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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
4
Non classifié
1 156
Piano & claviers
Piano seul
1 607
1 Piano, 4 mains
194
Piano, Voix
127
2 Pianos, 4 mains
124
Orgue
43
Piano, Voix et Guitare
37
Instruments en Do
15
Clavecin
11
Piano Trio: piano, violon, violoncelle
7
Accordéon
5
Piano Facile
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
2
Accompagnement Piano
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Ensemble de Pianos
1
+ 13 instrumentations
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Guitares
Guitare
174
Guitare notes et tablatures
80
4 Guitares (Quatuor)
74
Basse electrique
21
2 Guitares (duo)
14
Ukulele
10
Dulcimer
5
Ensemble de guitares
3
Banjo
2
Piano, Guitare (duo)
2
Mandoline
2
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
Mandoline, Guitare (duo)
1
+ 9 instrumentations
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Voix
Chorale SATB
209
Chorale TTBB
118
Chorale SSAA
56
Chorale
20
Voix Soprano, Piano
17
Chorale 3 parties
15
Chorale SSATTB
7
Chorale SSAATTBB
7
Voix haute
5
Chorale SSATB
4
Voix Alto, Piano
3
Voix Tenor, Piano
3
Voix seule
3
Chorale 2 parties
3
Voix Mezzo-Soprano, Piano
2
Voix Baryton, Piano
2
Voix duo, Orgue
1
Chorale Unison
1
Voix duo, Piano
1
Voix moyenne, Piano
1
Voix duo
1
+ 16 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
338
Quatuor de Clarinettes: 4 clarinettes
186
Flûte traversière
70
Quatuor de Flûtes : 4 flûtes
68
Saxophone (partie séparée)
59
Clarinette
58
Saxophone
57
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Clarinette (partie séparée)
50
Flûte, Hautbois, Clarinette, Basson
48
Flûte traversière et Piano
36
Hautbois (partie séparée)
34
Ensemble de Clarinettes
30
Flute (partie séparée)
28
Clarinette et Piano
28
Saxophone Alto
26
2 Saxophones (duo)
25
Saxophone Alto et Piano
20
2 Flûtes traversières (duo)
19
Ensemble de saxophones
18
Hautbois, Piano (duo)
18
Saxophone Soprano et Piano
15
2 Clarinettes (duo)
13
Saxophone Tenor
12
Ensemble de Flûtes
11
Saxophone Tenor et Piano
10
Saxophone Baryton, Piano
9
Flûte à Bec
9
Quintette de Clarinettes: 5 clarinettes
8
Quintette de Saxophone: 5 saxophones
8
Clarinette Basse, Piano
7
Saxophone Soprano
5
Quatuor de Flûtes à bec
5
Hautbois
4
Flûte, Violoncelle, Guitare
3
4 Hautbois
3
Flûte, Violon
3
Flûte, Clarinette (duo)
3
3 Clarinettes (trio)
3
2 Hautbois (duo)
3
Hautbois, Flûte
3
Hautbois, Basson (duo)
2
2 Flûte à bec (duo)
2
Trio de Flûtes: 3 flûtes
2
Ensemble à vent
2
Clarinette, Violoncelle (duo)
2
Quintette de Flûte : 5 flûtes
2
Harmonica
2
Flûte, Hautbois, Clarinette (trio)
2
Cor Anglais
2
Hautbois, Clarinette, Basson (trio d'anches)
2
3 Saxophones (trio)
2
Ensemble De Flûte à bec
1
Piccolo, Piano
1
Cor anglais, Piano
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte et Guitare
1
Clarinette Basse
1
Clarinette, Basson, Piano (trio)
1
Ocarina
1
Flûte à bec Alto, Basse continue
1
Flûte, Clarinette et Basson
1
2 Saxophones, Piano
1
Flûte à bec Soprano
1
Flûte, Trombone (duo)
1
Flûte, Clarinette, Piano (trio)
1
+ 62 instrumentations
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Cuivres
Quatuor de cuivres: 4 trombones
138
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
86
Quatuor de cuivres: 4 cors
77
Trompette (partie séparée)
75
Trombone (partie séparée)
69
Cor (partie séparée)
57
Trompette
53
Trombone
38
Trombone et Piano
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Cor
30
Ensemble de Trombones
25
Quatuor de Cuivres
23
Cor et Piano
20
4 Tubas
18
Euphonium, Piano (duo)
16
Quatuor de cuivres: 4 trompettes
15
Tuba et Piano
12
Trompette, Piano
12
2 Cors (duo)
10
Tuba
8
Euphonium
6
Trombone basse
6
2 Euphoniums et 2 Tubas
6
Tuba (partie séparée)
5
2 Trombones (duo)
5
Ensemble de Cors
4
Trompette, Trombone (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Trompettes (duo)
4
3 Trombones (trio)
3
Euphonium, Tuba (duo)
3
Trompette, violon (duo)
2
Trompette, Orchestre
2
Cor Anglais
2
Euphonium (partie séparée)
2
Cor anglais, Piano
1
2 Euphoniums (duo)
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
Ensemble de Tubas
1
Trompette, Tuba (duo)
1
Cor et Orgue
1
Trompette, Cor (duo)
1
Trompette, Saxophone (duo)
1
Trombone, Orgue
1
Trombone basse et Piano
1
+ 43 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
123
Violon
110
Violon et Piano
75
Violoncelle
71
4 Violoncelles
50
Harpe
49
Alto seul
41
Violoncelle, Piano
32
Violon, Violoncelle (duo)
28
Alto, Piano
24
Trio à Cordes: violon, alto, violoncelle
18
2 Violons (duo)
17
4 Contrebasses
15
Violon, Alto (duo)
15
Contre Basse
13
Quatuor à cordes: 4 violons
12
Alto (partie séparée)
10
2 Violoncelles (duo)
10
Quatuor à cordes : 4 altos
8
2 Altos (duo)
8
Alto, Violoncelle (duo)
7
Violoncelle, Contrebasse (duo)
5
Contrebasse (partie séparée)
5
Harpe, Flûte (duo)
5
Violon, Guitare (duo)
4
Contrebasse, Piano (duo)
4
Violon (partie séparée)
3
Harpe, Violon (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto et Harpe
2
Violon, Orgue
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
Harpe, Violoncelle (duo)
1
4 Harpes
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orgue
1
2 Contrebasses (duo)
1
Alto, Orgue
1
Ensemble de Violoncelles
1
+ 37 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
227
Ensemble Jazz
224
Orchestre
217
Ensemble de cuivres
86
Jazz combo
68
Orchestre à Cordes
55
Orchestre de chambre
51
Batterie
33
Cloches
26
Percussion (partie séparée)
9
Ensemble de Percussions
9
Fanfare
8
Marimba
4
Vibraphone
4
Batterie (partie séparée)
2
Voix Mezzo-Soprano, Orchestre
1
Piano et Orchestre
1
Big band
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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Voix Baryton, Piano
Partitions à imprimer
2 partitions trouvées
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Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
There Comes a Time, Arranged for Baritone from the Contemporary Opera Germain
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Voix Baryton, Piano
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AVANCÉ
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James Nathaniel Holland
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There Comes a Time, Arranged f
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James Nathaniel Holland
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel ...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel Holland #3005169. Published by James Nathaniel Holland (A0.730375). Great stand alone and dramatic aria of the contemporary opera in English, Germain, by American Costa Rican composer James Nathaniel Holland. The aria speaks of being in a loveless relationship and hoping that love will come one day. Originally for tenor, arranged here for Baritone. (Sample provided here is with tenor. Score is in lower key.)Video presentation (Tenor version): https://www.youtube.com/watch?v=9ZeyQhDG-Gw(Duration: 5:33) (Range: C3 to F#4)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$4.95
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