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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SAXOPHONE
SYNTHETISEUR
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Be of One Mind
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471
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125
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38
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35
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28
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22
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19
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16
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7
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75
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41
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40
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38
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36
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36
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33
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21
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18
Clarinette
17
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13
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12
Clarinette et Alto
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12
Hautbois, Clarinette (duo)
12
2 Hautbois (duo)
12
Flûte, Saxophone (duo)
12
Hautbois, Basson (duo)
12
Quatuor de Clarinettes: 4 clarinettes
11
Hautbois (partie séparée)
11
Ensemble de Clarinettes
10
Clarinette, Trombone (duo)
9
Saxophone Alto et Piano
9
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9
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9
Flûte traversière et Piano
9
Hautbois, Piano (duo)
9
Saxophone (partie séparée)
8
Clarinette et Piano
8
Saxophone Tenor
6
Saxophone Alto
6
Saxophone Soprano et Piano
5
Saxophone Baryton, Piano
4
Ensemble de Flûtes
4
Flûte traversière
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Clarinette (partie séparée)
3
Saxophone Tenor et Piano
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Quintette de Flûte : 5 flûtes
3
3 Saxophones (trio)
2
Quatuor de Flûtes à bec
2
3 Clarinettes (trio)
2
Hautbois
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Cor anglais, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Flûte à bec Alto
2
Clarinette Basse
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette Basse, Piano
1
Flute (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à Bec
1
+ 50 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Trompette, Saxophone (duo)
24
2 Trombones (duo)
24
2 Trompettes (duo)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Trompette, Trombone (duo)
12
2 Euphoniums (duo)
10
Trombone et Piano
10
Trombone
9
Trompette
7
Ensemble de Trombones
6
Cor et Piano
6
Euphonium, Piano (duo)
6
Tuba et Piano
4
Ensemble de Trompettes
4
Trompette (partie séparée)
3
Tuba
3
Quatuor de cuivres: 4 trombones
3
Trombone (partie séparée)
3
Trompette, Piano
3
2 Cors (duo)
2
Cor (partie séparée)
2
Cor anglais, Piano
2
Tuba (partie séparée)
1
Cor
1
3 Trombones (trio)
1
Euphonium
1
+ 23 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
2 Violons (duo)
25
Violoncelle
21
2 Violoncelles (duo)
20
Violon et Piano
19
Violon, Alto (duo)
18
2 Altos (duo)
15
Violon, Violoncelle (duo)
14
Alto, Piano
11
Violoncelle, Piano
10
Trio à Cordes: violon, alto, violoncelle
9
Harpe
8
Violon
8
Alto seul
4
Ensemble de Violons
3
Ensemble d'Altos
3
Contre Basse
3
Alto, Violoncelle (duo)
3
Violoncelle, Contrebasse (duo)
3
Alto (partie séparée)
2
4 Violoncelles
2
Violon (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse, Piano (duo)
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Voix
1
Contrebasse (partie séparée)
1
Harpe et Piano
1
Harpe, Violon (duo)
1
Ensemble de Violoncelles
1
+ 32 instrumentations
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Orchestre d'harmonie
54
Orchestre
25
Batterie
23
Orchestre à Cordes
17
Jazz combo
11
Ensemble de cuivres
10
Ensemble Jazz
7
Cloches
4
Orchestre de chambre
4
Ensemble de Percussions
3
Fanfare
2
Percussion (partie séparée)
2
Orchestre, Violon
1
Piano et Orchestre
1
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BUGLE
CHANT - CHORA…
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Crtitères actifs :
Be of One Mind
Voix Baryton, Piano
Partitions à imprimer
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Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
So Let Us Live - Really Live! for baritone and piano
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Voix Baryton, Piano
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AVANCÉ
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Robert M
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So Let Us Live - Really Live!
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Robert M. Greenberg
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.
$28.00
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Be of One Mind
