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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Of May
Non classifié
1 342
Piano & claviers
Piano, Voix
2 296
Piano seul
282
Piano Facile
57
Piano, Voix et Guitare
45
Orgue
26
Instruments en Do
20
Piano Trio: piano, violon, violoncelle
10
1 Piano, 4 mains
10
2 Pianos, 4 mains
10
Accompagnement Piano
8
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
+ 9 instrumentations
Retracter
Guitares
Guitare
43
Guitare notes et tablatures
11
2 Guitares (duo)
7
Ukulele
5
Ligne De Mélodie, (Paroles) et Accords
5
3 Guitares (trio)
2
Guitare, Quatuor à cordes
2
Mandoline
2
Paroles et Accords
2
4 Guitares (Quatuor)
2
Dulcimer
1
Basse electrique
1
Banjo
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
928
Chorale 3 parties
32
Chorale Unison
23
Chorale TTBB
19
Chorale 2 parties
14
Chorale SSAA
13
Voix Soprano, Piano
10
Voix seule
8
Voix Baryton, Piano
7
Voix duo, Piano
5
Voix Alto, Piano
4
Voix Tenor, Piano
3
Voix haute
3
Voix moyenne, Piano
3
Chorale
1
Chorale SSATTB
1
Voix Tenor
1
Voix duo
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 15 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
119
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Ensemble de saxophones
70
Flûte traversière et Piano
49
Quatuor de Saxophones: 4 saxophones
43
Ensemble de Clarinettes
39
Saxophone Alto et Piano
30
Clarinette
29
Hautbois, Piano (duo)
27
Clarinette et Piano
26
Quatuor de Clarinettes: 4 clarinettes
24
Saxophone Soprano et Piano
23
2 Flûtes traversières (duo)
21
Flûte, Hautbois, Clarinette, Basson
20
Ensemble de Flûtes
20
2 Saxophones (duo)
19
Saxophone Tenor et Piano
19
Quintette de Flûte : 5 flûtes
19
Hautbois (partie séparée)
18
Saxophone Alto
17
Saxophone Baryton, Piano
15
Cor anglais, Piano
15
Flûte traversière
14
Clarinette Basse, Piano
12
Saxophone Tenor
12
2 Clarinettes (duo)
11
Saxophone (partie séparée)
10
Quatuor de Flûtes : 4 flûtes
7
Saxophone, Clarinette (duo)
6
Flûte, Clarinette (duo)
6
3 Saxophones (trio)
6
2 Hautbois (duo)
5
Clarinette (partie séparée)
5
Clarinette, Violon (duo)
5
Saxophone Soprano
4
Hautbois, Clarinette (duo)
4
Flûte, Violon
3
Clarinette, Trompette (duo)
3
Flûte et Guitare
3
Flûte, Saxophone (duo)
3
2 Flûte à bec (duo)
3
Clarinette et Alto
2
Flûte, Trompette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Basson (duo)
2
Piccolo, Piano
2
Flûte, Violoncelle
1
Cor Anglais
1
3 Flûtes à bec (trio)
1
Clarinette, Basson (duo)
1
Flûte, Violon, Piano
1
Flute (partie séparée)
1
Hautbois, Harpe
1
2 Saxophones, Piano
1
Hautbois, violon (duo)
1
Saxophone et Harpe
1
5 Flûtes à bec
1
Flûte à bec Alto
1
Harmonica
1
Clarinette, Violoncelle (duo)
1
Quatuor de Flûtes à bec
1
Hautbois, Flûte
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Alto (duo)
1
Clarinette, Orgue
1
Clarinette, Harpe (duo)
1
Flûte à bec Soprano
1
Flûte à Bec
1
3 Clarinettes (trio)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Piano (trio)
1
Cor anglais, Guitare (duo)
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
100
Quatuor de Cuivres : 2 trompettes, trombone, tuba
97
Ensemble de Trompettes
92
Trompette
36
Ensemble de Trombones
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
Trombone et Piano
22
Euphonium, Piano (duo)
22
Quatuor de cuivres: 4 trombones
17
Trombone
16
Cor et Piano
16
Cor anglais, Piano
15
Quatuor de Cuivres
14
Trompette, Piano
12
2 Trombones (duo)
10
2 Trompettes (duo)
8
Trompette, Trombone (duo)
6
Ensemble de Cors
5
Tuba
5
Cor
4
Trompette, Saxophone (duo)
4
2 Cors (duo)
4
Quatuor de cuivres: 4 trompettes
4
Trompette (partie séparée)
4
Tuba et Piano
4
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Trombones (trio)
3
Tuba (partie séparée)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trompettes (trio)
2
Cor (partie séparée)
2
3 Tubas (trio)
2
Trombone (partie séparée)
2
3 Cors (trio)
2
Cor et Harpe
1
Cor Anglais
1
Trombone, Cor (duo)
1
Ensemble de Tubas
1
Euphonium
1
Euphonium, Tuba (duo)
1
4 Tubas
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
Trompette, Harpe
1
Cor anglais, Guitare (duo)
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
85
Violon et Piano
47
Harpe
40
Trio à Cordes: violon, alto, violoncelle
35
Violon
33
Violoncelle, Piano
29
Alto, Piano
26
Ensemble de Violons
18
Violoncelle
17
Ensemble d'Altos
17
Violon, Violoncelle (duo)
14
2 Violoncelles (duo)
12
2 Violons (duo)
12
Violon, Alto (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Violon (partie séparée)
7
2 Altos (duo)
7
2 Harpes (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
4 Violoncelles
6
Violon, Guitare (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto (partie séparée)
5
Violoncelle , Guitare (duo)
4
Alto seul
4
Alto, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
2
Contre Basse
2
Contrebasse (partie séparée)
2
Quatuor à cordes : 4 altos
2
Contrebasse, Piano (duo)
2
Harpe et Piano
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Voix
1
Alto, Guitare (duo)
1
3 Harpes
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
Alto et Basson
1
Ensemble de Violoncelles
1
4 Harpes
1
Violon, Basson (duo)
1
Harpe, Flûte (duo)
1
2 Violons, Piano
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
152
Orchestre
65
Ensemble de cuivres
53
Orchestre à Cordes
52
Cloches
31
Ensemble Jazz
26
Orchestre de chambre
14
Jazz combo
11
Percussion (partie séparée)
4
Batterie
3
Ensemble de Percussions
2
Fanfare
1
Ensemble d'École
1
Quintette de Cuivres: autres combinaisons
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Prix + au -
Nouveautes
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Vous avez sélectionné:
First Of May
Voix Baryton, Piano
Partitions à imprimer
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1
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Jump Right In! (Downloadable)
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Voix Baryton, Piano
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Gospel Spirituel
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Gwyneth W
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Jump Right In!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Baritone voice and piano - Moderately Easy - SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Com...
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Baritone voice and piano - Moderately Easy - SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-3E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
My Soul has Grown Deep (Downloadable)
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Voix Baryton, Piano
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Gospel Spirituel
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Gwyneth W
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My Soul has Grown Deep
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Baritone voice and piano - Moderately Easy - SKU: MQ.8826-1E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Com...
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Baritone voice and piano - Moderately Easy - SKU: MQ.8826-1E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-1E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
Troubled Water (Downloadable)
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Voix Baryton, Piano
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FACILE
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Gospel Spirituel
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Gwyneth W
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Troubled Water
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Baritone voice and piano - Moderately Easy - SKU: MQ.8826-2E Composed by Gwyneth W. Walker. African American Heritage. 5 pages. E. C. Schirmer Music Com...
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Baritone voice and piano - Moderately Easy - SKU: MQ.8826-2E Composed by Gwyneth W. Walker. African American Heritage. 5 pages. E. C. Schirmer Music Company - Digital #8826-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-2E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$3.00
Prince Ananias. An Original Comic Opera. An Author Manager Am I
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Voix Baryton, Piano
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Victor Herbert
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Prince Ananias. An Original Co
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (baritone) - SKU: LV.20505 Composed by Victor Herbert. Entertainment, Business enterprises. Lester S. Levy Collection. 5 pages. Publishe...
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Piano and voice (baritone) - SKU: LV.20505 Composed by Victor Herbert. Entertainment, Business enterprises. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20505). Prince Ananias. An Original Comic Opera. An Author Manager Am I. Words by Francis Neilson. Music by Victor Herbert. Published 1894 by Edward Shuberth & Co. in New York. Composition of strophic with chorus with piano and voice (baritone) instrumentation. Subject headings for this piece include Entertainment, Business enterprises. First line reads An author-manager am I, of a company artistic.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Carson Cooman: Waxing and Waning (2005) for baritone and piano
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: Waxing and Wani
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.533670 Composed by Carson Cooman. Concert,Contemporary,Standards. 11 pages. Musik Fabrik Music Pub...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.533670 Composed by Carson Cooman. Concert,Contemporary,Standards. 11 pages. Musik Fabrik Music Publishing #3037093. Published by Musik Fabrik Music Publishing (A0.533670). Waxing and Waning (2005) for baritone and piano is a set of three songs on texts byAmerican poet Elizabeth Kirschner. (The first song was composed in 2004, and the othertwo were added in Fall of 2005.)Although intended to be performed as a set, individual songs may be excerpted as needed.
$12.95
June 1974, Cohoes (Wish List Fundraising)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #577024...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
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