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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Comfort 2
Sheetmusicplus
Non classifié
390
Piano & claviers
Piano seul
183
Piano Facile
94
Instruments en Do
78
Piano, Voix
48
Accompagnement Piano
40
Orgue
20
Piano, Voix et Guitare
19
2 Pianos, 4 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
5
1 Piano, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
1
Accordéon
1
+ 10 instrumentations
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Guitares
Guitare
22
Ligne De Mélodie, (Paroles) et Accords
16
Guitare notes et tablatures
15
2 Guitares (duo)
7
2 Dulcimers (duo)
2
Mandoline, Guitare (duo)
2
Paroles et Accords
1
4 Guitares (Quatuor)
1
Guitare (partie séparée)
1
Dulcimer
1
Ukulele
1
Basse electrique
1
+ 7 instrumentations
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Voix
Chorale SATB
135
Chorale 2 parties
101
Chorale 3 parties
58
Chorale Unison
32
Voix duo, Piano
21
Pack Instrumental pour Chorale
18
Chorale TTBB
13
Voix duo
12
Voix Soprano, Piano
9
Chorale SSAA
7
Voix seule
7
Voix Alto, Piano
4
Voix Baryton, Piano
3
Voix haute
3
Voix basse, Piano
2
+ 10 instrumentations
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Vents
2 Saxophones (duo)
38
Clarinette et Piano
24
Flûte traversière et Piano
21
Quatuor de Saxophones: 4 saxophones
20
2 Flûtes traversières (duo)
18
Hautbois, Piano (duo)
18
Flûte, Hautbois, Clarinette, Basson
16
Flûte, Clarinette (duo)
16
Saxophone Alto et Piano
16
Flûte traversière
15
3 Saxophones (trio)
15
2 Clarinettes (duo)
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Tenor et Piano
12
Saxophone (partie séparée)
11
Saxophone Soprano et Piano
10
2 Flûte à bec (duo)
10
Clarinette
9
Saxophone Alto
9
Quintette de Saxophone: 5 saxophones
8
Hautbois (partie séparée)
8
Clarinette, Basson (duo)
7
Saxophone Baryton, Piano
7
Saxophone Tenor
7
Trio de Flûtes: 3 flûtes
7
Quatuor de Flûtes : 4 flûtes
4
3 Flûtes à bec (trio)
4
Cor anglais, Piano
4
Hautbois, Violoncelle
3
2 Clarinettes, Piano
3
Flute (partie séparée)
3
Clarinette, Violoncelle (duo)
3
Clarinette (partie séparée)
3
Flûte, Violoncelle
3
3 Clarinettes (trio)
3
Hautbois, Basson (duo)
3
2 Hautbois (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone Baryton
2
Saxophone Soprano
2
Hautbois
2
Flûte, Clarinette et Basson
2
Clarinette, Guitare (duo)
2
Quintette de Flûte : 5 flûtes
2
2 Flûtes traversières, Piano
2
Flûte à bec Soprano, Piano
2
2 Saxophones, Piano
2
Quatuor de Flûtes à bec
2
Flûte, Violon, Violoncelle et Piano
2
Flûte et Guitare
2
Flûte, Violon, Piano
2
Flûte, Basson et Piano
1
Flûte, Violon
1
Flûte, Alto et Piano
1
Flûte, Violoncelle, Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Harpe et Violoncelle
1
Flûte à bec Alto
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano
1
5 Flûtes à bec
1
Hautbois, Violon, Piano
1
Flute, harpe et violon
1
Clarinette Basse, Piano
1
2 Cors Anglais Et Pianoforte
1
Ensemble de saxophones
1
Hautbois, Guitare (duo)
1
+ 63 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trompette, Piano
25
Trombone et Piano
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trompette
13
Cor et Piano
11
Trombone
11
Tuba
10
Trompette (partie séparée)
9
Trompette, Cor (duo)
9
Cor
8
2 Cors (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trombone (partie séparée)
7
Trompette, Trombone (duo)
6
Tuba et Piano
6
2 Trompettes (duo)
5
2 Trombones (duo)
5
Cor, Violoncelle (duo)
4
Cor anglais, Piano
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Cors
2
Euphonium, Piano (duo)
2
Cor (partie séparée)
2
2 Tubas (duo)
2
Trombone, Cor (duo)
2
4 Tubas
2
Euphonium, Tuba (duo)
2
Quatuor de cuivres: 4 cors
2
Tuba (partie séparée)
1
Euphonium
1
2 Cors, Piano
1
3 Trombones (trio)
1
Ensemble de Trompettes
1
3 Tubas (trio)
1
Quatuor de Cuivres
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums et 2 Tubas
1
+ 35 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
106
Violon et Piano
42
Violoncelle, Piano
31
2 Violons (duo)
25
Alto, Piano
23
Violon, Violoncelle (duo)
21
Harpe
20
Violoncelle
17
Violon
16
2 Violoncelles (duo)
11
Trio à Cordes: 2 violons, violoncelle
9
Contrebasse, Piano (duo)
9
Alto (partie séparée)
8
Contre Basse
7
Alto, Violoncelle (duo)
7
Alto seul
7
Violon, Alto (duo)
6
4 Violoncelles
6
Piano Trio: Violon, Alto, Piano
5
Violon (partie séparée)
4
Trio à Cordes: violon, alto, violoncelle
4
Quatuor à cordes: 4 violons
4
2 Altos (duo)
4
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
3
Trio à cordes: 3 violins
3
Alto et Basson
3
Trio à Cordes: 3 violoncelles
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Harpes (duo)
1
Violon, Guitare (duo)
1
Violoncelle (partie séparée)
1
2 Contrebasses (duo)
1
Trio à Cordes: 2 violons, alto
1
Contrebasse (partie séparée)
1
Harpe, Violon, Violoncelle
1
+ 31 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
107
Orchestre
25
Orchestre à Cordes
21
Ensemble Jazz
16
Ensemble de cuivres
16
Cloches
10
Orchestre de chambre
5
Ensemble de Percussions
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie
2
Batterie (partie séparée)
2
Percussion (partie séparée)
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Comfort 2
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Partitions à imprimer
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24 Italian Songs and Arias for 21st-Century Singers, No. 4 Tu lo sai
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Voix Baryton, Piano
#
FACILE
#
Judith Cloud
#
24 Italian Songs and Arias for
#
Judith Cloud
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.981206 Composed by Judith Cloud. Contemporary,Standards. 2 pages. Judith Cloud #6686585. Published...
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.981206 Composed by Judith Cloud. Contemporary,Standards. 2 pages. Judith Cloud #6686585. Published by Judith Cloud (A0.981206). 24 Italian Songs and Arias for 21st-Century Singers, No. 4 Tu lo sai The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
#
AVANCÉ
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
Largo al factotum
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
24 Italian Songs and Arias for 21st-Century Singers, No. 3 Come raggio di sol
#
Voix Baryton, Piano
#
FACILE
#
Judith Cloud
#
24 Italian Songs and Arias for
#
Judith Cloud
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.981205 Composed by Judith Cloud. Contemporary,Standards. 4 pages. Judith Cloud #6686583. Published...
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.981205 Composed by Judith Cloud. Contemporary,Standards. 4 pages. Judith Cloud #6686583. Published by Judith Cloud (A0.981205). 24 Italian Songs and Arias for 21st-Century Singers, No. 3 Come raggio di sol The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
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