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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Come By Here
Sheetmusicplus
Non classifié
2 075
Piano & claviers
Piano seul
854
Piano, Voix et Guitare
597
Piano, Voix
465
Piano Facile
308
Orgue
111
Instruments en Do
77
Accompagnement Piano
70
Piano grosses notes
60
1 Piano, 4 mains
49
Piano Trio: piano, violon, violoncelle
24
2 Pianos, 4 mains
19
Accordéon
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano (partie séparée)
3
Clavier
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 8 mains
2
2 Accordéons
1
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
Accordéon, Corde(s)
1
Fake Book
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
154
Guitare
101
Ukulele
55
Ligne De Mélodie, (Paroles) et Accords
36
Basse electrique
22
Paroles et Accords
19
2 Guitares (duo)
15
4 Guitares (Quatuor)
12
Mandoline
10
Dulcimer
6
3 Guitares (trio)
6
Guitare (partie séparée)
5
Banjo
5
Piano, Guitare (duo)
3
Ensemble de guitares
2
Ukulele Baryton
2
Ensemble de Ukulélés
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
599
Chorale 3 parties
216
Chorale 2 parties
134
Chorale TTBB
91
Chorale Unison
82
Chorale SSAA
52
Voix Tenor, Piano
23
Voix duo, Piano
19
Voix Soprano, Piano
15
Voix duo
13
Voix seule
12
Voix haute
11
Pack Instrumental pour Chorale
10
Voix Alto, Piano
10
Voix Baryton, Piano
9
Chorale
9
Voix Tenor
6
Voix basse, Piano
6
Voix moyenne, Piano
3
Voix Mezzo-Soprano, Piano
3
Voix Soprano
2
Chorale SAATB A Cappella
2
Chorale SSATB
2
Voix Baryton
1
Voix basse
1
+ 20 instrumentations
Retracter
Vents
2 Saxophones (duo)
148
Quatuor de Saxophones: 4 saxophones
137
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
135
Flûte traversière et Piano
133
Flûte, Hautbois, Clarinette, Basson
106
Quintette de Saxophone: 5 saxophones
99
2 Flûtes traversières (duo)
93
Hautbois, Piano (duo)
90
Clarinette et Piano
90
Ensemble de saxophones
83
Flûte traversière
80
Clarinette
78
2 Clarinettes (duo)
75
Quatuor de Clarinettes: 4 clarinettes
72
Saxophone Alto et Piano
70
Saxophone Tenor et Piano
64
Saxophone (partie séparée)
58
Saxophone Alto
58
Hautbois (partie séparée)
47
Ensemble de Clarinettes
45
Saxophone, Clarinette (duo)
41
Saxophone Soprano et Piano
39
Flûte, Clarinette (duo)
36
3 Saxophones (trio)
35
Ensemble de Flûtes
34
Saxophone Tenor
32
Saxophone Baryton, Piano
31
Quatuor de Flûtes : 4 flûtes
27
2 Flûtes traversières, Piano
27
3 Clarinettes (trio)
27
Clarinette, Violon (duo)
25
Clarinette (partie séparée)
23
Quintette de Flûte : 5 flûtes
22
Flûte et Guitare
20
2 Hautbois (duo)
20
Quintette de Clarinettes: 5 clarinettes
19
Clarinette, Trompette (duo)
18
Flûte, Violon
16
Flûte, Saxophone (duo)
16
Hautbois, Flûte
15
Hautbois, Basson (duo)
15
Trio de Flûtes: 3 flûtes
15
Hautbois, Clarinette (duo)
15
Hautbois
14
Clarinette et Alto
13
Clarinette, Guitare (duo)
12
Cor anglais, Piano
12
Flute (partie séparée)
12
Clarinette Basse, Piano
11
Flûte, Trompette (duo)
11
Flûte, Hautbois, Clarinette (trio)
11
Flûte à Bec
10
Clarinette, Basson (duo)
10
Flûte à bec Soprano
9
Flûte, Violon, Piano
9
Flûte à bec Alto
8
2 Flûte à bec (duo)
7
Flûte à bec Alto, Piano
7
Saxophone Soprano
6
Harmonica
6
Flûte, Clarinette, Cor, Basson (Quartet)
6
Flûte, Alto (duo)
6
Quatuor de Flûtes à bec
6
Flûte, Clarinette et Basson
5
Flûte irlandaise
5
Saxophone Baryton
5
Clarinette, Harpe (duo)
5
Clarinette, Violoncelle (duo)
5
Flûte, Violoncelle
4
Saxophone
4
Flûte, Harpe et Violoncelle
4
Hautbois, Guitare (duo)
4
Saxophone et Guitare
4
Clarinette, Trombone (duo)
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Hautbois (duo)
3
Flûte, Hautbois, Basson
3
Flûte à bec Soprano, Piano
3
2 Saxophones, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
3 Flûtes à bec (trio)
3
Cor anglais, Guitare (duo)
3
Ensemble De Flûte à bec
3
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Tenor
3
Flûte, Alto et Piano
2
5 Flûtes à bec
2
Flûte, Violon, Violoncelle et Piano
2
Cor Anglais
2
Ocarina
2
Flûte, Trombone (duo)
2
Cornemuse
2
2 Clarinettes, Piano
2
Instruments en Mib
1
Flûte à bec, Guitare (duo)
1
Clarinette Basse
1
2 Flûtes à bec, Guitare
1
Ensemble de Hautbois
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Violoncelle
1
3 Hautbois
1
Flûte à Bec, Piano
1
Clarinette, Orgue
1
Flûte, Hautbois, Piano (trio)
1
Flûte, trombone et piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone, Basson (duo)
1
2 Flûtes traversières, Harpe
1
Flute, harpe et violon
1
Piccolo, Piano
1
+ 105 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
171
Quatuor de Cuivres : 2 trompettes, trombone, tuba
116
Trompette
80
Trombone et Piano
68
Trombone
60
Trompette, Piano
55
Cor
52
Quatuor de Cuivres
51
Ensemble de Trompettes
50
Cor et Piano
48
2 Trompettes (duo)
39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
38
Quatuor de cuivres: 4 trombones
35
Trombone (partie séparée)
34
Trompette (partie séparée)
31
Tuba
30
Ensemble de Trombones
30
Trompette, Saxophone (duo)
28
Trompette, Trombone (duo)
27
2 Trombones (duo)
25
Tuba et Piano
22
Euphonium, Piano (duo)
15
Cor anglais, Piano
12
Cor (partie séparée)
12
Ensemble de Cors
10
2 Cors (duo)
10
Tuba (partie séparée)
8
Quatuor de cuivres: 4 cors
7
Quatuor de cuivres: 4 trompettes
5
3 Trompettes (trio)
4
Trio de Cuivres
4
2 Euphoniums et 2 Tubas
4
2 Tubas (duo)
4
Trompette, Cor (duo)
3
4 Tubas
3
Cor anglais, Guitare (duo)
3
Tuba et Orgue
3
Cor, Tuba (duo)
3
Trompette, Violoncelle et Piano
2
Euphonium, Tuba (duo)
2
3 Cors (trio)
2
Cor Anglais
2
3 Trombones (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Basson (duo)
2
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Trompette, violon (duo)
1
Cor, Violoncelle (duo)
1
Instruments en Sib
1
Trombone basse
1
Trompette, Tuba (duo)
1
Trombone, Orgue
1
Euphonium
1
Clarinette, Cor (duo)
1
Trombone, Tuba (duo)
1
Trombone, Violon (duo)
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
335
Violon et Piano
198
Violon
119
Violoncelle, Piano
114
2 Violons (duo)
96
Harpe
95
Alto, Piano
86
Violoncelle
82
Violon, Violoncelle (duo)
78
Trio à Cordes: violon, alto, violoncelle
70
2 Violoncelles (duo)
55
Alto seul
47
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
2 Altos (duo)
36
Violon, Alto (duo)
36
Trio à Cordes: 2 violons, violoncelle
32
Contre Basse
26
Contrebasse, Piano (duo)
21
2 Harpes (duo)
19
Alto (partie séparée)
17
Violon (partie séparée)
13
Ensemble d'Altos
13
Ensemble de Violons
12
Alto, Violoncelle (duo)
11
Contrebasse (partie séparée)
11
Harpe, Flûte (duo)
11
Trio à cordes: 3 violins
10
4 Violoncelles
10
Violoncelle , Guitare (duo)
8
Violon, Guitare (duo)
7
Quatuor à cordes: 4 violons
6
Quatuor à cordes : 4 altos
6
Harpe, Voix
5
Trio à cordes
5
Violoncelle, Contrebasse (duo)
5
2 Contrebasses (duo)
5
2 Violons, Piano
5
Trio à cordes: 3 altos
4
Piano Trio: Violon, Alto, Piano
4
Trio à Cordes: 3 violoncelles
3
Violoncelle, Orgue
3
Harpe, Violon (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle (partie séparée)
3
Harpe et Piano
2
Alto et Basson
2
Ensemble de Violoncelles
2
Violon, Basson (duo)
2
Violon, Violoncelle, Clarinette
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orchestre
1
Violon, Clarinette, Piano (trio)
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
436
Orchestre
162
Orchestre à Cordes
153
Cloches
82
Orchestre de chambre
79
Ensemble de cuivres
68
Ensemble Jazz
67
Fanfare
32
Jazz combo
28
Ensemble de Percussions
13
Percussion (partie séparée)
12
Marimba
10
Batterie
7
Xylophone
6
Ensemble d'École
5
Xylophone, Piano
3
Vibraphone
3
Batterie (partie séparée)
3
Timbales (partie séparée)
3
Percussion
3
Quintette de Cuivres: autres combinaisons
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Piano et Orchestre
1
2 Marimbas
1
+ 19 instrumentations
Retracter
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ACCORDEON
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BANJO
BASSE
BASSON
BATTERIE
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CLAIRON
CLARINETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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EUPHONIUM
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Vous avez sélectionné:
Come By Here
SheetMusicPlus
Partitions à imprimer
9 partitions trouvées
<
1
There Comes a Time, Arranged for Baritone from the Contemporary Opera Germain
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Voix Baryton, Piano
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AVANCÉ
#
James Nathaniel Holland
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There Comes a Time, Arranged f
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James Nathaniel Holland
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel ...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel Holland #3005169. Published by James Nathaniel Holland (A0.730375). Great stand alone and dramatic aria of the contemporary opera in English, Germain, by American Costa Rican composer James Nathaniel Holland. The aria speaks of being in a loveless relationship and hoping that love will come one day. Originally for tenor, arranged here for Baritone. (Sample provided here is with tenor. Score is in lower key.)Video presentation (Tenor version): https://www.youtube.com/watch?v=9ZeyQhDG-Gw(Duration: 5:33) (Range: C3 to F#4)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$4.95
Somewhere Along the Way (Samuel the Prophet) from "The Kings" - ACT 1:Song 7
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Voix Baryton, Piano
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INTERMÉDIAIRE
#
McCorkle, Dennis F
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Somewhere Along the Way
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DF McCorkle Music and eBook Publications
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.784820 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF M...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.784820 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11729. Published by DF McCorkle Music and eBook Publications (A0.784820). ACT ONE: Song 7 The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 10:18-19… - And he said to the children of Israel: Thus says Yahweh, the God of Israel: ‘I brought up Israel out of Egypt, and I delivered you out of the hand of the Egyptians, and out of the hand of all the kingdoms that oppressed you.’ 19 But you have this day rejected your God, who Himself saves you out of all your calamities and your distresses; and you have said unto Him: Nay, but set a king over us…] [1 Samuel 12:24-25 - Only fear Yahweh, and serve him in truth with all your heart; for consider how great things he hath done for you. But if you shall still do wickedly, you shall be consumed, both you and your king.] SAMUEL warns Saul and the people that if they follow God all will go well for them. If they do not, there will be severe repercussions [Somewhere Along the Way – Samuel]. As SAMUEL walks off, thunder and lightning start and the people scatter. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Next, Winter Comes Slowly - The Fairy Queen (A Minor)t
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Voix Baryton, Piano
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INTERMÉDIAIRE
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Opera
#
Classique
#
Henry Purcell
#
Jonathan Prentice
#
Next, Winter Comes Slowly - Th
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Jonathan Prentice
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.884771 Composed by Henry Purcell. Arranged by Jonathan Prentice. Baroque,Opera. 3 pages. Jonathan ...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.884771 Composed by Henry Purcell. Arranged by Jonathan Prentice. Baroque,Opera. 3 pages. Jonathan Prentice #5809165. Published by Jonathan Prentice (A0.884771). Purcell shows off his wonderful gift for chromaticism in this atmospheric air from The Fairy Queen (Here in the higher key of A Minor, more suitable for baritones).
$1.99
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
#
Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
So Let Us Live - Really Live! for baritone and piano
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Voix Baryton, Piano
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AVANCÉ
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Robert M
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So Let Us Live - Really Live!
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Robert M. Greenberg
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.
$28.00
Jump Right In! (Downloadable)
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Voix Baryton, Piano
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Gospel Spirituel
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Gwyneth W
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Jump Right In!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Baritone voice and piano - Moderately Easy - SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Com...
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Baritone voice and piano - Moderately Easy - SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-3E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
My Soul has Grown Deep (Downloadable)
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Voix Baryton, Piano
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Gospel Spirituel
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Gwyneth W
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My Soul has Grown Deep
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Baritone voice and piano - Moderately Easy - SKU: MQ.8826-1E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Com...
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Baritone voice and piano - Moderately Easy - SKU: MQ.8826-1E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-1E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
Troubled Water (Downloadable)
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Voix Baryton, Piano
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FACILE
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Gospel Spirituel
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Gwyneth W
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Troubled Water
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Baritone voice and piano - Moderately Easy - SKU: MQ.8826-2E Composed by Gwyneth W. Walker. African American Heritage. 5 pages. E. C. Schirmer Music Com...
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Baritone voice and piano - Moderately Easy - SKU: MQ.8826-2E Composed by Gwyneth W. Walker. African American Heritage. 5 pages. E. C. Schirmer Music Company - Digital #8826-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-2E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$3.00
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