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271
Piano & claviers
Piano seul
236
1 Piano, 4 mains
50
2 Pianos, 4 mains
43
Piano, Voix
29
Orgue
8
Piano, Voix et Guitare
4
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
4
2 Pianos, 8 mains
3
1 Piano, 6 mains
3
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2
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
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Guitare
47
Guitare notes et tablatures
9
2 Guitares (duo)
3
4 Guitares (Quatuor)
3
Banjo
2
Ensemble de guitares
2
Ukulele
2
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1
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1
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1
Paroles et Accords
1
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Chorale SATB
32
Voix haute
10
Voix Soprano, Piano
6
Voix basse, Piano
6
Voix Baryton, Piano
4
Voix Tenor, Piano
2
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2
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1
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24
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19
Clarinette
18
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17
Hautbois (partie séparée)
16
2 Flûtes traversières (duo)
16
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11
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10
Clarinette et Piano
9
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7
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6
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5
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4
Saxophone Tenor et Piano
4
2 Clarinettes (duo)
4
Ensemble de Clarinettes
4
Hautbois, Piano (duo)
4
Flûte, Hautbois, Clarinette, Basson
3
2 Saxophones (duo)
3
3 Clarinettes (trio)
3
Flûte et Guitare
3
Saxophone Alto
3
Flûte, Violon
2
Saxophone Baryton, Piano
2
Quintette de Saxophone: 5 saxophones
2
Ensemble de saxophones
2
Saxophone
2
Ocarina
1
Cor anglais, Piano
1
Saxophone Soprano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Saxophone (duo)
1
Saxophone et Guitare
1
2 Hautbois (duo)
1
Hautbois
1
Saxophone et Orgue
1
Flûte et Trio à cordes
1
Flûte, Violon, Piano
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
Ensemble de Flûtes
1
Clarinette, Basson (duo)
1
Clarinette Basse, Piano
1
Saxophone Baryton
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Saxophones (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Piano
1
Saxophone (partie séparée)
1
Piccolo
1
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98
Trombone et Piano
16
Trompette
11
2 Cors (duo)
11
Cor
11
Trombone
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Cor et Piano
7
Tuba
7
Quatuor de cuivres: 4 trombones
7
Tuba et Piano
7
Euphonium
6
Euphonium, Piano (duo)
5
Trombone basse
4
Trompette, Piano
3
Trompette, violon (duo)
3
Ensemble de Trombones
3
2 Trombones (duo)
3
3 Trombones (trio)
2
Trombone basse et Piano
2
Trompette (partie séparée)
2
Trombone (partie séparée)
1
Cor anglais, Piano
1
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1
3 Euphoniums
1
Cor Anglais
1
2 Trompettes (duo)
1
2 Tubas (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trompettes
1
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Quatuor à cordes: 2 violons, alto, violoncelle
60
Violon et Piano
26
Violon
24
2 Violons (duo)
17
Violoncelle, Piano
16
Violon, Violoncelle (duo)
15
Alto, Piano
12
Violoncelle
11
Alto seul
7
2 Violoncelles (duo)
7
Violon, Alto (duo)
5
Contre Basse
5
Trio à Cordes: violon, alto, violoncelle
5
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Alto, Violoncelle (duo)
3
Harpe
2
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Piano Trio: Violon, Alto, Piano
1
Alto, Guitare (duo)
1
2 Altos (duo)
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
Alto et Harpe
1
4 Violoncelles
1
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94
Orchestre d'harmonie
38
Orchestre à Cordes
28
Orchestre de chambre
28
Ensemble de cuivres
10
Ensemble Jazz
3
Marimba
1
Vibraphone
1
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1
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Ain Classical
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Voix Baryton, Piano
Partitions à imprimer
4 partitions trouvées
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There Comes a Time, Arranged for Baritone from the Contemporary Opera Germain
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Voix Baryton, Piano
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AVANCÉ
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James Nathaniel Holland
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There Comes a Time, Arranged f
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James Nathaniel Holland
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel ...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel Holland #3005169. Published by James Nathaniel Holland (A0.730375). Great stand alone and dramatic aria of the contemporary opera in English, Germain, by American Costa Rican composer James Nathaniel Holland. The aria speaks of being in a loveless relationship and hoping that love will come one day. Originally for tenor, arranged here for Baritone. (Sample provided here is with tenor. Score is in lower key.)Video presentation (Tenor version): https://www.youtube.com/watch?v=9ZeyQhDG-Gw(Duration: 5:33) (Range: C3 to F#4)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$4.95
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Answer
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Voix Baryton, Piano
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AVANCÉ
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Contemporain
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Brett L
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The Answer
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1120812 Composed by Brett L. Wery. Classical,Contemporary. 12 pages. Sonata Grendel Publishing #72...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1120812 Composed by Brett L. Wery. Classical,Contemporary. 12 pages. Sonata Grendel Publishing #722023. Published by Sonata Grendel Publishing (A0.1120812). The Answer is a science-fiction song set in a universe where myriapods—a subphylum of arthropods containing millipedes and centipedes—are sentient and sapient. The song is the third song in The Pedesterra Cycle including The Calculus of Division and Interlude and the Cleansing. The songs center on a plot by the more advanced centipedes to dominate the millipedes in order to sow doubt in math and thereby divide them into factions. While the millipedes distracted, the carnivorous centipedes will eat the detritivorous—eating organic waste such as rotting wood—millipedes’ young. The Answer is a soliloquy by the charlatan leader of the Brown on Black faction described in the first song as “sustained by fear and vindication.†In the song, the sham politician betrays their allegiance to the centipedes who have aided their rise to power. The song is the third in a trilogy of songs set in this unforgiving universe of Pedesterra.
$7.60
All Creatures of Our God and King—Medium-Range Vocal Solo and Piano
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Voix Baryton, Piano
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AVANCÉ
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Musique Sacrée
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Anonymous
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Daniel Carter
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All Creatures of Our God and K
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Daniel Carter
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1047445 Composed by Anonymous. Arranged by Daniel Carter. Classical,Holiday,New Age,Praise & Worsh...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1047445 Composed by Anonymous. Arranged by Daniel Carter. Classical,Holiday,New Age,Praise & Worship,Sacred. 7 pages. Daniel Carter #652002. Published by Daniel Carter (A0.1047445). Based on the ancient hymn tune, LASST UNS ERFREUEN, this flowing arrangement supports the vocal soloist's word-painting based on St. Francis of Assisi's text of praise and thanksgiving (English paraphrase by William H. Draper). Suitable for worship, devotionals, special musical numbers, and recitals and concerts. Advanced level skills will make this arrangement soar. Also available as a piano solo at danielcartermusic.com.
$4.99
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