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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Be Right Now
Sheetmusicplus
Non classifié
248
Piano & claviers
Piano seul
167
Piano Facile
107
Piano, Voix
48
Piano, Voix et Guitare
42
Orgue
40
Piano grosses notes
25
Instruments en Do
19
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
2
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
Clavier
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 8 mains
1
+ 11 instrumentations
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Guitares
Guitare notes et tablatures
12
Guitare
9
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
3
Guitare (partie séparée)
2
Basse electrique
2
Paroles et Accords
1
Piano, Guitare (duo)
1
Dulcimer
1
+ 4 instrumentations
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Voix
Chorale SATB
127
Chorale 3 parties
27
Chorale Unison
20
Chorale TTBB
20
Chorale SSAA
18
Voix Alto, Piano
9
Chorale 2 parties
6
Voix Baryton, Piano
4
Voix Soprano, Piano
3
Voix haute
3
Voix Tenor, Piano
3
Chorale SSATTB
1
Voix seule
1
Voix basse
1
Voix duo
1
Voix Mezzo-Soprano, Piano
1
+ 11 instrumentations
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Vents
2 Saxophones (duo)
18
Saxophone (partie séparée)
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Flûte traversière et Piano
11
Ensemble de saxophones
10
Quintette de Saxophone: 5 saxophones
10
Ensemble de Flûtes
9
Hautbois, Piano (duo)
9
Flûte traversière
8
Saxophone Alto et Piano
8
Clarinette et Piano
8
Saxophone Tenor
7
Clarinette
7
Saxophone Baryton, Piano
6
Saxophone Tenor et Piano
6
2 Flûtes traversières (duo)
6
Saxophone Alto
6
Ensemble de Clarinettes
6
Quatuor de Saxophones: 4 saxophones
5
Saxophone Soprano et Piano
5
Hautbois (partie séparée)
5
2 Clarinettes (duo)
5
2 Hautbois (duo)
4
Quintette de Flûte : 5 flûtes
4
Quatuor de Clarinettes: 4 clarinettes
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois, Guitare (duo)
1
Hautbois
1
Ensemble de Hautbois
1
3 Saxophones (trio)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette (duo)
1
3 Clarinettes (trio)
1
Flute (partie séparée)
1
Flûte à bec Soprano, Piano
1
+ 32 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trombone et Piano
12
Tuba et Piano
9
Trompette
9
Trompette, Piano
8
Trombone
7
2 Trompettes (duo)
6
Cor
6
Cor et Piano
6
Tuba
6
Trompette (partie séparée)
6
2 Trombones (duo)
5
2 Cors (duo)
4
Ensemble de Trombones
4
2 Tubas (duo)
3
Ensemble de Trompettes
2
Euphonium, Piano (duo)
2
Ensemble de Cors
2
Cor (partie séparée)
1
Tuba et Orgue
1
Tuba (partie séparée)
1
Trombone basse et Piano
1
Trombone (partie séparée)
1
Quatuor de Cuivres
1
+ 20 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
95
Violon, Violoncelle (duo)
39
Trio à Cordes: 2 violons, violoncelle
28
Violon
23
Violoncelle
22
Violon et Piano
17
Violoncelle, Piano
14
Trio à Cordes: violon, alto, violoncelle
12
Violon, Alto (duo)
11
2 Violoncelles (duo)
9
Alto, Piano
8
Harpe
8
Contre Basse
7
2 Violons (duo)
6
Contrebasse, Piano (duo)
6
Alto seul
5
2 Altos (duo)
4
2 Contrebasses (duo)
3
Harpe, Voix
3
Ensemble de Violons
2
Trio à Cordes: 3 violoncelles
2
Ensemble d'Altos
2
Violoncelle, Contrebasse (duo)
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 violins
1
Alto et Harpe
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
+ 23 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
64
Orchestre à Cordes
28
Orchestre
27
Ensemble Jazz
25
Ensemble de cuivres
12
Orchestre de chambre
7
Cloches
7
Jazz combo
3
2 Marimbas
1
Ensemble de Percussions
1
Fanfare
1
Piano et Orchestre
1
Batterie (partie séparée)
1
+ 8 instrumentations
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--INSTRUMENTS--
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Vous avez sélectionné:
Be Right Now
SheetMusicPlus
Partitions à imprimer
4 partitions trouvées
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1
Jump Right In! (Downloadable)
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Voix Baryton, Piano
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Gospel Spirituel
#
Gwyneth W
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Jump Right In!
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Baritone voice and piano - Moderately Easy - SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Com...
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Baritone voice and piano - Moderately Easy - SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-3E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
#
Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
My Soul has Grown Deep (Downloadable)
#
Voix Baryton, Piano
#
Gospel Spirituel
#
Gwyneth W
#
My Soul has Grown Deep
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Baritone voice and piano - Moderately Easy - SKU: MQ.8826-1E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Com...
(+)
Baritone voice and piano - Moderately Easy - SKU: MQ.8826-1E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-1E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
Troubled Water (Downloadable)
#
Voix Baryton, Piano
#
FACILE
#
Gospel Spirituel
#
Gwyneth W
#
Troubled Water
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Baritone voice and piano - Moderately Easy - SKU: MQ.8826-2E Composed by Gwyneth W. Walker. African American Heritage. 5 pages. E. C. Schirmer Music Com...
(+)
Baritone voice and piano - Moderately Easy - SKU: MQ.8826-2E Composed by Gwyneth W. Walker. African American Heritage. 5 pages. E. C. Schirmer Music Company - Digital #8826-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-2E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$3.00
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Be Right Now
