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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concerto no. 1
Non classifié
303
Piano & claviers
Piano seul
315
1 Piano, 4 mains
31
Piano Facile
22
2 Pianos, 4 mains
12
Orgue
11
Instruments en Do
3
Orgue, Piano (duo)
2
Piano, Voix et Guitare
2
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Ligne De Mélodie, Piano
2
Orgue, Trompette (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Orgues (duo)
1
Piano grosses notes
1
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
7
Guitare
5
Ligne De Mélodie, (Paroles) et Accords
4
4 Guitares (Quatuor)
2
Ukulele
1
Voix
Voix Soprano, Piano
6
Voix Alto, Piano
1
Chorale 3 parties
1
Chorale SATB
1
Voix Baryton, Piano
1
Vents
Flûte traversière et Piano
43
Clarinette
36
Clarinette et Piano
33
Hautbois, Piano (duo)
30
Flûte traversière
24
Saxophone Alto et Piano
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Saxophone Soprano et Piano
19
2 Saxophones (duo)
14
Ensemble de Clarinettes
13
Saxophone Tenor et Piano
12
3 Saxophones (trio)
12
Hautbois (partie séparée)
12
2 Hautbois (duo)
11
Cor anglais, Piano
11
Quintette de Saxophone: 5 saxophones
10
Saxophone Baryton, Piano
9
Saxophone (partie séparée)
8
Ensemble de saxophones
8
3 Clarinettes (trio)
8
Quatuor de Saxophones: 4 saxophones
8
2 Flûtes traversières (duo)
8
Saxophone
7
2 Clarinettes (duo)
7
Clarinette (partie séparée)
6
2 Cors Anglais Et Pianoforte
6
Quatuor de Flûtes : 4 flûtes
5
Cor Anglais
5
Clarinette Basse, Piano
5
Flûte à Bec
5
Flute (partie séparée)
4
Quatuor de Clarinettes: 4 clarinettes
4
Quatuor de Flûtes à bec
4
Trio de Flûtes: 3 flûtes
4
Ensemble de Flûtes
3
Piccolo, Piano
3
Saxophone Alto
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Tenor
3
Flûte, Hautbois, Clarinette (trio)
2
3 Flûtes à bec (trio)
2
5 Flûtes à bec
2
Clarinette, Orchestre
2
Flûte et Guitare
2
Quintette de Flûte : 5 flûtes
2
Ensemble à vent
2
Flûte et Trio à cordes
1
Flûte, Violon, Piano
1
Clarinette Basse
1
Hautbois
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble de Hautbois
1
Flûte, Clarinette (duo)
1
2 Flûte à bec (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette, Basson (duo)
1
Flûte traversière, Orchestre
1
Harmonica
1
Hautbois et Orchestre
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Alto
1
+ 56 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Cor et Piano
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Cor
16
Trombone et Piano
16
Euphonium, Piano (duo)
12
Cor anglais, Piano
11
Trompette
10
Trompette, Piano
9
Cor (partie séparée)
9
Trompette (partie séparée)
8
Tuba et Piano
7
2 Cors Anglais Et Pianoforte
6
Trombone (partie séparée)
5
Cor Anglais
5
2 Cors (duo)
5
2 Trombones (duo)
5
2 Trompettes (duo)
5
Trombone
4
2 Euphoniums (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor, Orchestre
3
2 Tubas (duo)
2
Trombone basse et Piano
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de Cuivres
2
4 Tubas
1
3 Trombones (trio)
1
Trompette, Trombone (duo)
1
Trombone basse
1
Quatuor de cuivres: 4 cors
1
Euphonium, Tuba (duo)
1
Trompette, Cor (duo)
1
Tuba (partie séparée)
1
Tuba
1
Euphonium
1
+ 31 instrumentations
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Cordes
Violon et Piano
85
Quatuor à cordes: 2 violons, alto, violoncelle
69
Violon
64
Violoncelle, Piano
45
Alto, Piano
30
Violon (partie séparée)
28
Violoncelle
24
Alto seul
16
Trio à Cordes: violon, alto, violoncelle
12
Violon, Violoncelle (duo)
11
Violoncelle (partie séparée)
7
2 Violoncelles (duo)
7
Violon, Alto (duo)
7
2 Violons (duo)
6
Contre Basse
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Contrebasse (partie séparée)
5
Alto (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Violoncelle, Orchestre
2
2 Altos (duo)
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Basse continue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre
103
Orchestre à Cordes
101
Orchestre de chambre
81
Orchestre d'harmonie
38
Piano et Orchestre
31
Orchestre, Violon
5
Percussion (partie séparée)
3
Fanfare
2
Timbales (partie séparée)
2
Ensemble de cuivres
2
Ensemble de Percussions
1
+ 6 instrumentations
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--INSTRUMENTS--
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BANJO
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Vous avez sélectionné:
Concerto no. 1
Voix Baryton, Piano
Partitions à imprimer
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Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
#
Voix Baryton, Piano
#
AVANCÉ
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
Largo al factotum
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
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