Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All I Know
Non classifié
1 162
Piano & claviers
Piano seul
567
Piano, Voix
334
Piano, Voix et Guitare
224
Piano Facile
194
Instruments en Do
115
Orgue
81
Accompagnement Piano
30
1 Piano, 4 mains
16
Piano grosses notes
12
Piano Trio: piano, violon, violoncelle
11
Orgue, Trompette (duo)
5
Accordéon
4
Clavier
3
2 Pianos, 4 mains
3
Clavecin
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
58
Guitare
53
Ligne De Mélodie, (Paroles) et Accords
26
Ukulele
21
Basse electrique
18
Piano, Guitare (duo)
10
Paroles et Accords
10
4 Guitares (Quatuor)
8
Mandoline
6
2 Guitares (duo)
4
3 Guitares (trio)
4
Dulcimer
3
Mandoline, Guitare (duo)
2
Guitare (partie séparée)
2
Ensemble de guitares
1
Banjo
1
2 Dulcimers (duo)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
342
Chorale 3 parties
121
Chorale 2 parties
72
Chorale TTBB
44
Chorale Unison
28
Chorale SSAA
21
Voix Soprano, Piano
20
Voix Alto, Piano
11
Voix seule
8
Voix Baryton, Piano
6
Voix duo
6
Voix duo, Piano
5
Voix haute
5
Chorale SSAB, Piano
2
Voix Tenor
2
Chorale SSAATB
1
Voix Tenor, Piano
1
Chorale SSATB
1
Voix basse
1
Voix moyenne, Piano
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
128
Quintette de Saxophone: 5 saxophones
95
Flûte traversière et Piano
75
Quatuor de Saxophones: 4 saxophones
60
Clarinette et Piano
57
Hautbois, Piano (duo)
51
Ensemble de saxophones
51
Saxophone Alto et Piano
43
2 Flûtes traversières (duo)
40
Quatuor de Clarinettes: 4 clarinettes
39
2 Saxophones (duo)
37
Saxophone Tenor et Piano
36
Ensemble de Clarinettes
36
Clarinette
35
2 Clarinettes (duo)
31
Flûte, Hautbois, Clarinette, Basson
30
Flûte traversière
29
Hautbois (partie séparée)
26
Quatuor de Flûtes : 4 flûtes
22
Saxophone Soprano et Piano
21
Saxophone Alto
21
3 Clarinettes (trio)
19
Ensemble de Flûtes
17
Saxophone Baryton, Piano
16
Saxophone Tenor
15
Saxophone (partie séparée)
13
Quintette de Clarinettes: 5 clarinettes
12
Quintette de Flûte : 5 flûtes
11
2 Hautbois (duo)
7
Flûte à bec Soprano
7
Cor Anglais
7
Quatuor de Flûtes à bec
7
Flûte, Clarinette (duo)
7
Cor anglais, Piano
6
Hautbois, Basson (duo)
6
Flute (partie séparée)
6
Clarinette Basse, Piano
5
3 Saxophones (trio)
5
Trio de Flûtes: 3 flûtes
5
Flûte à bec Alto
4
Flûte et Guitare
4
Hautbois
4
Saxophone, Clarinette (duo)
3
Clarinette, Violon (duo)
3
Clarinette (partie séparée)
3
Harmonica
3
Clarinette, Basson (duo)
2
Flûte, Trompette (duo)
2
Clarinette Basse
2
Hautbois, Guitare (duo)
2
Flûte à bec Soprano, Piano
2
Saxophone Soprano
2
Saxophone Baryton
2
Hautbois, Clarinette (duo)
2
Ensemble De Flûte à bec
2
Flûte à bec Alto, Piano
2
Hautbois, Flûte
2
2 Flûte à bec (duo)
2
Flûte, Saxophone (duo)
2
Clarinette, Trompette (duo)
2
Clarinette et Alto
2
Ocarina
2
Flûte, Clarinette, Piano (trio)
2
Flûte irlandaise
1
5 Flûtes à bec
1
Flûte à bec Tenor
1
Flûte, Violon
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, Cor (duo)
1
2 Cors Anglais Et Pianoforte
1
Piccolo
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle (duo)
1
+ 68 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
107
Quatuor de Cuivres : 2 trompettes, trombone, tuba
100
Trombone et Piano
38
Trompette, Piano
35
Ensemble de Trombones
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
Trompette
28
Cor et Piano
23
Tuba et Piano
20
2 Trombones (duo)
17
Trombone
16
Quatuor de Cuivres
15
Quatuor de cuivres: 4 trombones
14
Ensemble de Trompettes
13
Cor
11
2 Trompettes (duo)
11
Tuba
10
2 Cors (duo)
9
Trombone (partie séparée)
8
Trompette (partie séparée)
8
Cor Anglais
7
Trompette, Trombone (duo)
6
Cor anglais, Piano
6
Euphonium, Piano (duo)
5
Euphonium
4
3 Trompettes (trio)
3
Cor (partie séparée)
3
Euphonium, Tuba (duo)
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 cors
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trompettes
2
Tuba (partie séparée)
2
Trompette, Euphonium (duo)
1
Ensemble de Cors
1
Trio de Cuivres
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
Trompette, Trombone, Piano
1
Clarinette, Cor (duo)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
188
Violon et Piano
66
Violoncelle, Piano
53
Violon
48
Alto, Piano
47
Violoncelle
36
Harpe
35
Trio à Cordes: violon, alto, violoncelle
32
2 Violons (duo)
28
Violon, Violoncelle (duo)
22
Contrebasse, Piano (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Alto seul
13
Contre Basse
13
2 Altos (duo)
13
Violon, Alto (duo)
13
2 Violoncelles (duo)
13
Ensemble de Violons
13
Ensemble d'Altos
12
Trio à Cordes: 2 violons, violoncelle
8
Harpe, Voix
6
4 Violoncelles
5
Alto (partie séparée)
4
2 Harpes (duo)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon (partie séparée)
2
Contrebasse (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
4 Contrebasses
2
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
Piano Trio: Violon, Alto, Piano
1
Alto et Harpe
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
165
Orchestre à Cordes
73
Orchestre
69
Ensemble Jazz
43
Ensemble de cuivres
37
Orchestre de chambre
31
Cloches
15
Jazz combo
11
Ensemble de Percussions
11
Fanfare
7
Marimba
6
Xylophone
4
Batterie
4
Xylophone, Piano
3
Percussion (partie séparée)
2
Vibraphone
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Batterie (partie séparée)
1
Piano et Orchestre
1
+ 17 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
6
Librairie Musicale
11
Matériel de Musique
71
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
All I Know
Voix Baryton, Piano
Partitions à imprimer
6 partitions trouvées
<
1
Shall I Compare Thee To A Summer's Day? - Baritone Solo
#
Voix Baryton, Piano
#
INTERMÉDIAIRE
#
Phil Rawle
#
Shall I Compare Thee To A Summ
#
Phillip Rawle
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.824563 Composed by Phil Rawle. Concert,Contemporary. 4 pages. Phillip Rawle #4730843. Published by...
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.824563 Composed by Phil Rawle. Concert,Contemporary. 4 pages. Phillip Rawle #4730843. Published by Phillip Rawle (A0.824563). Shall I Compare Thee To A Summer's Day? Sonnet No. 18 by William Shakespeare.Sonnet 18 is perhaps the best known of all sonnets. ... Their depth and range set Shakespeare apart from all other sonneteers. His sonnet 18 focuses on the loveliness of a friend or lover, the speaker initially asking a rhetorical question comparing them to a summer's day.
$3.00
June 1974, Cohoes (Wish List Fundraising)
#
Voix Baryton, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Brett L
#
#
June 1974, Cohoes
#
Sonata Grendel Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #577024...
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
#
Voix Baryton, Piano
#
Gregory Sullivan Isaacs
#
Gregory Sullivan Isaacs: Songs
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
(+)
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
#
Voix Baryton, Piano
#
AVANCÉ
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
Largo al factotum
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Fire In My Soul-- In E-flat 1st Version
#
Voix Baryton, Piano
#
INTERMÉDIAIRE
#
Cody Weinmann
#
Fire In My Soul-- In E-flat 1s
#
Cody Weinmann
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.835113 Composed by Cody Weinmann. Contemporary,Folk. 12 pages. Cody Weinmann #4640627. Published b...
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.835113 Composed by Cody Weinmann. Contemporary,Folk. 12 pages. Cody Weinmann #4640627. Published by Cody Weinmann (A0.835113). This song was originally composed in 2008. It was largely based out of depression. I felt like I was going nowhere. So, I wrote this in all my angst and sadness. The song is meant to have almost a happy ending in the second chorus as the singer clings to hope in Jesus. Little did I know that six years later, I would be transformed by a relationship with Christ, the Savior Himself.I hope this song could bring comfort to all those who mourn and are down.
$4.99
October 1974, Cohoes (Confrontation and Finale)
#
Voix Baryton, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Brett L
#
#
October 1974, Cohoes
#
Sonata Grendel Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publish...
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
All I Know
