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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
No.2
Non classifié
296
Piano & claviers
Piano seul
436
Piano, Voix
31
2 Pianos, 4 mains
21
Orgue
13
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
9
Accordéon
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Instruments en Do
2
Orgue, Piano (duo)
1
Piano, Voix et Guitare
1
+ 6 instrumentations
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Guitares
Guitare
35
2 Guitares (duo)
17
Guitare notes et tablatures
10
Ukulele
7
Basse electrique
6
4 Guitares (Quatuor)
2
Banjo
2
Mandoline, Piano (duo)
1
Guitare, Orchestre
1
+ 4 instrumentations
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Voix
Chorale SATB
12
Voix Soprano, Piano
6
Chorale TTBB
5
Voix haute
2
Chorale 3 parties
2
Chorale 2 parties
2
Chorale Unison
1
Voix Baryton, Piano
1
Chorale
1
Voix basse, Piano
1
Voix Alto, Piano
1
Chorale SSAA
1
+ 7 instrumentations
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Vents
Clarinette
47
Flûte traversière
39
2 Flûtes traversières (duo)
25
Quatuor de Saxophones: 4 saxophones
20
Hautbois (partie séparée)
19
Flûte traversière et Piano
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Ensemble de Clarinettes
14
2 Saxophones (duo)
11
Ensemble de saxophones
10
2 Clarinettes (duo)
10
Quatuor de Clarinettes: 4 clarinettes
10
Flûte, Hautbois, Clarinette, Basson
8
Saxophone Alto
7
2 Flûte à bec (duo)
6
Saxophone Alto et Piano
5
Saxophone (partie séparée)
5
Flûte à Bec
5
Saxophone Soprano et Piano
5
Clarinette et Piano
5
Clarinette (partie séparée)
5
Saxophone Tenor et Piano
4
Quintette de Clarinettes: 5 clarinettes
4
Hautbois, Piano (duo)
4
Saxophone Tenor
4
3 Clarinettes (trio)
3
Quatuor de Flûtes : 4 flûtes
3
3 Saxophones (trio)
3
Saxophone
3
2 Hautbois (duo)
3
Saxophone Baryton, Piano
3
Cor anglais, Piano
3
Clarinette Basse, Piano
3
Quintette de Saxophone: 5 saxophones
3
Flute (partie séparée)
3
Hautbois
2
Ensemble de Flûtes
2
Clarinette Basse
1
Flûte, Violon, Piano
1
Flûte à bec Alto, Basse continue
1
Quintette de Flûte : 5 flûtes
1
Saxophone Soprano
1
Flûte et Guitare
1
Flûte à Bec, Piano
1
Flûte, Violon
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
Ensemble De Flûte à bec
1
+ 44 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
152
Cor
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trompette
17
2 Cors (duo)
12
Ensemble de Trombones
11
Euphonium, Piano (duo)
10
Trombone et Piano
10
Cor (partie séparée)
7
Cor et Piano
7
Trombone
6
Quatuor de cuivres: 4 trombones
5
Trompette, Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Trompettes (duo)
4
Tuba
4
2 Trombones (duo)
3
Tuba et Piano
3
3 Trombones (trio)
3
Cor anglais, Piano
3
Trompette (partie séparée)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trombone basse
2
2 Euphoniums et 2 Tubas
2
4 Tubas
1
Trompette, Saxophone (duo)
1
Trombone (partie séparée)
1
Euphonium, Tuba (duo)
1
Euphonium
1
Ensemble de Trompettes
1
+ 25 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
317
Violon
103
Violoncelle
56
Alto seul
56
Violon et Piano
40
2 Violons (duo)
25
Violoncelle, Piano
21
Alto (partie séparée)
14
2 Altos (duo)
13
Alto, Piano
10
2 Violoncelles (duo)
8
Harpe
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à Cordes: violon, alto, violoncelle
6
Contre Basse
6
Contrebasse, Piano (duo)
3
Violon, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Alto (duo)
2
Violon, Guitare (duo)
2
Alto, Violoncelle (duo)
1
Violoncelle, Orgue
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Orchestre
1
2 Contrebasses (duo)
1
+ 23 instrumentations
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Orchestre & Percussions
Orchestre
117
Orchestre d'harmonie
43
Orchestre à Cordes
29
Orchestre de chambre
26
Ensemble de cuivres
13
Ensemble Jazz
9
Batterie
4
Ensemble de Percussions
4
Percussion (partie séparée)
1
Orchestre, Violon
1
Cloches
1
Jazz combo
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
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No.2
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Voix Baryton, Piano
Partitions à imprimer
1 partition trouvée
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
#
AVANCÉ
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
Largo al factotum
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
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