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ACCORDEON
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AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CLAIRON
CLARINETTE
CLAVECIN
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COR
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A Place To Be
Non classifié
1 054
Piano & claviers
Piano seul
279
Piano, Voix
186
Piano Facile
70
Piano, Voix et Guitare
51
2 Pianos, 4 mains
26
Instruments en Do
22
Orgue
20
Piano Trio: piano, violon, violoncelle
13
Piano grosses notes
11
Piano Quatuor: piano, violon, alto, violoncelle
6
1 Piano, 4 mains
5
Accompagnement Piano
4
Accordéon
2
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
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Guitares
Ukulele
38
Guitare
35
Guitare notes et tablatures
35
Basse electrique
10
Piano, Guitare (duo)
3
Paroles et Accords
3
Dulcimer
3
2 Guitares (duo)
3
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
2
4 Guitares (Quatuor)
1
Ensemble de Ukulélés
1
2 Dulcimers (duo)
1
+ 8 instrumentations
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Voix
Chorale SATB
229
Chorale 2 parties
28
Chorale 3 parties
24
Chorale TTBB
24
Chorale Unison
23
Voix duo, Piano
12
Voix Alto, Piano
9
Voix Soprano, Piano
8
Chorale SSAA
6
Voix duo
3
Voix Baryton, Piano
3
Voix haute
2
Chorale
1
Voix moyenne, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAATTBB
1
Voix basse, Piano
1
Chorale SSAB a cappella
1
+ 13 instrumentations
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Vents
Flûte traversière et Piano
47
Clarinette et Piano
42
Hautbois, Piano (duo)
41
Saxophone Alto et Piano
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Saxophone Tenor et Piano
23
Ensemble de Clarinettes
22
Clarinette
22
Flûte traversière
20
Flûte, Hautbois, Clarinette, Basson
18
Saxophone Baryton, Piano
18
Quintette de Saxophone: 5 saxophones
16
3 Saxophones (trio)
15
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Soprano et Piano
14
Quatuor de Saxophones: 4 saxophones
14
Saxophone Alto
13
Ensemble de Flûtes
13
Hautbois (partie séparée)
12
Ensemble de saxophones
11
2 Clarinettes (duo)
11
2 Saxophones (duo)
10
Cor anglais, Piano
10
Saxophone (partie séparée)
10
Saxophone Tenor
9
2 Flûtes traversières (duo)
6
Clarinette Basse, Piano
6
Quatuor de Flûtes : 4 flûtes
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Hautbois, Clarinette (trio)
5
Saxophone Soprano
4
Flûte, Clarinette (duo)
4
Quintette de Clarinettes: 5 clarinettes
3
Flute, harpe et violon
3
Quintette de Flûte : 5 flûtes
3
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
3
Flûte, Violoncelle
3
Quatuor de Flûtes à bec
3
Clarinette, Guitare (duo)
2
Cor Anglais
2
Flûte à bec Alto
2
Ocarina
2
Saxophone Baryton
2
Flûte à bec Soprano
2
Flûte et Guitare
2
Hautbois
2
2 Flûte à bec (duo)
2
Flûte à Bec
1
Hautbois, Flûte
1
5 Flûtes à bec
1
Harmonica
1
3 Flûtes à bec (trio)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Piano (trio)
1
Piccolo, Piano
1
Ensemble à vent
1
Flûte, Violoncelle, Guitare
1
+ 53 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Trompette
34
Trombone et Piano
32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Trompette, Piano
26
Cor et Piano
23
Tuba et Piano
20
Trombone
19
Euphonium, Piano (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Tuba
13
Cor
11
Cor anglais, Piano
10
Ensemble de Trombones
8
Trompette, Trombone (duo)
5
2 Trompettes (duo)
4
Quatuor de cuivres: 4 trombones
3
Cor Anglais
2
Quatuor de Cuivres
2
Ensemble de Trompettes
2
3 Trompettes (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba et Orgue
2
Trombone basse et Piano
1
Trombone (partie séparée)
1
Trompette (partie séparée)
1
2 Cors (duo)
1
Ensemble de Cors
1
2 Trombones (duo)
1
Trombone, Violon (duo)
1
2 Tubas (duo)
1
Euphonium
1
+ 27 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
69
Violon et Piano
54
Violon
37
Violoncelle, Piano
30
Alto, Piano
29
Trio à Cordes: violon, alto, violoncelle
22
Violoncelle
20
Harpe
18
Contre Basse
13
Violon, Violoncelle (duo)
12
Alto seul
11
Contrebasse, Piano (duo)
11
2 Violons (duo)
10
Trio à Cordes: 2 violons, violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Alto (duo)
5
2 Violoncelles (duo)
4
Alto, Violoncelle (duo)
3
Violon (partie séparée)
3
Harpe, Flûte (duo)
3
Trio à Cordes: 3 violoncelles
2
Piano Trio: Violon, Alto, Piano
2
4 Violoncelles
2
Contrebasse (partie séparée)
2
Ensemble d'Altos
2
Ensemble de Violons
2
Alto (partie séparée)
2
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Basson (duo)
1
Harpe et Piano
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orgue
1
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
2 Violons, Piano
1
Harpe, Voix
1
Trio à cordes: 3 altos
1
+ 37 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
140
Orchestre de chambre
88
Orchestre
60
Orchestre à Cordes
33
Batterie
32
Ensemble Jazz
32
Ensemble de cuivres
27
Cloches
26
Jazz combo
9
Ensemble de Percussions
5
Fanfare
3
Marimba
3
Vibraphone
3
Xylophone, Piano
2
Piano et Orchestre
1
Vibraphone et Marimba
1
+ 11 instrumentations
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Autres
Formation musicale - Solfège
6
Théorie de la musique
1
Instruments
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--INSTRUMENTS--
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CHORALE - CHAN…
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COR ANGLAIS
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CORNET
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Vous avez sélectionné:
A Place To Be
Voix Baryton, Piano
Partitions à imprimer
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A Wonder Is What It Is
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Philip Orem
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A Wonder Is What It Is
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Philip Orem
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.872675 Composed by Philip Orem. Contemporary. 88 pages. Philip Orem #3684689. Published by Philip ...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.872675 Composed by Philip Orem. Contemporary. 88 pages. Philip Orem #3684689. Published by Philip Orem (A0.872675). A Wonder Is What It Is is a song cycle comprised of 23 poems from Wendell Berry's A Part. Mr. Berry's poems explore the rural life he leads in Kentucky and his philosophy about the land and one's place in the community. These poems range from walking through the woods and bird songs to the satisfaction of a day's hard work.First performed in recital in 2013, these songs for baritone and piano have proved to be highly successful. For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$45.00
Lines from a Wanderer
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Voix Baryton, Piano
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John Casken
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Lines from a Wanderer
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Schott Music - Digital
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SheetMusicPlus
Baritone voice and piano - SKU: S9.Q47100 For baritone and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 22 m...
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Baritone voice and piano - SKU: S9.Q47100 For baritone and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 22 minutes. Schott Music - Digital #Q47100. Published by Schott Music - Digital (S9.Q47100). English.John Casken's 2009 setting of the Robert Browning poem 'Night and Morning' for tenor and piano was the starting point for a new song cycle, Lines from a Wanderer, exploring man’s desire to travel, to escape and be alone. This search for inner peace is contrasted with a deep nostalgia for places and people left behind in settings of two poems from W.B. Yeats, 'The Lake Isle of Innisfree' and 'The Song of Wandering Aengus', as well as Thomas Hardy's 'The Discovery' and Robert Browning's 'The Italian in England'.
$15.99
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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A Place To Be
