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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Feel Classical
Non classifié
432
Piano & claviers
Piano seul
588
Piano, Voix
59
Piano Facile
57
Orgue
27
Piano, Voix et Guitare
24
1 Piano, 4 mains
11
2 Pianos, 4 mains
6
Accompagnement Piano
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Instruments en Do
4
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
3
1 Piano, 6 mains
2
Orgue, Piano (duo)
2
Clavecin
1
+ 10 instrumentations
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Guitares
Guitare
90
Guitare notes et tablatures
27
2 Guitares (duo)
8
Ligne De Mélodie, (Paroles) et Accords
7
Guitare (partie séparée)
6
Ukulele
4
Paroles et Accords
3
Mandoline
3
Piano, Guitare (duo)
2
Mandoline, Piano (duo)
2
Ensemble de guitares
2
3 Guitares (trio)
1
Guitare Pedal Steel
1
4 Guitares (Quatuor)
1
+ 9 instrumentations
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Voix
Chorale SATB
64
Chorale 3 parties
20
Chorale 2 parties
13
Voix Alto, Piano
12
Voix Soprano, Piano
10
Voix duo, Piano
4
Voix haute
3
Chorale Unison
3
Chorale TTBB
3
Chorale SSAA
2
Voix duo
2
Voix Tenor, Piano
2
Voix Soprano
2
Voix basse, Piano
2
Voix seule
1
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale
1
+ 13 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
59
Flûte traversière et Piano
44
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Clarinette et Piano
40
Saxophone Alto et Piano
38
Quintette de Saxophone: 5 saxophones
34
Hautbois, Piano (duo)
31
Flûte, Hautbois, Clarinette, Basson
22
2 Saxophones (duo)
21
Saxophone (partie séparée)
21
Saxophone Tenor et Piano
19
2 Flûtes traversières (duo)
17
Flûte traversière
16
Quatuor de Clarinettes: 4 clarinettes
15
Ensemble de saxophones
13
Ensemble de Clarinettes
13
Saxophone Baryton, Piano
13
Clarinette
13
Quatuor de Flûtes : 4 flûtes
12
Flûte et Guitare
12
Saxophone Soprano et Piano
11
Ensemble de Flûtes
9
Saxophone Alto
9
Clarinette, Basson (duo)
8
2 Clarinettes (duo)
8
Clarinette Basse, Piano
8
Clarinette, Violoncelle (duo)
7
Flûte, Violoncelle
7
Quatuor de Flûtes à bec
6
Hautbois, Violoncelle
6
Saxophone et violoncelle
6
Clarinette, Trombone (duo)
5
Hautbois, trombone (duo)
5
Quintette de Flûte : 5 flûtes
4
Flute (partie séparée)
4
2 Hautbois (duo)
4
Hautbois, Basson (duo)
4
5 Flûtes à bec
4
Saxophone Tenor
4
Clarinette, Guitare (duo)
4
Flûte, Violon, Piano
4
Hautbois (partie séparée)
4
Hautbois
3
Flûte, Trombone (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois, Basson
2
Flûte, Clarinette et Basson
2
3 Saxophones (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Tenor
1
2 Flûte à bec (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Basson et Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, Violon
1
2 Clarinettes, Piano
1
Clarinette et Alto
1
Cor anglais, Guitare (duo)
1
Clarinette (partie séparée)
1
Flûte, Clarinette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et Orgue
1
Hautbois, Guitare (duo)
1
Flûte, Alto (duo)
1
Harmonica
1
Cor anglais, Piano
1
+ 63 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
38
Trombone et Piano
28
Trompette, Piano
28
Cor et Piano
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Trombone (partie séparée)
16
Euphonium, Piano (duo)
13
Tuba et Piano
13
Trompette
11
Trompette (partie séparée)
10
Cor
10
Trombone
8
Cor, Violoncelle (duo)
6
Trompette, Trombone (duo)
6
Trompette, Violoncelle (duo)
6
Ensemble de Trombones
6
Trombone, Violon (duo)
6
Trombone, Alto (duo)
6
Cor et Basson (duo)
6
Trombone, Cor (duo)
6
Tuba
5
2 Trompettes (duo)
5
Quatuor de Cuivres
4
Quatuor de cuivres: 4 trombones
4
2 Trombones (duo)
4
Cor (partie séparée)
3
Ensemble de Trompettes
3
Tuba (partie séparée)
3
Euphonium
3
Trompette, Saxophone (duo)
2
Trombone, Orgue
2
2 Cors (duo)
2
4 Tubas
2
Quatuor de cuivres: 4 cors
2
3 Trompettes (trio)
2
Cor et Orgue
2
Ensemble de Cors
1
Trombone et orchestre
1
Trompette, Basson (duo)
1
Cor anglais, Guitare (duo)
1
Trombone basse et Piano
1
Trio de Cuivres
1
Cor anglais, Piano
1
+ 39 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
104
Violon et Piano
63
Violoncelle, Piano
35
Violon, Violoncelle (duo)
32
Violon
29
Alto, Piano
27
Trio à Cordes: violon, alto, violoncelle
23
Violoncelle
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Contrebasse, Piano (duo)
15
2 Violoncelles (duo)
10
Alto seul
9
Alto, Violoncelle (duo)
8
Harpe
8
2 Violons (duo)
7
Trio à cordes: 3 altos
7
Alto et Basson
7
Contre Basse
7
Violon, Alto (duo)
7
Violon, Basson (duo)
6
Quatuor à cordes : 4 altos
6
Contrebasse (partie séparée)
4
2 Altos (duo)
4
Ensemble d'Altos
3
Ensemble de Violons
3
Alto (partie séparée)
3
Harpe et mandoline
3
2 Contrebasses (duo)
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes: 4 violons
2
Violoncelle , Guitare (duo)
2
Violon (partie séparée)
2
Alto et Harpe
1
Harpe, Violon (duo)
1
Alto, Orgue
1
Violoncelle, Orgue
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
+ 35 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
51
Orchestre à Cordes
45
Orchestre
44
Orchestre de chambre
24
Ensemble Jazz
12
Ensemble de cuivres
6
Xylophone, Piano
6
Ensemble de Percussions
4
Batterie (partie séparée)
3
Cloches
3
Fanfare
2
Jazz combo
2
Xylophone
1
Batterie
1
Caisse Claire
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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MANDOLINE
MARIMBA
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Feel Classical
Voix Baryton, Piano
Partitions à imprimer
1 partition trouvée
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
#
Voix Baryton, Piano
#
AVANCÉ
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
Largo al factotum
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
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