"2018 Chamber Music Contest Entry"
Shenandoah
arr. Phyllis Avidan Louke

One of America?s best loved songs began asa sea shanty. The Shenandoah spoken ofin the song is not about a place, but is about an Indian chief living along theMissouri River.

Oh Shenandoah,
I long to hearyou,
Away you rollingriver,
Oh Shenandoah,
I long to hearyou,
Away, I?m boundaway
?Cross the wide Missouri

Oh Shenandoah,
I love yourdaughter,
Away you rollingriver,
Oh Shenandoah,
I love yourdaughter,
Away, I?m boundaway
?Cross the wide Missouri.

This arrangementopens with a haunting Flute 1 and Alto Flute duet. The instruments are featuredin various combinations throughout the piece to explore the different of colorsproduced by the flute choir. Harmoniesand rhythms are altered during various sections--most notably a duet betweenthe bass flute and alto flute. Piccolo,alto and bass flutes play prominent roles.

Folk Song
American Folk Song


This piece isscored for piccolo, 3 flutes, alto flute, bass flute, and optional contrabassflute. Level 3, 5:30



Phyllis Avidan Louke is aflutist and award-winning composer and arranger with more than 70 publishedpieces to her credit. www.phyllislouke.com and www.fabulousflute.com

2018 Chamber Music Contest Entry
The Impossible Dream from Man of La Mancha
Program Notes

The Impossible Dream (The Quest) is the most popular song from the1965 Broadway musical Man of LaMancha and is also featured in the 1972 film of the same name. The song was composed by Mitch Leigh,with lyrics written by Joe Darion. It was awarded the Contemporary Classics Award from the Songwriter?sHall of Fame.

I have always found the lyrics of TheImpossible Dream extremely moving:

Todream the impossible dream,
To fight the unbeatable foe,
To bear with unbearable sorrow,
To run where the brave dare not go.

To right the unrightable wrong,
To love pure and chaste from afar,
To try when your arms are too weary,
To reach the unreachable star.

This is my quest,
To follow that star
No matter how hopeless,
No matter how far.

To fight for the right
Without question or pause,
To be willing to march
Into hell for a heavenly cause.

And I know if I'll only be true
To this glorious quest
That my heart will be peaceful and calm
When I'm laid to my rest.

And the world will be better for this,
That one man scorned and covered with scars
Still strove with his last ounce of courage.
To fight the unbeatable foe.
To reach the unreachable star.

This arrangement for flute choir can be performed with asfew as 5 players or a full flute choir with multiple players on a part. It is scored for 3 flutes, alto flute, bassflute, and optional contrabass flute.

Broadway
Movies
Popular
Ballad

Phyllis Avidan Louke is a flutist and award-winning composerand arranger with more than 70 published pieces to her credit. www.phyllislouke.com

A list of Phyllis Louke?s SMP publications with full lengthrecordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/

https://youtu.be/Mw3wD_kzxrc

This beloved piece, well known by many early music students, is a sweet expressive addition for your flute ensemble/ group/ choir. Simplistic enough to intermediate performers, yet complex enough to create something magical for performers and audience. This simple yet sweet melody, added with my rich textured harmonies adds a new flare to this piece, and would be perfect for playing for so many venues , concerts, churches, programs, graduation, memorial
services, and many other choices. A great way for newer players to learn expressive playing and emotional phrasing. A sure hit for all !
set for 4 c flutes, and alto flute in g , and / or bass flute . Can be used as a quintet or sextet , or small flute ensemble. A piece where all flute players can play, sharing the melody back and forth through the sections .

Thanks for looking, and please check out my website @ doRaymeflute.com

This absolutely fabulous song comes from the 1965 slapstick comedy film, The Great Race. I first heard it on James Galway's album, In the Pink, which features Galway playing 13 of Henry Mancini's songs.

This piece just screams fun in the middle of a gazillion notes just flying by. Filled with arpeggios, this is a workout for the fingers and requires quite a bit of precision for the song to sound really good. As with most of my arrangements, I have tried to give every part something interesting to play, with the exception of the contrabass flute and optional upright bass, which could also be played by any C instrument in the bass clef range. These lower parts are important in helping maintain good downbeats.

Scored for 5 C flutes, alto, bass, contrabass, and optional upright bass. There are 2-part divisis in flutes 1 - 4. This piece is for the more advanced flute choir and would be a great opener or encore for your recitals.

Duration: 2.75 minutes

Based on "Bad Romance" by Lady Gaga, this arrangement reimagines the pop hit as a Bach fugue. Giovanni Dettori's version went viral in 2013 and is now available for flute choir. This is a great way to round-out your concert program by bringing in something from an older time period in an audience-friendly way. Includes sixteenth notes, accidentals, and requires good musicality. Alto and Flute 1 are the most difficult parts.

Length: 2:45

This is the first movement of Part 2, Christ's Passion, of Handel's oratorio, The Messiah.

Flutes 1 - 4 represent the SATB chorus, and the lower parts represent the orchestral parts. That said, Flutes 5 and 6 are more diffcult because they are playing the violin parts, which include more ornamentation than the voice parts.

Scored for 6 C, alto, bass, and optional contrabass flutes.

This is a powerful piece to add to your Easter recital program.

Behold the Lamb of God, that taketh away the sins of the world.