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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Still The One
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163
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Piano seul
71
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15
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14
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9
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5
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3
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1
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1
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1
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1
Piano Quatuor: piano, violon, alto, violoncelle
1
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Guitare notes et tablatures
7
Guitare
6
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1
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1
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61
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7
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7
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3
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3
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3
Voix Baryton, Piano
3
Voix seule
2
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1
Voix Tenor
1
+ 5 instrumentations
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Saxophone Alto
13
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11
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11
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10
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10
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7
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7
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7
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5
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5
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5
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4
Clarinette
4
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4
Ensemble de saxophones
4
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3
Saxophone, Clarinette (duo)
3
Clarinette, Trompette (duo)
2
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2
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2
Ensemble de Flûtes
2
Saxophone Soprano et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Piano (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Alto (duo)
1
2 Hautbois (duo)
1
Flûte, Violon
1
Quatuor de Clarinettes: 4 clarinettes
1
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1
Clarinette et Piano
1
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1
Clarinette et Alto
1
Flûte, Saxophone (duo)
1
Hautbois, Flûte
1
Ensemble De Flûte à bec
1
2 Clarinettes (duo)
1
Saxophone
1
Flûte, Clarinette (duo)
1
Saxophone Baryton, Piano
1
Flûte et Guitare
1
+ 36 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Quatuor de cuivres: 4 trombones
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trombone
13
Ensemble de Trombones
11
Ensemble de Trompettes
11
Trombone et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Quatuor de Cuivres
4
Ensemble de Cors
3
Trompette
3
Trombone (partie séparée)
3
Trio de Cuivres
3
2 Trompettes (duo)
2
Trompette, Piano
2
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
3 Trombones (trio)
1
Quatuor de cuivres: 4 cors
1
Euphonium, Piano (duo)
1
Trompette, Trombone (duo)
1
+ 16 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
29
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
7
Violon et Piano
5
Trio à Cordes: 2 violons, violoncelle
4
Violon
4
2 Violons (duo)
3
Harpe
3
Harpe, Voix
2
Trio à Cordes: 3 violoncelles
2
Violoncelle
2
Ensemble de Violons
2
Ensemble d'Altos
2
Alto, Piano
2
2 Altos (duo)
1
Alto seul
1
Harpe, Trombone (duo)
1
Violon, Alto (duo)
1
Violoncelle, Piano
1
+ 14 instrumentations
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Orchestre
21
Orchestre d'harmonie
20
Ensemble Jazz
15
Ensemble de cuivres
12
Orchestre à Cordes
11
Jazz combo
7
Orchestre de chambre
4
Ensemble de Percussions
3
Vibraphone
1
Batterie
1
Fanfare
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FORMATION MUSI…
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HAUTBOIS
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LUTH
MANDOLINE
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Vous avez sélectionné:
Still The One
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Voix Baryton, Piano
Partitions à imprimer
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Si yo nunca desapareciera (LOW VOICE)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1023338 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1023338 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191599. Published by Kristian S. Rodriguez (A0.1023338). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
3.68 €
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Voix Baryton, Piano
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
June 1974, Cohoes (Wish List Fundraising)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
7.37 €
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Voix Baryton, Piano
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
October 1974, Cohoes (Confrontation and Finale)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Compo…
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
9.21 €
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Voix Baryton, Piano
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Brett L
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October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
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