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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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HARMONICA
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XYLOPHONE
Mel
Non classifié
619
Piano & claviers
Piano seul
805
Piano, Voix
243
Orgue
42
Instruments en Do
39
2 Pianos, 4 mains
18
Piano Trio: piano, violon, violoncelle
15
Piano, Voix et Guitare
14
1 Piano, 4 mains
10
Clavecin
8
Orgue, Trompette (duo)
4
Piano Facile
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
1
+ 10 instrumentations
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Guitares
Guitare notes et tablatures
185
Guitare
151
Ligne De Mélodie, (Paroles) et Accords
24
Ukulele
15
Mandoline
6
2 Guitares (duo)
4
Banjo
3
Basse electrique
3
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Guitare, Quatuor à cordes
1
Ensemble de guitares
1
Paroles et Accords
1
3 Guitares (trio)
1
Dulcimer
1
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
+ 12 instrumentations
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Voix
Chorale SATB
106
Chorale TTBB
43
Chorale SSAA
27
Chorale 3 parties
11
Voix Soprano, Piano
7
Voix haute
4
Chorale SSAATTBB
4
Voix moyenne, Piano
3
Voix Baryton, Piano
3
Voix Tenor, Piano
2
Voix basse
2
Voix seule
2
Chorale Unison
2
Voix, Guitare
1
Voix duo
1
Voix duo, Piano
1
Chorale SSATTB
1
Soli, choeur mixte et accompagnement
1
+ 13 instrumentations
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Vents
Clarinette
68
Saxophone
46
Flûte traversière et Piano
45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
43
Flûte traversière
42
Quatuor de Saxophones: 4 saxophones
29
Clarinette et Piano
25
2 Flûtes traversières (duo)
21
Hautbois (partie séparée)
20
Flûte, Hautbois, Clarinette, Basson
18
Hautbois, Piano (duo)
18
Saxophone Alto et Piano
17
Saxophone Alto
16
Quatuor de Clarinettes: 4 clarinettes
15
Quintette de Clarinettes: 5 clarinettes
12
Quintette de Saxophone: 5 saxophones
12
Saxophone Soprano et Piano
11
Saxophone Tenor
11
Ensemble de Clarinettes
11
3 Clarinettes (trio)
9
Saxophone (partie séparée)
9
Quatuor de Flûtes : 4 flûtes
8
2 Saxophones (duo)
8
Saxophone Tenor et Piano
8
Flûte et Guitare
6
2 Clarinettes (duo)
6
Saxophone Baryton, Piano
4
Quintette de Flûte : 5 flûtes
4
Flûte, Violon, Piano
4
Flûte à Bec
3
Saxophone Soprano
3
Ensemble de saxophones
3
Flûte, Violoncelle, Piano (trio)
2
Flute (partie séparée)
2
Hautbois, Flûte
2
Flûte, Hautbois, Clarinette (trio)
2
Quatuor de Flûtes à bec
2
Flûte, Clarinette (duo)
2
Flûte, Hautbois, Piano (trio)
2
Ensemble de Flûtes
2
Harmonica
2
Clarinette Basse, Piano
2
Clarinette, Violoncelle (duo)
2
Cor Anglais
2
2 Flûtes traversières, Piano
1
Flûte, Violon
1
Piccolo
1
Flûte, alto et harpe
1
Flûte et Trio à cordes
1
2 Saxophones, Piano
1
3 Flûtes à bec (trio)
1
Hautbois, Basson et Piano
1
Clarinette, Orgue
1
Flûte, Alto et Piano
1
2 Hautbois (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte traversière, Basse continue
1
Hautbois
1
Flûte, Basson et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Basson
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse
1
Saxophone et Guitare
1
2 Clarinettes, Basson
1
Flûte irlandaise
1
Flûte, Violoncelle
1
Instruments en Mib
1
Ocarina
1
Flûte à bec Soprano
1
Flûte, Saxophone (duo)
1
Saxophone, Clarinette (duo)
1
+ 69 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Trompette
45
Trombone et Piano
33
Trombone
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Euphonium, Piano (duo)
19
Trompette, Piano
18
Tuba et Piano
18
Cor et Piano
17
Ensemble de Trombones
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor
8
2 Trombones (duo)
8
Quatuor de cuivres: 4 trombones
8
Quatuor de cuivres: 4 cors
7
2 Euphoniums et 2 Tubas
6
Tuba
6
Quatuor de Cuivres
5
2 Trompettes (duo)
4
Trompette (partie séparée)
4
3 Trombones (trio)
3
2 Cors (duo)
2
Instruments en Sib
2
Trombone, Orgue
2
Ensemble de Trompettes
2
Trombone basse
2
Trombone (partie séparée)
2
Cor Anglais
2
Ensemble de Cors
1
2 Trompettes, Clavier (piano ou orgue)
1
Euphonium
1
3 Tubas (trio)
1
2 Tubas (duo)
1
Trombone et orchestre
1
Cor et Orgue
1
Trompette, Cor (duo)
1
Cor et Harpe
1
3 Euphoniums
1
Trio de Cuivres
1
+ 34 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
157
Violon
84
Violon et Piano
65
Violoncelle, Piano
39
Violoncelle
35
Alto seul
23
Harpe
22
Violon, Violoncelle (duo)
21
Alto, Piano
21
2 Violons (duo)
12
Trio à Cordes: violon, alto, violoncelle
11
2 Violoncelles (duo)
9
Violon, Alto (duo)
7
4 Violoncelles
6
Trio à Cordes: 2 violons, violoncelle
5
2 Altos (duo)
5
Contre Basse
5
Harpe, Flûte (duo)
4
Contrebasse, Piano (duo)
4
Alto (partie séparée)
3
Alto, Violoncelle (duo)
3
Violon, Guitare (duo)
2
Ensemble d'Altos
2
Ensemble de Violoncelles
2
Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 violins
2
Harpe, Violon (duo)
2
Alto et Harpe
1
Trio à Cordes: 3 violoncelles
1
2 Contrebasses (duo)
1
4 Harpes
1
Ensemble de Violons
1
2 Harpes (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon (partie séparée)
1
+ 30 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
203
Orchestre
105
Ensemble Jazz
65
Orchestre à Cordes
55
Ensemble de cuivres
49
Orchestre de chambre
43
Jazz combo
26
Fanfare
10
Ensemble de Percussions
10
Batterie
10
Cloches
9
Marimba
2
Piano et Orchestre
1
Xylophone
1
Orchestre, Violon
1
Voix Mezzo-Soprano, Orchestre
1
Percussion
1
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Conga
1
+ 15 instrumentations
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Vous avez sélectionné:
Mel
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Voix Baryton, Piano
Partitions à imprimer
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Frederick Frahm: "Apathy and Enthusiasm" from the Death of Isiah Robb for baritone and piano
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Voix Baryton, Piano
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AVANCÉ
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Frederick Frahm
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Frederick Frahm: "Apathy
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.534100 Composed by Frederick Frahm. Contemporary,Folk,Opera,Patriotic. 12 pages. Musik Fabrik Musi...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.534100 Composed by Frederick Frahm. Contemporary,Folk,Opera,Patriotic. 12 pages. Musik Fabrik Music Publishing #3112741. Published by Musik Fabrik Music Publishing (A0.534100). Apathy and Enthusiasm is an extracted aria for baritone and piano. The text is by Herman Melville, from Battle Pieces.
$12.95
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
So Let Us Live - Really Live! for baritone and piano
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Voix Baryton, Piano
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AVANCÉ
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Robert M
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So Let Us Live - Really Live!
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Robert M. Greenberg
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.
$28.00
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