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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ever Ever After - Drums
Non classifié
624
Piano & claviers
Piano seul
364
Piano, Voix
104
Piano, Voix et Guitare
99
Piano Facile
89
Instruments en Do
39
Orgue
29
1 Piano, 4 mains
15
Piano grosses notes
5
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
32
Guitare
30
Ukulele
12
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
4
2 Guitares (duo)
3
Piano, Guitare (duo)
2
Guitare (partie séparée)
2
Banjo
1
Dulcimer
1
4 Guitares (Quatuor)
1
Mandoline
1
+ 7 instrumentations
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Voix
Chorale SATB
134
Chorale 3 parties
44
Chorale TTBB
22
Chorale Unison
13
Voix Soprano, Piano
12
Chorale SSAA
11
Chorale 2 parties
7
Voix seule
5
Voix duo
5
Voix Alto, Piano
4
Voix Baryton, Piano
3
Voix Soprano
3
Voix moyenne, Piano
1
Chorale
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATTBB
1
Voix duo, Piano
1
Voix haute
1
+ 13 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
Flûte traversière et Piano
65
Quintette de Saxophone: 5 saxophones
57
Quatuor de Saxophones: 4 saxophones
49
Clarinette et Piano
43
Saxophone Alto et Piano
33
Hautbois, Piano (duo)
32
2 Saxophones (duo)
31
Saxophone Alto
25
Quatuor de Clarinettes: 4 clarinettes
22
Flûte, Hautbois, Clarinette, Basson
21
Saxophone Soprano et Piano
20
Clarinette
20
Flûte traversière
19
2 Clarinettes (duo)
17
Quatuor de Flûtes : 4 flûtes
17
3 Saxophones (trio)
16
2 Flûtes traversières (duo)
16
Saxophone Tenor et Piano
15
Ensemble de Flûtes
14
Ensemble de Clarinettes
14
Flûte, Clarinette (duo)
13
Saxophone (partie séparée)
12
Saxophone Baryton, Piano
12
Saxophone, Clarinette (duo)
11
Ensemble de saxophones
11
Hautbois
11
Clarinette Basse, Piano
10
3 Clarinettes (trio)
9
Clarinette, Violon (duo)
9
Quintette de Flûte : 5 flûtes
8
Harmonica
8
2 Hautbois (duo)
8
Saxophone Tenor
7
Clarinette, Trompette (duo)
7
Hautbois, Basson (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Cor anglais, Piano
6
Clarinette et Alto
5
Hautbois (partie séparée)
5
Flûte, Saxophone (duo)
4
Clarinette, Basson (duo)
4
Hautbois, Flûte
4
Flûte, Violon
4
Trio de Flûtes: 3 flûtes
4
Flûte, Trompette (duo)
3
Flûte, Alto (duo)
3
2 Flûte à bec (duo)
3
Flute (partie séparée)
3
Hautbois, Clarinette (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte et Guitare
2
Ocarina
2
Clarinette, Guitare (duo)
2
Flûte à Bec
2
Flûte, Clarinette, Piano (trio)
2
Ensemble De Flûte à bec
2
Quatuor de Flûtes à bec
2
Flûte à bec Soprano, Piano
2
5 Flûtes à bec
1
Piccolo, Piano
1
Piccolo
1
Flûte et Trio à cordes
1
Ensemble de Hautbois
1
Flûte, Violon, Piano
1
Flûte à bec Soprano
1
Saxophone Soprano
1
2 Flûtes à bec, Guitare
1
Saxophone
1
Flûte à bec Tenor
1
3 Flûtes à bec (trio)
1
Flûte à bec Alto
1
Flûte traversière, Basse continue
1
Cornemuse
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle
1
Clarinette Basse
1
2 Saxophones, Piano
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
84
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trompette
29
Cor et Piano
24
Trompette, Piano
24
Trombone et Piano
21
Tuba et Piano
16
Euphonium, Piano (duo)
14
Trombone
13
Quatuor de Cuivres
12
Tuba
12
Cor
10
Trompette (partie séparée)
9
2 Trombones (duo)
9
Trompette, Saxophone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
7
Trompette, Trombone (duo)
7
Ensemble de Trombones
6
Quatuor de cuivres: 4 trombones
6
Cor anglais, Piano
6
Ensemble de Trompettes
5
Trombone (partie séparée)
5
2 Cors (duo)
4
4 Tubas
3
Cor (partie séparée)
3
Tuba et Orgue
2
Trompette, Cor (duo)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 cors
2
Tuba (partie séparée)
2
3 Trombones (trio)
2
Ensemble de Cors
2
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
3 Tubas (trio)
1
Ensemble de Tubas
1
3 Cors (trio)
1
2 Cors Anglais Et Pianoforte
1
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
117
Harpe
70
Violon et Piano
65
Alto, Piano
42
Violoncelle, Piano
39
Violon
28
Violoncelle
24
Violon, Violoncelle (duo)
18
2 Harpes (duo)
16
Trio à Cordes: violon, alto, violoncelle
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
2 Violons (duo)
14
Contrebasse, Piano (duo)
13
2 Altos (duo)
13
Trio à Cordes: 2 violons, violoncelle
12
Alto seul
12
Contre Basse
10
2 Violoncelles (duo)
9
Violon, Alto (duo)
9
Ensemble d'Altos
5
Ensemble de Violons
5
Violon (partie séparée)
4
Contrebasse (partie séparée)
4
Trio à Cordes: 3 violoncelles
3
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 violins
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
2
Quatuor à cordes: 4 violons
2
Quatuor à cordes : 4 altos
2
Alto (partie séparée)
1
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
3 Harpes
1
Violoncelle, Orchestre
1
4 Contrebasses
1
2 Altos, Piano
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
218
Orchestre
83
Fanfare
69
Orchestre à Cordes
41
Ensemble de cuivres
28
Orchestre de chambre
24
Ensemble Jazz
19
Cloches
8
Ensemble de Percussions
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone
4
Jazz combo
3
Marimba
2
Piano et Orchestre
1
Percussion (partie séparée)
1
Orchestre, Violon
1
Xylophone, Piano
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
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Crtitères actifs :
Ever Ever After - Drums
Voix Baryton, Piano
Partitions à imprimer
3 partitions trouvées
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Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Songs of Youth for Baritone Voice and Piano
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Voix Baryton, Piano
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AVANCÉ
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Sy Brandon
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Songs of Youth for Baritone Vo
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Sy Brandon
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.755296 Composed by Sy Brandon. 20th Century,Contemporary. 48 pages. Sy Brandon #6065759. Published...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.755296 Composed by Sy Brandon. 20th Century,Contemporary. 48 pages. Sy Brandon #6065759. Published by Sy Brandon (A0.755296). Songs of Youth reflects experiences of Dr. Bob Feinberg, who after several years as a professional trumpet player, has devoted his life to healing arts as owner of the Feinberg Chiropractic Clinic in Columbus, Georgia. Dr. Feinberg has been writing poetry for several years, much of it reflecting his youthful idealism and struggles. Feinberg and Brandon have been friends for over 45 years. These songs may be performed individually or as a set. If performed as a set, the order should be: Loneliness Jazz Heaven CarmineTwo scores are included for performance.
$14.95
Si yo nunca desapareciera (LOW VOICE)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.1023338 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. R...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.1023338 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191599. Published by Kristian S. Rodriguez (A0.1023338). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
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Ever Ever After - Drums
