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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
You Had Time
Non classifié
528
Piano & claviers
Piano, Voix et Guitare
394
Piano seul
231
Piano, Voix
65
Piano Facile
36
Instruments en Do
24
Orgue
16
2 Pianos, 4 mains
7
1 Piano, 4 mains
6
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
12
Guitare
11
4 Guitares (Quatuor)
5
Ligne De Mélodie, (Paroles) et Accords
3
2 Guitares (duo)
3
Basse electrique
2
Ensemble de guitares
1
Banjo
1
Mandoline, Guitare (duo)
1
Paroles et Accords
1
Mandoline
1
Ukulele
1
+ 7 instrumentations
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Voix
Chorale SATB
74
Chorale 3 parties
19
Chorale 2 parties
14
Chorale TTBB
11
Chorale Unison
6
Chorale SSAA
5
Voix duo, Piano
5
Voix duo
4
Voix seule
2
Voix Tenor
2
Voix Alto, Piano
2
Voix Baryton, Piano
1
Voix haute
1
Voix Tenor, Piano
1
Chorale SSATB
1
Chorale SSAATTBB
1
Chorale
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
74
Quintette de Saxophone: 5 saxophones
67
2 Saxophones (duo)
59
Ensemble de saxophones
40
Saxophone, Clarinette (duo)
32
2 Flûtes traversières (duo)
31
Quatuor de Saxophones: 4 saxophones
23
Clarinette, Violon (duo)
19
Quatuor de Clarinettes: 4 clarinettes
19
Ensemble de Clarinettes
18
2 Clarinettes (duo)
17
Clarinette, Trompette (duo)
16
Clarinette
16
Hautbois (partie séparée)
15
Flûte traversière et Piano
13
Flûte, Clarinette (duo)
13
Saxophone
12
2 Hautbois (duo)
12
Flûte, Violon
11
Quintette de Flûte : 5 flûtes
11
Hautbois, Clarinette (duo)
11
Flûte, Trompette (duo)
10
Clarinette et Alto
10
Hautbois, Flûte
10
Hautbois, Basson (duo)
10
Flûte, Hautbois, Clarinette, Basson
9
Flûte, Saxophone (duo)
9
Clarinette et Piano
9
Flûte, Alto (duo)
8
Ensemble de Flûtes
8
Flûte traversière
6
Hautbois, Piano (duo)
6
Saxophone Alto et Piano
6
Saxophone Alto
5
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Tenor et Piano
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Soprano et Piano
3
Clarinette Basse, Piano
3
Saxophone Tenor
3
Cor anglais, Piano
2
Ensemble De Flûte à bec
2
Hautbois, violon (duo)
2
Clarinette, Violoncelle (duo)
2
Saxophone (partie séparée)
2
3 Clarinettes (trio)
2
Clarinette, Basson (duo)
2
Flûte à bec Soprano
2
Flûte, Violoncelle
1
Flûte à Bec
1
Flûte et Guitare
1
Hautbois, trombone (duo)
1
Hautbois et alto (duo)
1
Clarinette, Guitare (duo)
1
3 Saxophones (trio)
1
Saxophone et Orgue
1
Saxophone Baryton, Piano
1
Clarinette, Trombone (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Guitare (duo)
1
Hautbois, Violoncelle
1
Flûte, Hautbois (duo)
1
Flute (partie séparée)
1
Cor Anglais
1
Clarinette, Tuba
1
Flûte, Tuba (duo)
1
+ 61 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
52
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Trompette, Saxophone (duo)
22
Ensemble de Trombones
14
Trompette, Trombone (duo)
14
Trompette
12
2 Trombones (duo)
12
Ensemble de Trompettes
12
Quatuor de Cuivres
11
Trombone
10
2 Trompettes (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor
6
Trombone et Piano
6
Trompette, Piano
6
Cor et Piano
4
Tuba et Piano
4
Ensemble de Cors
3
Quatuor de cuivres: 4 trombones
3
Cor anglais, Piano
2
2 Tubas (duo)
2
Tuba
2
Trio de Cuivres
2
2 Cors (duo)
1
Trompette, Euphonium (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle (duo)
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 cors
1
Trompette, Cor (duo)
1
Ensemble de Tubas
1
2 Euphoniums et 2 Tubas
1
Trompette, Tuba (duo)
1
Trombone basse et Piano
1
Cor, Violoncelle (duo)
1
4 Tubas
1
Cor Anglais
1
Trompette, violon (duo)
1
+ 33 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon
20
2 Violons (duo)
18
Violon, Violoncelle (duo)
16
Violon et Piano
15
2 Altos (duo)
14
2 Violoncelles (duo)
12
Trio à Cordes: violon, alto, violoncelle
12
Violoncelle
11
Violon, Alto (duo)
11
Ensemble de Violons
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Alto seul
7
Ensemble d'Altos
7
Harpe
5
Alto, Piano
5
Violoncelle, Piano
5
4 Violoncelles
3
2 Harpes (duo)
3
Contre Basse
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble de Violoncelles
2
Violon (partie séparée)
2
Alto (partie séparée)
2
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle , Guitare (duo)
1
Violon, Basson (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
107
Orchestre à Cordes
37
Ensemble Jazz
27
Orchestre
25
Orchestre de chambre
19
Ensemble de cuivres
16
Jazz combo
14
Cloches
4
Ensemble de Percussions
4
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
Vibraphone
1
Batterie
1
+ 8 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Note4Piano
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Vous avez sélectionné:
You Had Time
Ensemble de Flûtes
Partitions à imprimer
8 partitions trouvées
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1
Twitter, for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Greg Danner
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Twitter, for Flute Choir
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Avanti Music
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Ava...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Avanti Music (A0.778282). Twitter, founded in March of 2006, is a social networking and micro-blogging service that allows users to post short messages of no more that 140 characters. Because it works as an application on cell phones people can share information immediately. In its short time, Twitter has become embedded in our increasingly networked society. The composition Twitter takes five famous tweets-some serious, others funny, and some historic and presents a musical interpretation. In keeping with the idea that a tweet is a short message, each movement of Twitter is approximately 140 seconds long. 1. There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy. Janis Krums, 12:36 p.m. Jan15, 2009Janis Krums posted this text and the first photo of US Airways flight 1549 moments after the plane made an emergency landing in the Hudson River after hitting a flock of birds. His quick action helped to notify rescue workers and the media. 2. Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.Conan O’Brien, 3:54 p.m. Feb. 24, 2009 Shortly after being dismissed from the Tonight Show and finding himself in-between jobs, Conan O’Brien joined Twitter. As with many celebrities, a Twitter account can allow fans to stay in touch and feel connected. What was amazing in this case was that in just two hours after this first tweet he had over 125,000 followers-the largest number ever in such a short time. His number has since grown to nearly 3 million. 3. ArrestedJames Buck, 9:30 a.m. April 10 A graduate student from the University of California-Berkeley, James Buck was covering an anti-government protest in Egypt. Buck was caught up in a demonstration, and while being taken to jail had time to post a one-word tweet-arrested. Within seconds colleagues in the United States got word of his arrest and notified the university, the US Embassy, and a number of press organizations on his behalf, leading to his freedom. 4. We just made history. All of this happened because you gave your time, talent and passion. All of this happened because of you. Thanks. Barack Obama, 11:34 a.m. Nov. 5, 2008 The Obama 2008 campaign was historic on a number of counts, and the use of technology and social media was one of them. This tweet was sent to over 2.6 million followers just after the election. 5. Are you ready to celebrate? Well, get ready: We have ICE!!!!! Yes, ICE, *WATER ICE* on Mars! w00t!!! Best day ever!! MarsPhoenix, 5:14 PM Jun 19th, 2008 NASA’s Jet Propulsion Laboratory has made an innovative use of twitter by sending messages from the Mars Phoenix lander’s point of view. The message above is undoubtedly the most exciting news ever to be tweeted on behalf of an extraterrestrial robot.
$40.00
Silent Night (Bb) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,Wor...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 11 pages. Regis Bookshar #6636631. Published by Regis Bookshar (A0.813987). Flute Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Flute Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Allegro (from "Sonata for Trumpet") (Bb) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Henry Purcell
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.813588 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.813588 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 13 pages. Regis Bookshar #6429837. Published by Regis Bookshar (A0.813588). Flute Octet - Advanced/Intermediate - . This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (13 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. This particular arrangement is for a Flute Octet, consisting of 8 Flutes, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$15.00
Recordare (from "Requiem") (F) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1112877 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Class...
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Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1112877 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714833. Published by Regis Bookshar (A0.1112877). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Flute Octet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Flute Octet, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Flute Octet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
Theme From "bewitched"
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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Howard Greenfield and Jack Kel
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Phyllis Avidan Louke, ASCAP
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Theme From "bewitched"
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.736296 Composed by Howard Greenfield and Jack Keller. Arranged by Phyllis Avidan Louke, ASCA...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.736296 Composed by Howard Greenfield and Jack Keller. Arranged by Phyllis Avidan Louke, ASCAP. Contemporary,Film/TV,Halloween. 15 pages. Louke Publishing #4794613. Published by Louke Publishing (A0.736296). Flute Choir Theme from BewitchedProgram Notes Theme from Bewitched is from a television situation comedy originally broadcast from 1964 to 1972 about a witch who marries an ordinary mortal man and vows not to use her magical powers. It enjoyed great popularity, staying in the top ten for its first three seasons, and is rated one of the top 50 greatest television shows of all time. Even though the theme was performed as an instrumental with flutes playing a prominent part, it was written with the following lyrics: Bewitched, Bewitched, You've got me in your spell. Bewitched, Bewitched, You know your craft so well. Before I knew what I was doing I looked in your eyes That brand of woo you've been brewin’ Took me by surprise. You witch, you witch, One thing is for sure. That stuff you pitch Just hasn’t got a cure. My heart was under lock and key, But somehow it got unhitched.I never thought my heart could be had But now I’m caught and I’m kinda glad To be bewitched. TVTelevisionTelevision Theme SongsHalloweenScarySpookyWitch1960s SitcomSitcom This flute choir arrangement can be performed with as few as 6 players or a full flute choir with multiple players on a part. It is scored for piccolo, 3 flutes, alto flute (alternate c-flute part included), and bass flute. Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com Â
$14.50
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Seraphina Sextet for Flute Sextet
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brad Howland
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Seraphina Sextet for Flute Sex
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Linden Brass Press Inc.
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.870829 Composed by Brad Howland. Contemporary. 22 pages. Linden Brass Press Inc. #6141057. Published by Lind...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.870829 Composed by Brad Howland. Contemporary. 22 pages. Linden Brass Press Inc. #6141057. Published by Linden Brass Press Inc. (A0.870829). Seraphina Sextet tells the tale of a frisky feline, from playful youth to the tragic accident that took her life. Although she met a sad demise, the music ends with a note of peace and joy as Seraphina begins the next stage of her journey.Seraphina Sextet was premiered on Nov. 22, 2020 by the Victoria High Notes Flute Choir, on their virtual performance Canada Music Week Flute Spectacular.Brad Howland has held the post of Principal Trombone of the Victoria Symphony Orchestra since 1990, and took up composition in the summer of 2020 when he found he had lots of pandemic-related free time.
$14.95
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