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CHARANGO
CITHARE
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CLOCHES
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CORNET
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
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Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Virtualsheetmusic
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expert
avec audio
avec vidéo
avec play-along
Non classifié
2440
PIANO & CLAVIERS
Piano, Voix
3781
Piano seul
707
Piano Facile
381
Instruments en Do
245
Orgue
153
Piano Trio: piano, violon, violoncelle
56
Piano, Voix et Guitare
56
Accompagnement Piano
54
2 Pianos, 4 mains
37
1 Piano, 4 mains
33
Clavecin
21
Orgue, Trompette (duo)
16
Piano Quatuor: piano, violon, alto, violoncelle
12
Orgue, Piano (duo)
12
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Accordéon
1
1 Piano, 6 mains
1
Piano grosses notes
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
180
Guitare
153
Ukulele
34
2 Guitares (duo)
18
Basse electrique
13
Piano, Guitare (duo)
11
Ligne De Mélodie, (Paroles) et Accords
10
4 Guitares (Quatuor)
7
Dulcimer
5
Mandoline
4
Mandoline, Guitare (duo)
4
3 Guitares (trio)
3
Paroles et Accords
2
Mandoline, Piano (duo)
1
2 Ukuleles
1
Ensemble de guitares
1
2 Dulcimers (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
159
Chorale 3 parties
51
Voix duo, Piano
45
Voix seule
37
Chorale 2 parties
32
Chorale TTBB
19
Chorale Unison
10
Chorale SSAA
9
Voix Soprano, Piano
9
Voix haute
6
Voix Soprano, Orchestre
5
Voix moyenne, Piano
5
Voix duo
5
Voix Alto, Piano
4
Chorale SSAATTBB
2
Voix Tenor, Piano
2
Voix basse, Piano
2
Voix Soprano
1
Voix Baryton, Piano
1
Chorale SSAB, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
259
Clarinette et Piano
221
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
210
Quatuor de Saxophones: 4 saxophones
197
Flûte, Hautbois, Clarinette, Basson
183
2 Saxophones (duo)
166
Hautbois, Piano (duo)
154
Saxophone Alto et Piano
150
2 Flûtes traversières (duo)
143
Saxophone Tenor et Piano
124
Quatuor de Clarinettes: 4 clarinettes
104
Quintette de Saxophone: 5 saxophones
103
2 Clarinettes (duo)
103
Saxophone Soprano et Piano
97
Flûte traversière
91
Clarinette
77
3 Saxophones (trio)
66
Saxophone Alto
52
2 Hautbois (duo)
42
Cor anglais, Piano
42
Flûte, Clarinette (duo)
40
2 Flûte à bec (duo)
40
Saxophone Tenor
39
Saxophone Baryton, Piano
39
3 Clarinettes (trio)
38
Trio de Flûtes: 3 flûtes
37
Hautbois, Basson (duo)
34
Quatuor de Flûtes : 4 flûtes
31
Hautbois (partie séparée)
31
Clarinette, Basson (duo)
31
Quintette de Clarinettes: 5 clarinettes
30
Hautbois
28
Ensemble de Clarinettes
27
Flûte, Clarinette et Basson
27
Ensemble De Flûte à bec
27
Flûte, Violoncelle
27
Flûte, Hautbois, Clarinette (trio)
24
Flûte à bec Soprano
23
Clarinette, Violoncelle (duo)
22
Flûte et Guitare
21
Saxophone (partie séparée)
21
Quatuor de Flûtes à bec
20
Quintette de Flûte : 5 flûtes
20
Hautbois, Violoncelle
19
Hautbois, Clarinette (duo)
18
Flûte, Hautbois, Basson
15
Clarinette Basse, Piano
15
2 Saxophones, Piano
15
Flûte, Violon
14
Flûte à bec Alto
12
Clarinette, Violon (duo)
12
Flûte à Bec
12
Clarinette, Guitare (duo)
11
Flûte, Alto (duo)
11
Saxophone, Clarinette (duo)
11
Saxophone Baryton
11
Flûte à bec Soprano, Piano
11
Hautbois, Clarinette, Basson (trio d'anches)
10
Saxophone Soprano
10
Clarinette, Harpe (duo)
10
Ensemble de Flûtes
10
Ensemble de saxophones
9
Flûte, Violoncelle, Piano (trio)
8
3 Flûtes à bec (trio)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Saxophone et Guitare
7
Flûte, Violon et Violoncelle
7
Flûte à bec Tenor
7
5 Flûtes à bec
7
Flûte irlandaise
6
Flûte, Basson et Piano
6
Clarinette, Trompette (duo)
6
Clarinette (partie séparée)
6
Cor anglais, Guitare (duo)
6
Clarinette et Alto
6
Flûte, Saxophone (duo)
6
Flûte, Clarinette, Piano (trio)
6
Flûte à bec Alto, Piano
5
Hautbois, Harpe
5
2 Clarinettes, Piano
5
4 Hautbois
4
Flûte, Hautbois (duo)
4
Saxophone et Harpe
4
2 Flûtes traversières, Piano
4
Hautbois, Flûte
4
Hautbois, violon (duo)
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte, Hautbois, Piano (trio)
3
Ocarina
3
Piccolo, Piano
3
Flûte, Trompette (duo)
3
Cor Anglais
2
Hautbois et alto (duo)
2
Saxophone
2
Clarinette, Basson, Piano (trio)
2
Ensemble de Hautbois
2
Flûte, Tuba (duo)
2
Clarinette, Trombone (duo)
2
Flûte, Violon, Piano
2
3 Hautbois
2
2 Cors Anglais Et Pianoforte
2
Cor anglais et Harpe (duo)
2
Flûte, Trombone (duo)
2
Clarinette Basse
2
Hautbois, trombone (duo)
1
2 Hautbois, Piano
1
Piccolo
1
Clarinette, Orchestre
1
Flute (partie séparée)
1
2 Clarinettes, Basson
1
Flûte traversière, Orchestre
1
Flûte et Quatuor à Cordes
1
Flute, harpe et violon
1
Flûte, Alto et Piano
1
Harmonica
1
Flûte à bec Alto, Basse continue
1
Melodica
1
Hautbois, Guitare (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte, Violoncelle, Guitare
1
Clarinette, Tuba
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
206
Trompette, Piano
172
Trombone et Piano
118
Cor et Piano
96
Trompette
88
Quatuor de Cuivres : 2 trompettes, trombone, tuba
79
Trombone
67
Tuba et Piano
64
Ensemble de Trompettes
57
2 Trombones (duo)
53
2 Trompettes (duo)
51
Cor
48
Tuba
42
Cor anglais, Piano
42
Quatuor de Cuivres: 2 trompettes, Cor, trombone
38
2 Cors (duo)
36
Trompette, Trombone (duo)
32
Euphonium, Piano (duo)
29
Quatuor de Cuivres
27
Ensemble de Trombones
23
2 Tubas (duo)
21
Quatuor de cuivres: 4 trombones
21
Quatuor de cuivres: 4 cors
17
3 Trombones (trio)
17
Quatuor de cuivres: 4 trompettes
13
Trompette, Basson (duo)
12
Cor, Violoncelle (duo)
10
Trompette, Violoncelle (duo)
10
Trompette, Cor (duo)
8
Trompette, Saxophone (duo)
7
3 Trompettes (trio)
7
4 Tubas
7
Ensemble de Cors
7
Euphonium
6
Cor anglais, Guitare (duo)
6
Cor et Basson (duo)
6
2 Euphoniums (duo)
5
3 Tubas (trio)
5
Cor, Orchestre
5
Trombone, Cor (duo)
5
Trompette (partie séparée)
5
Trompette, Trombone, Piano
4
Trombone (partie séparée)
4
Tuba et Orgue
4
2 Trompettes, Clavier (piano ou orgue)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor (partie séparée)
3
Cor et Harpe
3
Euphonium, Tuba (duo)
3
Trompette, Harpe
3
Trombone basse
3
3 Cors (trio)
3
Cor, Tuba (duo)
3
Cor Anglais
2
Tuba (partie séparée)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Euphoniums
2
2 Cors Anglais Et Pianoforte
2
Cor anglais et Harpe (duo)
2
2 Cors, Piano
1
Trio de Cuivres
1
Trompette, Tuba (duo)
1
Trombone, Violon (duo)
1
4 Euphoniums
1
Trombone basse et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
512
Violon et Piano
320
Violoncelle, Piano
217
Alto, Piano
213
Violon
166
Violon, Violoncelle (duo)
148
Trio à Cordes: violon, alto, violoncelle
128
Violoncelle
108
2 Violons (duo)
106
2 Violoncelles (duo)
72
Violon, Alto (duo)
64
Alto seul
62
Quintette à cordes: 2 violons, alto, violoncelle, basse
59
Harpe
55
2 Altos (duo)
54
Contrebasse, Piano (duo)
50
Trio à Cordes: 2 violons, violoncelle
38
Contre Basse
32
Alto, Violoncelle (duo)
26
Trio à cordes: 3 violins
23
2 Harpes (duo)
21
Violon (partie séparée)
19
Alto (partie séparée)
18
Violon, Basson (duo)
17
Trio à Cordes: 3 violoncelles
16
Piano Trio: Violon, Alto, Piano
15
Harpe, Flûte (duo)
15
2 Contrebasses (duo)
14
Trio à Cordes: 2 violons, alto
12
4 Violoncelles
12
Alto et Basson
12
Violoncelle, Orchestre
11
Quatuor à cordes: 4 violons
11
Harpe, Violon (duo)
10
Violoncelle , Guitare (duo)
10
Trio à cordes: 3 altos
10
Ensemble d'Altos
9
Ensemble de Violons
8
Violoncelle, Contrebasse (duo)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Alto, Guitare (duo)
7
Violon, Guitare (duo)
7
Quatuor à cordes : 4 altos
6
2 Violoncelles, Piano
5
Contrebasse (partie séparée)
5
Harpe, Violoncelle (duo)
4
2 Altos, Piano
3
2 Violons, Piano
3
Violoncelle, Basse continue
3
Violon, Orgue
3
Harpe, Violon, Violoncelle
3
Violoncelle, Orgue
3
Violoncelle (partie séparée)
3
Harpe, Trombone (duo)
2
Alto et Harpe
2
Violon, Basse continue
2
3 Contrebasses
2
Violon, Tuba (duo)
2
2 Violons et Basse continue
1
Trio à cordes
1
Ensemble de Violoncelles
1
Violon, Violoncelle, Clarinette
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
288
Orchestre à Cordes
240
Ensemble de cuivres
176
Orchestre de chambre
126
Orchestre d'harmonie
85
Piano et Orchestre
33
Orchestre, Violon
18
Cloches
18
Ensemble Jazz
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Xylophone, Piano
5
Vibraphone
4
Marimba
4
Ensemble de Percussions
4
Percussion (partie séparée)
2
2 Xylophones
2
Batterie
1
Xylophone
1
Voix et Orchestre
1
Instrumentations suivantes
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AUTRES
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With Baroque
Ensemble de Flûtes
Partitions à imprimer
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The Lily of the Valley (with Vivaldi's "Spring")
Ensemble de Flûtes
Composed by Vivaldi, William S. Hays. Arranged by Beka Wilson. Classical Period, Bar…
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Composed by Vivaldi, William S. Hays. Arranged by Beka Wilson. Classical Period, Baroque Period, Christian, Sacred, General Worship. Score, Set of Parts. 20 pages. Published by Beka Wilson
$14.99
13.61 €
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Ensemble de Flûtes
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Vivaldi, William S
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Beka Wilson
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The Lily of the Valley
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Beka Wilson
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SheetMusicPlus
A New Ground (ZT 682) for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.835979 Composed by Hen…
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Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.835979 Composed by Henry Purcell. Arranged by Joshua S. Kim. Baroque. 16 pages. Joshua S. Kim #3091813. Published by Joshua S. Kim (A0.835979). A New Ground (ZT 682) for Flute Choir by Henry Purcell. The original music was written for harpsichord in E minor. It appears in a musical performance (more aptly called, semi-opera) Welcome to All the Pleasures. Purcell wrote this operetta when he was 24. The ideal choir for this beautiful melodies is Quintet of flutes 2, alto 1 and bass 2. However, quartet with one flute can play without missing any notes.Score and set of all parts are included as well as special parts -- Part for flute 1 & 2, plus Part for alto & bass for easy references.
$9.99
9.07 €
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Ensemble de Flûtes
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Henry Purcell
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Joshua S
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2, plus Part for alto &
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A New Ground
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Joshua S. Kim
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.53 €
#
Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.53 €
#
Ensemble de Flûtes
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Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
#
jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Joh…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
36.27 €
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Ensemble de Flûtes
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Choir
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jmsgu3
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SheetMusicPlus
a Theme by Bach ( excerpt from St. Matthew's Passion ) for flute choir / ensemble
Ensemble de Flûtes
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.874240 Composed by Johann…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.874240 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Contemporary,Easter,Spiritual,Standards. Octavo. 28 pages. As do Ray meflute studio production #3483869. Published by as do Ray meflute studio production (A0.874240). https://www.youtube.com/watch?v=i-KERymlx1M&feature=youtu.behttps://www.youtube.com/watch?v=IoQTyU-V3H4by J S Bach, this theme is an excerpt from St. Matthews Passion for flute choir / ensemble. Beautiful, simple, but complex textures and colors . Would make a great addition to you choir's library whether for church, Easter, Good Friday, Psalm Sunday, Concert setting , or any performance. Bach goes well with everything!!doraymeflute.com
$14.00
12.71 €
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Ensemble de Flûtes
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Johann Sebastion Bach , J S Bach
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Ray-Michael Kauffman
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a Theme by Bach
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as do Ray meflute studio production
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SheetMusicPlus
Air from Suite in D by Bach for flute choir / flute ensemble
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.874245 Composed by Joh…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacred,Standards,Wedding. 17 pages. As do Ray meflute studio production #3591641. Published by as do Ray meflute studio production (A0.874245). https://www.youtube.com/watch?v=EKPo0RPP-E4&feature=youtu.beAir from Suite in D by J. S. Bacharranged for flute choir / ensemble by me Ray-Michael Kauffman. I know there is a lot of versions of this , but unhappy with most of them and lack of over all music musicality I decided to create one that was interesting to play and hear a swell as make good musical sense. After much debate, I decided changing the key to E flat would be most appropriate for either small group of players ( minimum 7) or larger groups . In the piece there is even additional divisions to help create more texture and colors in parts 3 & 4, yet remaining simple and true but sounding beautiful , what flutes should sound like.Great for studying flutist, to high school and college students. Flute choir groups, etcwould be a great addition for your ensemble, whether playing at a recital, concert, church and other spiritual events, graduation, weddings, etc. This would also be a great tool or warm up for balance and shaping sound, volume, color, blending, phrasing and other important technique builders for your group.You'll love this arrangement ,and so will the flutists and your audience!
$13.99
12.7 €
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Ensemble de Flûtes
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Johann Sebastion Bach , J S Bach
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Ray-Michael Kauffman
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Air from Suite in D by Bach for flute choir / flute ensemble
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as do Ray meflute studio production
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SheetMusicPlus
Jesu, meine Freude, I. Chorale, by J.S. Bach, - Flute Choir (3 Flutes (3rd doubling Alto
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.973690 Composed by Joh…
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.973690 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Baroque,Easter,Holiday,Sacred. 6 pages. J.W. Carter #5197459. Published by J.W. Carter (A0.973690). J.S. Bach's 4-part chorale setting of Jesu, meine Freude arranged for Flute Choir (3 flutes, 3rd doubling alto flute, bass flute with optional bassoon.To be played immediately before organ prelude setting, also available here.
$2.50
2.27 €
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Ensemble de Flûtes
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Johann Sebastian Bach
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J
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Jesu, meine Freude, I. Chorale, by J.S. Bach, - Flute Choir
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J.W. Carter
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SheetMusicPlus
Angelus ad Pastores Ait for Flute Choir
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559904 Composed by Hieronymus Praetorius. Arranged by Lisa Ochoco. Christmas,Renaissance,Sacred. 29 pages. Lisa L Ochoco #5374721. Published by Lisa L Ochoco (A0.559904). Not to be mixed up with Michael Praetorius or a type of ancient writing system, Hieronymus Praetorius was a German composer and organist who lived in the Renaissance / Baroque periods. He wrote mainly for the voice, and his music is not widely known outside of the church.
$14.00
12.71 €
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Ensemble de Flûtes
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Hieronymus Praetorius
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Lisa Ochoco
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Angelus ad Pastores Ait for Flute Choir
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Lisa L Ochoco
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SheetMusicPlus
Jesu, joy of man's desiring by Bach for Flute Choir Quartet
Ensemble de Flûtes
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.957341 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.957341 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Standards,Wedding. 10 pages. Woods Only, Arrangements #6854469. Published by Woods Only, Arrangements (A0.957341). This easy arrangement for flute choir quartet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.
$7.99
7.25 €
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Ensemble de Flûtes
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by Bach for Flute Choir Quartet
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Woods Only, Arrangements
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SheetMusicPlus
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