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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Des'ree
Non classifié
3 220
Piano & claviers
Piano seul
2 992
Piano Facile
633
Piano, Voix
501
Orgue
282
Piano, Voix et Guitare
245
Accordéon
190
Instruments en Do
118
Piano Trio: piano, violon, violoncelle
52
1 Piano, 4 mains
51
Accompagnement Piano
39
2 Pianos, 4 mains
37
Piano Quatuor: piano, violon, alto, violoncelle
9
Clavecin
8
Orgue, Piano (duo)
8
Orgue, Trompette (duo)
7
1 Piano, 6 mains
7
Piano grosses notes
3
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon, Voix
1
2 Pianos, 8 mains
1
Clavier
1
+ 17 instrumentations
Retracter
Guitares
Guitare
657
Basse electrique
312
Guitare notes et tablatures
235
Ukulele
76
Ligne De Mélodie, (Paroles) et Accords
28
Mandoline
22
Paroles et Accords
22
Banjo
16
Dulcimer
16
2 Guitares (duo)
15
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
11
Guitare (partie séparée)
6
Ukulele Baryton
6
3 Guitares (trio)
4
2 Dulcimers (duo)
3
Ensemble de guitares
3
Guitare, Quatuor à cordes
2
Guitare Pedal Steel
1
Orchestre à Plectres
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
739
Chorale 3 parties
324
Voix seule
214
Chorale Unison
107
Chorale 2 parties
99
Pack Instrumental pour Chorale
78
Chorale TTBB
61
Chorale SSAA
41
Voix Soprano, Piano
22
Chorale
18
Voix Alto, Piano
15
Voix duo, Piano
15
Voix duo
15
Voix Baryton, Piano
11
Voix haute
11
Voix moyenne, Piano
4
Voix Tenor, Piano
2
Chorale SSAATTBB
2
Male Voice
1
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
Voix Tenor
1
Chorale SSAB, Piano
1
Chorale SSATB
1
Chorale SSATTB
1
Voix Soprano
1
+ 21 instrumentations
Retracter
Vents
Saxophone
1 170
Clarinette
662
Flûte traversière
658
Flûte traversière et Piano
314
2 Flûtes traversières (duo)
207
3 Clarinettes (trio)
152
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
134
2 Saxophones (duo)
129
Clarinette et Piano
122
Quatuor de Saxophones: 4 saxophones
121
Quatuor de Clarinettes: 4 clarinettes
111
Saxophone Alto et Piano
103
Hautbois
98
Hautbois, Piano (duo)
98
Trio de Flûtes: 3 flûtes
98
Flûte à Bec
96
Saxophone Alto
88
Flûte, Hautbois, Clarinette, Basson
84
Saxophone Tenor et Piano
84
Quatuor de Flûtes : 4 flûtes
81
Saxophone Tenor
80
2 Clarinettes (duo)
67
Flûte à bec Soprano
63
Quintette de Saxophone: 5 saxophones
60
Saxophone (partie séparée)
53
3 Saxophones (trio)
45
Saxophone Soprano et Piano
44
Flûte et Guitare
37
Hautbois (partie séparée)
37
Flûte, Clarinette (duo)
35
Ensemble de saxophones
32
Saxophone Baryton, Piano
31
Hautbois, Basson (duo)
30
Ensemble de Clarinettes
30
Saxophone, Clarinette (duo)
27
Clarinette, Violon (duo)
25
Flûte, Violon
23
Quintette de Clarinettes: 5 clarinettes
22
Quatuor de Flûtes à bec
22
2 Hautbois (duo)
22
Flûte, Violon, Piano
21
Hautbois, Flûte
19
Cor anglais, Piano
18
Clarinette, Guitare (duo)
16
Clarinette Basse, Piano
15
Ensemble de Flûtes
15
Flûte à bec Soprano, Piano
15
Hautbois, Clarinette (duo)
15
Ocarina
14
3 Flûtes à bec (trio)
14
Quintette de Flûte : 5 flûtes
14
2 Flûte à bec (duo)
14
Flûte, Hautbois, Clarinette (trio)
14
Saxophone Soprano
12
Clarinette, Trompette (duo)
12
Clarinette (partie séparée)
12
Clarinette, Basson (duo)
12
Clarinette, Violoncelle (duo)
12
Flûte, Clarinette, Piano (trio)
11
Flûte, Violoncelle
11
Harmonica
10
Clarinette et Alto
9
Flûte, Alto (duo)
9
Flûte, Saxophone (duo)
9
Flûte, Basson et Piano
9
Flûte, Trompette (duo)
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Cor anglais, Guitare (duo)
8
2 Flûtes traversières, Piano
7
Flûte à bec Alto
7
Flûte, Violon et Violoncelle
6
Flûte à Bec, Piano
6
Flute (partie séparée)
6
Flûte, Hautbois (duo)
6
Flûte, Violoncelle, Piano (trio)
6
Flûte, Clarinette et Basson
6
Saxophone et Guitare
5
Flûte, Trombone (duo)
5
2 Saxophones, Piano
4
Flûte, Harpe et Violoncelle
3
Flûte, trombone et piano
3
Flute, harpe et violon
3
Flûte irlandaise
3
2 Clarinettes, Piano
3
Flûte, Hautbois, Basson
3
Flûte à bec Tenor
3
2 Clarinettes, Basson
3
Flûte, Hautbois, Piano (trio)
3
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Harpe (duo)
2
Hautbois, Guitare (duo)
2
Flûte à bec Alto, Piano
2
Clarinette, trompette et piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Tuba (duo)
2
Hautbois, violon (duo)
2
Hautbois, Violoncelle
2
Ensemble de Hautbois
2
5 Flûtes à bec
2
Flûte, Violon, Violoncelle et Piano
2
Hautbois, Harpe
1
2 Hautbois, 2 Cors et 2 Bassons
1
Saxophone Baryton
1
Clarinette Basse
1
Saxophone et Orgue
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violoncelle, Guitare
1
Cor anglais et Harpe (duo)
1
Flûte de Pan
1
Piccolo
1
Flûte, Clarinette, Violon (trio)
1
Saxophone, Violon (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble De Flûte à bec
1
Flûte, Alto et Piano
1
Flûte et Trio à cordes
1
4 Hautbois
1
2 Cors Anglais Et Pianoforte
1
Flûte et Quatuor à Cordes
1
Piccolo, Piano
1
+ 115 instrumentations
Retracter
Cuivres
Trompette
525
Trombone
466
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
141
Quatuor de Cuivres : 2 trompettes, trombone, tuba
95
Trombone et Piano
88
Trompette, Piano
84
Cor
61
Cor et Piano
48
Euphonium
41
Tuba
40
Quatuor de Cuivres
36
2 Trompettes (duo)
34
2 Trombones (duo)
33
Tuba et Piano
33
Trombone (partie séparée)
29
Euphonium, Piano (duo)
29
Trompette, Trombone (duo)
28
Trompette (partie séparée)
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
Trompette, Saxophone (duo)
24
Quatuor de cuivres: 4 trombones
21
Ensemble de Trombones
21
2 Cors (duo)
20
Cor anglais, Piano
18
Ensemble de Trompettes
15
2 Tubas (duo)
12
Trio de Cuivres
11
3 Trompettes (trio)
10
Quatuor de cuivres: 4 cors
10
3 Trombones (trio)
8
Cor anglais, Guitare (duo)
8
Quatuor de cuivres: 4 trompettes
7
Ensemble de Cors
7
Euphonium, Tuba (duo)
6
Cor (partie séparée)
6
4 Tubas
6
Trombone basse
6
Trompette, violon (duo)
4
Bass Clef Instruments
4
Cor, Violoncelle (duo)
4
Cor, Tuba (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Trombone, Piano
3
Tuba (partie séparée)
3
Trompette, Cor (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
2 Euphoniums (duo)
3
Trombone basse et Piano
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
3 Cors (trio)
2
3 Euphoniums
2
Tuba et Orgue
1
Trompette, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
Trombone, Cor (duo)
1
Ensemble de Tubas
1
2 Trombones, Piano
1
Cor anglais et Harpe (duo)
1
Trombone et orchestre
1
3 Tubas (trio)
1
2 Cors Anglais Et Pianoforte
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 141
Violon
777
Trio à Cordes: violon, alto, violoncelle
586
Violoncelle
449
Alto seul
376
Violon et Piano
255
Trio à cordes: 3 violins
240
Quintette à cordes: 2 violons, alto, violoncelle, basse
138
Trio à Cordes: 2 violons, violoncelle
117
Violoncelle, Piano
109
Alto, Piano
107
Harpe
106
Violon, Violoncelle (duo)
93
2 Violons (duo)
69
Trio à Cordes: 3 violoncelles
68
Violon, Alto (duo)
53
2 Violoncelles (duo)
46
2 Altos (duo)
41
Contre Basse
39
Quatuor à cordes: 4 violons
32
Violon (partie séparée)
27
4 Violoncelles
26
Trio à cordes: 3 altos
23
2 Harpes (duo)
19
Contrebasse, Piano (duo)
19
Trio à Cordes: 2 violons, alto
16
Quatuor à cordes : 4 altos
16
Alto (partie séparée)
14
Trio à cordes
14
Violon, Guitare (duo)
14
Contrebasse (partie séparée)
14
Violoncelle, Contrebasse (duo)
11
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Harpe et Piano
9
2 Contrebasses (duo)
8
Ensemble de Violons
8
Piano Trio: Violon, Alto, Piano
7
Violoncelle , Guitare (duo)
7
Ensemble d'Altos
6
Alto, Guitare (duo)
5
Flûte, Contrebasse (duo)
5
Violon, Clarinette, Piano (trio)
5
Harpe, Voix
5
4 Contrebasses
4
Violoncelle (partie séparée)
3
Harpe, Violoncelle (duo)
3
Harpe et mandoline
2
2 Violoncelles, Piano
2
Violon, Violoncelle, Clarinette
2
2 Violons, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Quatuor à cordes
1
4 Harpes
1
Harpe, Violon (duo)
1
Violon, Basson (duo)
1
Alto et Basson
1
Autoharp
1
Ensemble de Violoncelles
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
1 188
Orchestre d'harmonie
913
Batterie
405
Orchestre
370
Ensemble Jazz
164
Ensemble de cuivres
120
Cloches
92
Jazz combo
70
Fanfare
60
Orchestre de chambre
59
Ensemble de Percussions
36
Marimba
10
Percussion
10
Percussion (partie séparée)
7
Vibraphone
4
Batterie (partie séparée)
3
Xylophone, Piano
2
Orchestre, Violon
2
Xylophone
1
3 Percussions
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Des'ree
Voix Baryton, Piano
Partitions à imprimer
11 partitions trouvées
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1
[Mitchell] Three Whitman Songs
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Voix Baryton, Piano
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Contemporain
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Darleen Mitchell
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[Mitchell] Three Whitman Songs
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American Composers Alliance Inc.
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.952526 Composed by Darleen Mitchell. Contemporary. 31 pages. American Composers Alliance Inc. #4608107. Publ...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.952526 Composed by Darleen Mitchell. Contemporary. 31 pages. American Composers Alliance Inc. #4608107. Published by American Composers Alliance Inc. (A0.952526). Three songs for baritone and piano on texts by Walt Whitman. Includes: In the Day-Break, Look Down Fair Moon, In Clouds Descending.
$11.95
[Davidson] Three Songs
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Voix Baryton, Piano
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Contemporain
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Matthew Davidson
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[Davidson] Three Songs
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American Composers Alliance Inc.
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.952262 Composed by Matthew Davidson. Contemporary. 40 pages. American Composers Alliance Inc. #4575943. Publ...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.952262 Composed by Matthew Davidson. Contemporary. 40 pages. American Composers Alliance Inc. #4575943. Published by American Composers Alliance Inc. (A0.952262). Three songs for baritone and piano on texts by the composer. Includes: Important Moments, Less Art, Far Too Near.
$15.95
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
October 1974, Cohoes (Confrontation and Finale)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publish...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
June 1974, Cohoes (Wish List Fundraising)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #577024...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
Lines from a Wanderer
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Voix Baryton, Piano
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John Casken
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Lines from a Wanderer
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Schott Music - Digital
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SheetMusicPlus
Baritone voice and piano - SKU: S9.Q47100 For baritone and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 22 m...
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Baritone voice and piano - SKU: S9.Q47100 For baritone and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 22 minutes. Schott Music - Digital #Q47100. Published by Schott Music - Digital (S9.Q47100). English.John Casken's 2009 setting of the Robert Browning poem 'Night and Morning' for tenor and piano was the starting point for a new song cycle, Lines from a Wanderer, exploring man’s desire to travel, to escape and be alone. This search for inner peace is contrasted with a deep nostalgia for places and people left behind in settings of two poems from W.B. Yeats, 'The Lake Isle of Innisfree' and 'The Song of Wandering Aengus', as well as Thomas Hardy's 'The Discovery' and Robert Browning's 'The Italian in England'.
$15.99
One True Princess
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Voix Baryton, Piano
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INTERMÉDIAIRE
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C
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One True Princess
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Shining Sharon Music
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.886604 Composed by C. Michael Perry. Christian,Country,Pop. 8 pages. Shining Sharon Music #2884513...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.886604 Composed by C. Michael Perry. Christian,Country,Pop. 8 pages. Shining Sharon Music #2884513. Published by Shining Sharon Music (A0.886604). Music and Lyrics by C. Michael PerryThis Pop/Country type song was written to celebrate my 'princesses' -- my three daughters. They each taught me how to love not only them, but others and have filled my life with joy. I sang this at the wedding reception of my oldest daughter.The attached mp3 is a demo from the Finale file without vocals.
$3.00
The Old Rugged Cross
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Voix Baryton, Piano
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FACILE
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George Bennard
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Sandy McIntire
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The Old Rugged Cross
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Sandy McIntire
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.697710 Composed by George Bennard. Arranged by Sandy McIntire. Country,Easter,Instructional,Sacred...
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Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.697710 Composed by George Bennard. Arranged by Sandy McIntire. Country,Easter,Instructional,Sacred,Standards. 6 pages. Sandy McIntire #6487767. Published by Sandy McIntire (A0.697710). The Old Rugged Cross has been a favorite gospel hymn since it was published in 1913. It has been recorded by many star soloists, including Ernest Tubbs,  Al Green, Andy Griffith, Anne Murray, Brad Paisley, Chet Atkins, George Jones, Eddy Arnold, Johnny Cash and June Carter, Ella Fitzgerald, Mahalia Jackson, Jo Stafford, Gordon MacRae, Merle Haggard, Patsy Cline, Loretta Lynn, Ray Price, Tennessee Ernie Ford, The Oak Ridge Boys, The Statler Brothers, Vince Gill, Willie Nelson, Alan Jackson, and George Beverly Shea. This arrangement is an Early Intermediate Tenor or Baritone Solo. Lyrics are shown on the separate solo sheet. The piano accompaniment includes musical cues for the soloist.
$5.99
[Fennelly] Sacred Songs Book 1
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Voix Baryton, Piano
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Brian Fennelly
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[Fennelly] Sacred Songs Book 1
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American Composers Alliance Inc.
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.953326 Composed by Brian Fennelly. Christian,Contemporary,Sacred. 31 pages. American Composers Alliance Inc....
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.953326 Composed by Brian Fennelly. Christian,Contemporary,Sacred. 31 pages. American Composers Alliance Inc. #5308583. Published by American Composers Alliance Inc. (A0.953326). Three songs for baritone and piano on poems by George Herbert - PDF download includes score.
$14.95
[Nielson] Mad Queens and Weather Vanes
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Voix Baryton, Piano
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Contemporain
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Lewis Nielson
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[Nielson] Mad Queens and Weath
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American Composers Alliance Inc.
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.952548 Composed by Lewis Nielson. 20th Century,Contemporary. 31 pages. American Composers Alliance Inc. #460...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.952548 Composed by Lewis Nielson. 20th Century,Contemporary. 31 pages. American Composers Alliance Inc. #4608859. Published by American Composers Alliance Inc. (A0.952548). Three songs for baritone and piano on texts by Harry Crosby. Includes: I. Firebrand, II. Vision, III. Telephone Directory. .
$16.95
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