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Bring It All - Percussion 1
Non classifié
376
Piano & claviers
Piano Facile
138
Piano, Voix
115
Piano seul
56
Instruments en Do
26
Piano, Voix et Guitare
25
Orgue
7
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano (partie séparée)
2
2 Pianos, 4 mains
2
2 Pianos, 8 mains
2
Clavecin
1
Accordéon
1
+ 9 instrumentations
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Guitares
Guitare
18
Guitare notes et tablatures
11
Guitare (partie séparée)
8
Basse electrique
6
2 Guitares (duo)
6
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
2
Ensemble de guitares
1
+ 3 instrumentations
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Voix
Chorale SATB
21
Pack Instrumental pour Chorale
14
Chorale 3 parties
13
Voix Soprano, Piano
8
Chorale 2 parties
7
Chorale SSAA
7
Chorale TTBB
7
Chorale Unison
2
Voix Alto, Piano
2
Voix Baryton, Piano
1
Voix basse, Piano
1
+ 6 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Clarinette et Piano
50
Clarinette
44
Flûte traversière
40
Hautbois, Piano (duo)
38
2 Saxophones (duo)
35
Flûte traversière et Piano
32
2 Flûtes traversières (duo)
31
Saxophone (partie séparée)
26
Ensemble de saxophones
23
Hautbois (partie séparée)
20
Hautbois
18
Quatuor de Saxophones: 4 saxophones
15
3 Saxophones (trio)
11
Ensemble de Clarinettes
11
Quatuor de Flûtes : 4 flûtes
10
2 Clarinettes (duo)
10
Saxophone Alto
9
Quatuor de Clarinettes: 4 clarinettes
9
2 Hautbois (duo)
8
Flûte, Hautbois, Clarinette, Basson
8
Flute (partie séparée)
6
Saxophone Alto et Piano
6
Saxophone Tenor et Piano
5
3 Clarinettes (trio)
5
Trio de Flûtes: 3 flûtes
5
Ensemble de Flûtes
5
Cor anglais, Piano
5
Flûte, Clarinette (duo)
5
Flûte, Violon, Piano
4
Flûte, Basson et Piano
4
3 Flûtes à bec (trio)
4
Flûte, Hautbois, Basson
4
Saxophone Baryton, Piano
4
Saxophone Tenor
4
Flûte, Hautbois, Clarinette (trio)
3
Ensemble De Flûte à bec
3
Quintette de Flûte : 5 flûtes
3
Flûte, Clarinette et Basson
3
Clarinette et Alto
2
Clarinette, Violon (duo)
2
Saxophone Soprano et Piano
2
Clarinette Basse, Piano
2
Piccolo, Piano
2
Clarinette, Basson (duo)
2
Hautbois, Violoncelle
2
Flûte, Hautbois (duo)
1
Clarinette, Trompette (duo)
1
Clarinette, Violoncelle (duo)
1
5 Flûtes à bec
1
Cor Anglais
1
Flûte, Violoncelle
1
Ocarina
1
Flûte, Alto (duo)
1
Clarinette, Tuba
1
Flûte, Trompette (duo)
1
Flûte, Tuba (duo)
1
Hautbois et alto (duo)
1
Hautbois, Basson (duo)
1
4 Hautbois
1
Hautbois, Trompette (duo)
1
2 Flûte à bec (duo)
1
Hautbois, violon (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Trombone (duo)
1
Flûte à bec Soprano
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
Clarinette, Trombone (duo)
1
Hautbois, trombone (duo)
1
Clarinette, Contrebasse (duo)
1
+ 68 instrumentations
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Cuivres
Tuba
48
Quatuor de Cuivres : 2 trompettes, trombone, tuba
42
Cor
29
Trombone
29
Cor et Piano
23
Trombone et Piano
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trombone (partie séparée)
14
Trompette
13
Trompette (partie séparée)
10
2 Trompettes (duo)
10
2 Trombones (duo)
9
Tuba et Piano
9
2 Cors (duo)
9
Trompette, Piano
8
Ensemble de Trombones
7
Cor anglais, Piano
5
2 Tubas (duo)
4
Cor (partie séparée)
4
Quatuor de cuivres: 4 trombones
3
Ensemble de Trompettes
3
Tuba et Orgue
2
Quatuor de Cuivres
2
Tuba (partie séparée)
2
3 Trompettes (trio)
1
Ensemble de Cors
1
Trompette, Basson (duo)
1
Quatuor de cuivres: 4 cors
1
Cor Anglais
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Violon (duo)
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violoncelle, Piano
41
Violoncelle
36
Alto, Piano
28
Violon
22
Contre Basse
21
Violon et Piano
19
2 Violons (duo)
19
Contrebasse, Piano (duo)
18
2 Violoncelles (duo)
15
Trio à Cordes: violon, alto, violoncelle
13
Violon, Violoncelle (duo)
13
2 Altos (duo)
11
Alto seul
10
Violon, Alto (duo)
8
Violoncelle, Contrebasse (duo)
7
2 Contrebasses (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto (partie séparée)
5
Ensemble de Violons
4
Alto, Violoncelle (duo)
4
Ensemble d'Altos
4
Trio à cordes: 3 violins
4
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse (partie séparée)
4
Violon, Basson (duo)
3
Harpe
3
Violon (partie séparée)
3
2 Harpes (duo)
2
Trio à Cordes: 3 violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 altos
2
Violon, Clarinette, Piano (trio)
2
Alto et Basson
1
Trio à Cordes: 2 violons, alto
1
Violoncelle (partie séparée)
1
Violon, Tuba (duo)
1
Flûte, Contrebasse (duo)
1
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Orchestre d'harmonie
169
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28
Orchestre à Cordes
13
Orchestre
10
Jazz combo
6
Ensemble Jazz
5
Orchestre de chambre
4
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3
Cloches
3
Batterie (partie séparée)
2
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Bring It All - Percussion 1
Voix Baryton, Piano
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Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
#
Voix Baryton, Piano
#
AVANCÉ
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
Largo al factotum
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
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Bring It All - Percussion 1
