, Piano
15
Trio à Cordes: violon, alto, violoncelle
11
Violoncelle, Piano
10
Harpe
7
Violon
6
Violoncelle
6
Violon, Violoncelle (duo)
5
2 Violons (duo)
4
Alto seul
3
Contre Basse
3
Contrebasse, Piano (duo)
3
Ensemble d'Altos
3
Ensemble de Violons
2
Piano Trio: Violon, Alto, Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Trombone (duo)
1
2 Altos (duo)
1
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Harpe, Violon (duo)
1
Trio à cordes: 3 altos
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre
22
Orchestre de chambre
20
Orchestre d'harmonie
14
Orchestre à Cordes
13
Cloches
4
Ensemble de Percussions
4
Ensemble Jazz
2
Ensemble de cuivres
1
Quintette de Cuivres: autres combinaisons
1
Jazz combo
1
Piano et Orchestre
1
Orchestre, Violon
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
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BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Vem var han?
Ensemble de Flûtes
Partitions à imprimer
6 partitions trouvées
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1
Cloud Images for Flute choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Phyllis Avidan Louke
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Phyllis Avidan Louke, ASCAP
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Cloud Images for Flute choir
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #44052...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #4405244. Published by Louke Publishing (A0.736289). For Flute Choir Cloud Images By Phyllis Avidan Louke Cloud Images is a programmatic work in five movements for Flute Choir dedicated to Albert Weatherly of Sankyo Flutes, USA. The inspiration for this piece came from the beauty of the cloud formations observed during a long plane flight. Movement 1, Rising Above the Clouds, features a soaring melody played first by the bass and alto flute over an ostinato played by the flutes. The piccolo adds a countermelody which contributes to the feeling of being above the clouds. (1:30)  Movement 2, Billowing Clouds, features a melody in 7/8 time, alternating with another in 6/8 time, to convey the the shape and roundness of clouds.  (2:00) Movement 3, Oh Look! There’s an Alligator!, is a whimsical look at the different shapes that can be found in clouds. A running bass line in the bass flute supports a jaunty melody which seems to be on the prowl to find various shapes in the clouds. Several different animal shapes are seen: a hippo, an elephant, and finally, an alligator. Vocals can also be utilized in this movement to better communicate these animal shapes to the audience. (2:20)  Movement 4, With Your Head in the Clouds, is in a light-hearted soft shoe style. The melodies describe the feeling of skipping through life, not having a care in the world. For a Lawrence Welk ending, one of the players with rests can blow bubbles during the last measure. (1:40)  Movement 5, Through a Sea of Clouds, has a dream-like quality imagining what it would be like to travel through a sea of clouds and touch their whispy softness. The bass flute is prominently featured, and later joined by the alto flute. The piccolo adds the frosting on top. (2:30)  Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com  Â
$18.00
Folk Tune from Suite for strings - flute choir / ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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P
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Folk Tune from Suite for strin
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as do Ray meflute studio production
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SheetMusicPlus
Large Ensemble Bass Flute,Choir,Orff Instrument,Piccolo - Level 4 - SKU: A0.874270 Composed by P.E. Fletcher. Arranged by a do Ray me flute studio pro...
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Large Ensemble Bass Flute,Choir,Orff Instrument,Piccolo - Level 4 - SKU: A0.874270 Composed by P.E. Fletcher. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. 20th Century,Concert,Folk,Standards,World. Score and parts. 50 pages. As do Ray meflute studio production #6572901. Published by as do Ray meflute studio production (A0.874270). #1. Folk Tune ( 1st movement from suite for strings) by P.E. Fletcherarranged for flute choir / ensemble arranged by me, Ray-michael Kauffmanhttps://youtu.be/zebIsFJXRi0 Folk tunes is a theme and variations from a British themed folk tune. This piece goes from different moods, stylings, key signatures, tempos, various melodies featuring different sections of the flute choir / ensemble family . A sounding old world , Irish folk melodies in minor keys, changing to expressive lyrical melodies, a jovial fun section, and many others returning to the original melody . A Great arrangement for your flute choir / ensemble , fun to play and interesting to listen to as an audience.Thanks for checking this out, and out my other arrangements at this weblink; https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545and visit my website @www.doRaymeflute.com
$14.99
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Selected Choruses from MESSIAH for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Ralph Raymond Hays
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Selected Choruses from MESSIAH
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Ralph Raymond Hays
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - SKU: A0.720685 Composed by George Frideric Handel. Arranged by Ralph Raymond Hay...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - SKU: A0.720685 Composed by George Frideric Handel. Arranged by Ralph Raymond Hays. Christmas,Contemporary,Easter,Praise & Worship,Wedding. 111 pages. Ralph Raymond Hays #6012509. Published by Ralph Raymond Hays (A0.720685). This exquisite collection curated from one of Western Music's most cherished masterpieces is a must-have for ensembles of varying ability. Superbly edited and crafted by one of SMP's top arrangers, these particular selections are appropriate for a variety of occasions: Christmas or Easter/Holy Week services, funerals, weddings, recitals, and more. Each individual movement can also serve as accompaniment to a chamber choir performing from an original octavo. This compilation consists of the following:00:00 No. 1 - SINFONIA (OVERTURE)03:43 No. 4 Chorus - AND THE GLORY OF THE LORD06:25 No. 12 Chorus - FOR UNTO US A CHILD IS BORN10:27 No.13 - PASTORAL SYMPHONY12:28 No.17 - Chorus - GLORY TO GOD14:30 No.22 Chorus - BEHOLD THE LAMB OF GOD17:08 No.44 Chorus - HALLELUJAH20:55 No.46 Chorus - SINCE MY MAN CAME DEATH
$22.50
Recordare (from "Requiem") (F) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1112877 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Class...
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Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1112877 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714833. Published by Regis Bookshar (A0.1112877). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Flute Octet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Flute Octet, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Flute Octet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
Bach: Jesu, Joy of Man's Desiring for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
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