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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Day Romantic
Non classifié
1 257
Piano & claviers
Piano seul
1 106
Piano Facile
212
Piano, Voix
125
Piano, Voix et Guitare
57
Orgue
44
Accompagnement Piano
43
Instruments en Do
29
1 Piano, 4 mains
27
2 Pianos, 4 mains
26
Piano Trio: piano, violon, violoncelle
24
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano grosses notes
5
Clavier
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
2
Ligne De Mélodie, Piano
2
Orgue, Trompette (duo)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
50
Guitare
42
Ukulele
9
Ligne De Mélodie, (Paroles) et Accords
6
Ensemble de guitares
6
4 Guitares (Quatuor)
4
Piano, Guitare (duo)
4
2 Guitares (duo)
4
Banjo
2
Mandoline
2
Basse electrique
1
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
87
Chorale 3 parties
39
Chorale SSAA
24
Voix duo, Piano
16
Voix Tenor, Piano
15
Chorale 2 parties
15
Chorale TTBB
15
Voix seule
13
Voix Soprano, Piano
6
Chorale Unison
4
Voix haute
4
Voix Baryton, Piano
3
Voix duo
3
Voix Alto, Piano
2
Voix, Guitare
1
Voix moyenne, Piano
1
Chorale SSATTB
1
Chorale
1
Voix basse, Piano
1
Voix basse
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
183
Clarinette et Piano
147
2 Saxophones (duo)
143
Hautbois, Piano (duo)
136
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
126
Quatuor de Saxophones: 4 saxophones
124
Saxophone Alto et Piano
108
Quatuor de Clarinettes: 4 clarinettes
89
Clarinette
82
Saxophone Soprano et Piano
81
Saxophone Tenor et Piano
72
2 Flûtes traversières (duo)
70
2 Clarinettes (duo)
66
Flûte, Hautbois, Clarinette, Basson
63
3 Saxophones (trio)
55
Flûte traversière
53
Quatuor de Flûtes : 4 flûtes
51
Saxophone Alto
40
Quintette de Saxophone: 5 saxophones
36
2 Hautbois (duo)
33
Saxophone Baryton, Piano
31
Ensemble de saxophones
30
2 Flûte à bec (duo)
30
Cor anglais, Piano
29
Flûte, Clarinette (duo)
28
Saxophone Tenor
26
3 Clarinettes (trio)
25
Hautbois (partie séparée)
24
Hautbois, Clarinette (duo)
21
Quintette de Clarinettes: 5 clarinettes
20
Flûte à Bec
18
Ensemble de Flûtes
17
Hautbois, Basson (duo)
17
Clarinette Basse, Piano
17
Hautbois
15
Trio de Flûtes: 3 flûtes
15
Ensemble de Clarinettes
14
Saxophone (partie séparée)
14
Hautbois, Flûte
13
Clarinette, Violon (duo)
13
Flûte, Violon
13
Flûte, Hautbois, Piano (trio)
12
Flûte à bec Soprano
11
Flûte, Violon, Piano
10
Saxophone, Clarinette (duo)
10
Flûte, Hautbois, Basson
9
Flûte à bec Alto
9
Saxophone Soprano
9
Flûte, Trompette (duo)
9
Flûte, Violoncelle
8
Quintette de Flûte : 5 flûtes
8
Quatuor de Flûtes à bec
8
Saxophone Baryton
8
Clarinette, Basson (duo)
8
Flûte, Clarinette et Basson
8
Flûte, Hautbois (duo)
8
Flûte, Violoncelle, Piano (trio)
7
Hautbois, Violoncelle
7
2 Clarinettes, Piano
7
Clarinette, Trompette (duo)
7
Flûte et Guitare
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette, Violoncelle (duo)
5
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Alto (duo)
4
2 Flûtes traversières, Piano
4
Hautbois, violon (duo)
4
Clarinette, Harpe (duo)
4
Flûte, Basson et Piano
4
Cor Anglais
4
Flûte, Saxophone (duo)
4
Clarinette et Alto
4
Hautbois, trombone (duo)
3
Saxophone et violoncelle
3
Hautbois, Harpe
3
Flûte, Trombone (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone et Orgue
3
Saxophone, Basson (duo)
3
Clarinette, Basson, Piano (trio)
3
Clarinette, Trombone (duo)
3
3 Flûtes à bec (trio)
3
Flûte, Alto et Piano
3
Clarinette, trompette et piano
3
Flûte, Violon, Violoncelle et Piano
2
3 Hautbois
2
Saxophone
2
Piccolo
2
Flute (partie séparée)
2
Clarinette, Alto et Piano (trio)
2
Flûte, trombone et piano
2
Flûte à bec Soprano, Piano
2
Instruments en Mib
2
Clarinette, Orgue
2
Flûte traversière, Orgue (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Clarinette, Violon (trio)
1
Flûte à bec Alto, Piano
1
Clarinette Basse
1
2 Flûtes à bec, Piano
1
Saxophone et Harpe
1
Cor anglais et Harpe (duo)
1
Saxophone et Piano
1
Flûte à bec, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
Flûte irlandaise
1
2 Hautbois, Piano
1
5 Flûtes à bec
1
Ensemble à vent
1
Saxophone et Guitare
1
Flûte, Guitare, Piano
1
Flute, harpe et violon
1
Clarinette, Guitare (duo)
1
Piccolo, Piano
1
+ 109 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
91
Trombone et Piano
85
Quatuor de Cuivres : 2 trompettes, trombone, tuba
74
Trompette, Piano
71
Trompette
64
Cor et Piano
57
2 Trompettes (duo)
32
2 Trombones (duo)
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Trombone
30
Tuba et Piano
30
Cor anglais, Piano
29
Cor
29
Tuba
22
Quatuor de cuivres: 4 trombones
21
2 Cors (duo)
21
Euphonium, Piano (duo)
20
Trompette, Trombone (duo)
18
Quatuor de cuivres: 4 cors
13
Trompette, Saxophone (duo)
10
Ensemble de Trombones
10
Quatuor de Cuivres
8
Trombone basse
7
Trio de Cuivres
7
Quatuor de cuivres: 4 trompettes
7
Trompette, Cor (duo)
7
Trombone, Cor (duo)
7
Trombone basse et Piano
6
Cor, Violoncelle (duo)
5
Trompette, Violoncelle (duo)
5
Trompette, Basson (duo)
5
3 Trombones (trio)
5
Cor et Basson (duo)
5
Trombone, violoncelle (duo)
4
3 Tubas (trio)
4
Cor Anglais
4
4 Tubas
4
Trombone, Violon (duo)
3
Trombone, Alto (duo)
3
Ensemble de Trompettes
3
Trombone, Orgue
3
Instruments en Sib
2
Euphonium
2
Bass Clef Instruments
2
Ensemble de Cors
1
Trompette, Violoncelle et Piano
1
Ensemble de Tubas
1
Cor anglais et Harpe (duo)
1
3 Trompettes (trio)
1
2 Euphoniums (duo)
1
Trompette, Tuba (duo)
1
Cor, Tuba (duo)
1
Trompette, Harpe
1
Cor et Harpe
1
2 Cors, Piano
1
Cor et Orgue
1
+ 51 instrumentations
Retracter
Cordes
Violon et Piano
285
Quatuor à cordes: 2 violons, alto, violoncelle
277
Violoncelle, Piano
150
Alto, Piano
126
Violon, Violoncelle (duo)
94
Violon
93
2 Violons (duo)
71
Trio à Cordes: violon, alto, violoncelle
61
Violoncelle
60
2 Violoncelles (duo)
58
Alto seul
47
2 Altos (duo)
42
Violon, Alto (duo)
40
Harpe
35
Alto, Violoncelle (duo)
29
Contrebasse, Piano (duo)
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Trio à Cordes: 2 violons, violoncelle
19
4 Violoncelles
18
Contre Basse
18
Alto (partie séparée)
18
Quatuor à cordes: 4 violons
16
Trio à cordes: 3 violins
15
Trio à Cordes: 3 violoncelles
11
Quatuor à cordes : 4 altos
10
Alto et Basson
9
Harpe, Flûte (duo)
9
2 Harpes (duo)
7
Violon, Basson (duo)
7
Violon, Guitare (duo)
6
Violon (partie séparée)
5
Harpe, Violon (duo)
5
2 Contrebasses (duo)
4
Trio à cordes: 3 altos
3
Violoncelle (partie séparée)
2
Alto, Orgue
2
Violon, Clarinette, Piano (trio)
2
Violoncelle, Orgue
2
Ensemble de Violons
2
Violon, Orgue
2
2 Violons, Piano
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
2
Ensemble de Violoncelles
1
Ensemble d'Altos
1
Trio à cordes
1
Violoncelle, Orchestre
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
126
Orchestre à Cordes
90
Orchestre
60
Ensemble Jazz
41
Orchestre de chambre
32
Ensemble de cuivres
27
Ensemble de Percussions
7
Cloches
5
Quintette de Cuivres: autres combinaisons
3
Fanfare
2
Piano et Orchestre
1
Jazz combo
1
Vibraphone
1
+ 8 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HAUTBOIS
LIVRES
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MANDOLINE
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Vous avez sélectionné:
Day Romantic
Voix Baryton, Piano
Partitions à imprimer
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There Comes a Time, Arranged for Baritone from the Contemporary Opera Germain
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Voix Baryton, Piano
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AVANCÉ
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James Nathaniel Holland
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There Comes a Time, Arranged f
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James Nathaniel Holland
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel ...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel Holland #3005169. Published by James Nathaniel Holland (A0.730375). Great stand alone and dramatic aria of the contemporary opera in English, Germain, by American Costa Rican composer James Nathaniel Holland. The aria speaks of being in a loveless relationship and hoping that love will come one day. Originally for tenor, arranged here for Baritone. (Sample provided here is with tenor. Score is in lower key.)Video presentation (Tenor version): https://www.youtube.com/watch?v=9ZeyQhDG-Gw(Duration: 5:33) (Range: C3 to F#4)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$4.95
A KISS-from "Roxane, of Bergerac" - a full length musical
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Voix Baryton, Piano
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INTERMÉDIAIRE
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Dave Flippo - music, Marie Yue
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Dave Flippo - music,
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A KISS-from "Roxane, of B
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David William Flippo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.995972 Composed by Dave Flippo - music, Marie Yuen - lyrics. Arranged by Dave Flippo - music,. Bar...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.995972 Composed by Dave Flippo - music, Marie Yuen - lyrics. Arranged by Dave Flippo - music,. Baroque,Broadway,Jazz,Musical/Show,Renaissance. 6 pages. David William Flippo #4766411. Published by David William Flippo (A0.995972). A Kiss - Sung by: Cyrano to Roxane on her balcony, while in hiding. Written in the style of a classical art song, with some jazz added for flavor. Vocal/Piano Score.From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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