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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Suit
Non classifié
527
Piano & claviers
Piano seul
462
Orgue
36
Piano, Voix
23
1 Piano, 4 mains
19
Piano Trio: piano, violon, violoncelle
14
2 Pianos, 4 mains
13
Accordéon
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano, Voix et Guitare
5
Clavier
3
Instruments en Do
2
Clavecin
2
Piano Facile
2
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
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Guitares
Guitare
140
Guitare notes et tablatures
47
2 Guitares (duo)
7
Basse electrique
5
4 Guitares (Quatuor)
3
Orchestre à Plectres
1
Guitare, Flûte, Clarinette
1
Banjo
1
Ensemble de guitares
1
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline, Piano (duo)
1
Ukulele
1
+ 8 instrumentations
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Voix
Chorale SATB
88
Chorale TTBB
72
Chorale SSAA
53
Chorale SSAATTBB
5
Chorale 3 parties
4
Voix Baryton, Piano
3
Voix haute
3
Chorale 2 parties
2
Voix duo
2
Voix Mezzo-Soprano, Piano
2
Voix Soprano
1
Voix duo, Piano
1
Chorale Unison
1
Voix seule
1
Chorale SSATB
1
Voix Alto, Piano
1
+ 11 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Flûte traversière et Piano
39
Quatuor de Saxophones: 4 saxophones
35
Quatuor de Clarinettes: 4 clarinettes
29
Flûte traversière
28
Ensemble de Clarinettes
25
Flûte, Hautbois, Clarinette, Basson
24
Ensemble de saxophones
22
2 Flûte à bec (duo)
15
Saxophone Alto et Piano
15
Saxophone (partie séparée)
12
Clarinette et Piano
12
Clarinette (partie séparée)
11
Clarinette
11
Hautbois (partie séparée)
9
Flûte et Guitare
9
Quintette de Clarinettes: 5 clarinettes
9
Quintette de Saxophone: 5 saxophones
8
Flute (partie séparée)
8
Hautbois, Piano (duo)
8
2 Flûtes traversières (duo)
7
3 Clarinettes (trio)
6
Saxophone Soprano et Piano
6
Clarinette Basse, Piano
5
Quatuor de Flûtes : 4 flûtes
5
Saxophone Tenor et Piano
4
Flûte à Bec
4
Saxophone Tenor
4
Ensemble de Flûtes
4
Saxophone Alto
3
Clarinette, Violon (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
2 Clarinettes (duo)
2
Quatuor de Flûtes à bec
2
Flûte, Violon, Piano
2
4 Hautbois
2
Hautbois, Basson et Piano
2
Flûte à bec Tenor
1
Flûte, Violoncelle, Piano (trio)
1
2 Saxophones (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette (duo)
1
Flûte, Clarinette et Basson
1
Saxophone et Guitare
1
Flûte, Alto et Piano
1
2 Hautbois (duo)
1
Flûte, Violon
1
Saxophone Baryton, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Orgue
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois (duo)
1
+ 47 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
100
Trombone et Piano
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Euphonium, Piano (duo)
18
Tuba et Piano
15
Cor et Piano
13
Quatuor de cuivres: 4 trombones
13
Trompette (partie séparée)
10
Cor (partie séparée)
10
Trompette
10
Ensemble de Trombones
9
Trombone
9
Cor
9
Tuba
7
Quatuor de cuivres: 4 cors
7
Trombone (partie séparée)
6
Trompette, Piano
6
3 Trombones (trio)
5
4 Tubas
4
Trombone basse
3
Euphonium
3
2 Trombones (duo)
3
Trompette, violon (duo)
3
Euphonium, Tuba (duo)
2
Ensemble de Trompettes
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone, Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba (partie séparée)
2
2 Euphoniums et 2 Tubas
2
2 Euphoniums (duo)
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trombone basse et Piano
1
Trombone et orchestre
1
2 Trompettes (duo)
1
Trompette, Cor (duo)
1
Trombone, Tuba (duo)
1
Cor et Harpe
1
+ 34 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
91
Violon, Violoncelle (duo)
69
Alto seul
52
Violon
44
Violoncelle
43
Violon et Piano
41
Violoncelle, Piano
18
Harpe
16
Violon, Alto (duo)
13
Trio à Cordes: violon, alto, violoncelle
13
2 Violons (duo)
9
Alto, Piano
9
2 Violoncelles (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
4 Contrebasses
5
Violoncelle, Contrebasse (duo)
5
Trio à Cordes: 2 violons, violoncelle
3
Violon, Guitare (duo)
3
4 Violoncelles
3
2 Altos (duo)
3
Contrebasse (partie séparée)
2
Violon (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon (duo)
2
Violon, Orgue
1
4 Harpes
1
2 Contrebasses (duo)
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Alto (partie séparée)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre
85
Orchestre d'harmonie
81
Orchestre à Cordes
68
Ensemble de cuivres
57
Orchestre de chambre
36
Ensemble Jazz
15
Percussion (partie séparée)
7
Ensemble de Percussions
7
Marimba
5
Cloches
3
Fanfare
3
Jazz combo
2
Quintette de Cuivres: autres combinaisons
1
Timbales (partie séparée)
1
+ 9 instrumentations
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Autres
Instruments
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BASSON
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CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
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XYLOPHONE
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Suit
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Voix Baryton, Piano
Partitions à imprimer
3 partitions trouvées
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Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Cynara
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Voix Baryton, Piano
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AVANCÉ
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G
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Cynara
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George Skipworth
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.962536 Composed by G.F. Skipworth. 20th Century,Concert,Contemporary. 12 pages. George Skipworth #...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.962536 Composed by G.F. Skipworth. 20th Century,Concert,Contemporary. 12 pages. George Skipworth #3472123. Published by George Skipworth (A0.962536). Cynara, to a text of Ernest Christopher Dowson, published in 1886, is set for either baritone or bass voice with piano. Suitable for inclusion on collegiate or professional recitals, Cynara presents moderate difficulty for singer and piano.
$4.00
All Creatures of Our God and King—Medium-Range Vocal Solo and Piano
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Voix Baryton, Piano
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AVANCÉ
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Musique Sacrée
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Anonymous
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Daniel Carter
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All Creatures of Our God and K
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Daniel Carter
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1047445 Composed by Anonymous. Arranged by Daniel Carter. Classical,Holiday,New Age,Praise & Worsh...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1047445 Composed by Anonymous. Arranged by Daniel Carter. Classical,Holiday,New Age,Praise & Worship,Sacred. 7 pages. Daniel Carter #652002. Published by Daniel Carter (A0.1047445). Based on the ancient hymn tune, LASST UNS ERFREUEN, this flowing arrangement supports the vocal soloist's word-painting based on St. Francis of Assisi's text of praise and thanksgiving (English paraphrase by William H. Draper). Suitable for worship, devotionals, special musical numbers, and recitals and concerts. Advanced level skills will make this arrangement soar. Also available as a piano solo at danielcartermusic.com.
$4.99
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