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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For I Know
Non classifié
1 506
Piano & claviers
Piano seul
1 078
Piano, Voix et Guitare
667
Piano, Voix
650
Piano Facile
310
Orgue
135
Instruments en Do
111
Accompagnement Piano
99
1 Piano, 4 mains
33
Piano grosses notes
20
Piano Trio: piano, violon, violoncelle
15
Accordéon
8
2 Pianos, 4 mains
8
Orgue, Trompette (duo)
5
Orgue, Piano (duo)
4
2 Accordéons
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Clavier
3
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Ligne De Mélodie, Piano
1
Piano (partie séparée)
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
236
Guitare
139
Ligne De Mélodie, (Paroles) et Accords
117
Piano, Guitare (duo)
116
Basse electrique
72
Paroles et Accords
58
Ukulele
48
Dulcimer
11
Mandoline
11
4 Guitares (Quatuor)
10
2 Guitares (duo)
8
Guitare (partie séparée)
5
3 Guitares (trio)
4
Banjo
3
Mandoline, Guitare (duo)
2
2 Dulcimers (duo)
1
Ensemble de guitares
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
557
Chorale 3 parties
237
Chorale 2 parties
140
Chorale TTBB
76
Chorale Unison
60
Chorale SSAA
45
Voix duo, Piano
34
Voix Soprano, Piano
24
Voix seule
20
Voix duo
19
Voix Alto, Piano
15
Voix haute
15
Voix Baryton, Piano
12
Voix Tenor, Piano
9
Pack Instrumental pour Chorale
5
Voix moyenne, Piano
5
Chorale
5
Voix Tenor
3
Chorale SSAB, Piano
2
Voix basse, Piano
2
Voix basse
2
Chorale, Orgue
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATB
1
Chorale SSATB
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
258
Hautbois, Piano (duo)
252
Clarinette et Piano
244
Saxophone Alto et Piano
182
Saxophone Tenor et Piano
167
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
159
Quintette de Saxophone: 5 saxophones
99
2 Saxophones (duo)
90
Clarinette
86
Quatuor de Saxophones: 4 saxophones
82
Flûte traversière
78
Quatuor de Clarinettes: 4 clarinettes
64
2 Flûtes traversières (duo)
62
Saxophone
58
Ensemble de saxophones
57
2 Clarinettes (duo)
52
Flûte, Hautbois, Clarinette, Basson
52
Saxophone Alto
48
Ensemble de Clarinettes
45
Hautbois (partie séparée)
41
Ensemble de Flûtes
35
Saxophone Tenor
34
Saxophone Soprano et Piano
31
Saxophone (partie séparée)
30
Quatuor de Flûtes : 4 flûtes
30
Saxophone Baryton, Piano
27
3 Clarinettes (trio)
22
Quintette de Clarinettes: 5 clarinettes
17
Flûte, Clarinette (duo)
16
Quintette de Flûte : 5 flûtes
14
Flûte à bec Soprano
14
Cor anglais, Piano
14
2 Hautbois (duo)
13
Flûte et Guitare
13
Harmonica
11
Flûte à bec Alto
11
3 Saxophones (trio)
9
Quatuor de Flûtes à bec
8
Trio de Flûtes: 3 flûtes
8
Saxophone, Clarinette (duo)
8
Cor Anglais
7
Clarinette, Violon (duo)
7
Flute (partie séparée)
7
Hautbois, Basson (duo)
7
2 Saxophones, Piano
6
Clarinette, Trompette (duo)
6
Clarinette Basse, Piano
6
Hautbois, Clarinette (duo)
6
Hautbois
5
Flûte, Clarinette, Piano (trio)
5
Flûte à Bec
5
Flûte, Trompette (duo)
4
Clarinette et Alto
4
Flûte à bec Alto, Piano
3
Clarinette, Basson (duo)
3
Piccolo
3
Flûte, Saxophone (duo)
3
Flûte, Violon
3
Saxophone Soprano
3
2 Flûte à bec (duo)
3
Flûte à bec Soprano, Piano
3
Clarinette (partie séparée)
2
Clarinette Basse
2
2 Hautbois, Piano
2
Hautbois, Flûte
2
5 Flûtes à bec
2
Flûte, Alto et Piano
2
Flûte, Clarinette et Basson
2
Saxophone Baryton
2
Hautbois, Guitare (duo)
2
Flûte, Alto (duo)
2
Flûte, Violon, Piano
2
Flute, Cor (duo)
2
Ensemble De Flûte à bec
2
Flûte à bec Tenor
2
Ocarina
2
Clarinette, Violoncelle (duo)
2
Clarinette, Guitare (duo)
2
2 Clarinettes, Piano
1
2 Cors Anglais Et Pianoforte
1
2 Flûtes à bec, Piano
1
Hautbois, Violoncelle
1
Flûte et Trio à cordes
1
Instruments en Mib
1
Flûte irlandaise
1
Saxophone et Guitare
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte et Quatuor à Cordes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Clarinette et Piano (Trio)
1
+ 86 instrumentations
Retracter
Cuivres
Trombone et Piano
190
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
160
Trompette
135
Trompette, Piano
118
Quatuor de Cuivres : 2 trompettes, trombone, tuba
104
Trombone
60
Cor et Piano
34
Ensemble de Trombones
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
33
Trompette (partie séparée)
27
2 Trombones (duo)
25
Quatuor de Cuivres
23
Tuba et Piano
23
Cor
22
2 Trompettes (duo)
21
Quatuor de cuivres: 4 trombones
17
Ensemble de Trompettes
17
Trompette, Trombone (duo)
16
Cor anglais, Piano
14
2 Cors (duo)
14
Trombone (partie séparée)
14
Euphonium, Piano (duo)
13
Tuba
12
Cor Anglais
7
2 Tubas (duo)
5
2 Trompettes, Clavier (piano ou orgue)
4
Euphonium
4
Quatuor de cuivres: 4 trompettes
4
Ensemble de Cors
4
Trompette, Cor (duo)
3
3 Trompettes (trio)
3
Quatuor de cuivres: 4 cors
3
Trompette, Saxophone (duo)
3
Trio de Cuivres
3
Cor (partie séparée)
2
2 Euphoniums (duo)
2
Euphonium, Tuba (duo)
2
Tuba (partie séparée)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Instruments en Fa
1
3 Trombones (trio)
1
Trompette, Trombone, Piano
1
Trompette, Euphonium (duo)
1
Instruments en Sib
1
Clarinette, Cor (duo)
1
Trombone, Tuba (duo)
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
266
Violon et Piano
245
Alto, Piano
218
Violoncelle, Piano
210
Violon
89
Violoncelle
85
Harpe
53
2 Violons (duo)
42
Trio à Cordes: violon, alto, violoncelle
41
Violon, Violoncelle (duo)
40
2 Violoncelles (duo)
30
Alto seul
30
Violon, Alto (duo)
22
Contrebasse, Piano (duo)
20
2 Altos (duo)
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Alto (partie séparée)
14
Contre Basse
14
Ensemble de Violons
13
Ensemble d'Altos
12
2 Harpes (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
4 Violoncelles
6
Harpe, Voix
6
Violon (partie séparée)
6
Alto, Violoncelle (duo)
5
Piano Trio: Violon, Alto, Piano
4
Trio à cordes: 3 violins
4
Contrebasse (partie séparée)
4
Violon, Guitare (duo)
4
2 Violons, Piano
3
2 Contrebasses (duo)
3
Trio à Cordes: 2 violons, alto
3
Violoncelle , Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes: 4 violons
2
4 Contrebasses
2
Alto et Harpe
2
Harpe, Violon, Violoncelle
1
Trio à cordes: 3 altos
1
Violoncelle (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
229
Orchestre à Cordes
134
Orchestre
108
Ensemble Jazz
69
Ensemble de cuivres
56
Orchestre de chambre
48
Batterie
34
Cloches
32
Fanfare
25
Jazz combo
22
Ensemble de Percussions
15
Marimba
6
Xylophone
4
Batterie (partie séparée)
3
Xylophone, Piano
3
Vibraphone
2
Percussion (partie séparée)
2
Conga
1
Timbales (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Percussion
1
Piano et Orchestre
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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UKULELE
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VIOLON
VIOLONCELLE
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FUNK
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JEUX VIDEOS
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
For I Know
Voix Baryton, Piano
Partitions à imprimer
12 partitions trouvées
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1
I Know I am but Summer to Your Heart (for baritone and piano)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Jane K
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I Know I am but Summer to Your
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Evgeniya Kozhevnikova
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.806732 Composed by Jane K (Evgeniya Kozhevnikova). Chamber,Contemporary,Contest,Festival,Opera,Rom...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.806732 Composed by Jane K (Evgeniya Kozhevnikova). Chamber,Contemporary,Contest,Festival,Opera,Romantic Period. 8 pages. Evgeniya Kozhevnikova #6100609. Published by Evgeniya Kozhevnikova (A0.806732). Written by Jane K (Evgeniya Kozhevnikova) in 2020, I Know I am but Summer to Your Heart is a setting of the text by Edna St. Vincent Millay for voice and piano. The musical setting is dedicated to singer and conductor Joel Snyder. The piece was premiered on October 24, 2020 by Benjamin Schoening and Vivian Doublestein, as a part of ROCC Virtual Conference at the University of Northern Georgia. .
$5.99
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
I Am Not There
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Voix Baryton, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Phillip Rawle
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I Am Not There
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Phillip Rawle
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.824382 Composed by Phillip Rawle. Sacred. 2 pages. Phillip Rawle #3057509. Published by Phillip Ra...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.824382 Composed by Phillip Rawle. Sacred. 2 pages. Phillip Rawle #3057509. Published by Phillip Rawle (A0.824382). A solemn song for baritone solo and piano.The words are by an unknown author.
$5.00
Fire In My Soul-- In E-flat 1st Version
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Voix Baryton, Piano
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INTERMÉDIAIRE
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Cody Weinmann
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Fire In My Soul-- In E-flat 1s
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Cody Weinmann
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.835113 Composed by Cody Weinmann. Contemporary,Folk. 12 pages. Cody Weinmann #4640627. Published b...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.835113 Composed by Cody Weinmann. Contemporary,Folk. 12 pages. Cody Weinmann #4640627. Published by Cody Weinmann (A0.835113). This song was originally composed in 2008. It was largely based out of depression. I felt like I was going nowhere. So, I wrote this in all my angst and sadness. The song is meant to have almost a happy ending in the second chorus as the singer clings to hope in Jesus. Little did I know that six years later, I would be transformed by a relationship with Christ, the Savior Himself.I hope this song could bring comfort to all those who mourn and are down.
$4.99
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
June 1974, Cohoes (Wish List Fundraising)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #577024...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
October 1974, Cohoes (Confrontation and Finale)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publish...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
Song of the Guardian
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Voix Baryton, Piano
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INTERMÉDIAIRE
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Donnalynn Grunewald
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Song of the Guardian
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Donnalynn Grunewald
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.1008171 Composed by Donnalynn Grunewald. Christian,Christmas,Sacred. 9 pages. Donnalynn Grunewald ...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.1008171 Composed by Donnalynn Grunewald. Christian,Christmas,Sacred. 9 pages. Donnalynn Grunewald #6454795. Published by Donnalynn Grunewald (A0.1008171). A touching tribute to the man who acted as the guardian of the young Jesus. This piece is sung from his point of view as he holds the baby while Mary rests. Jesus, can you feel these hands caress you through your swaddling bands? Do you know they'll work to teach you right? Can you feel inside my heart and know I'll strive to play the part that God has given me - a guardian for Thee? Keep your tissues handy! Also available for TTB.
$4.99
Jump Right In! (Downloadable)
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Voix Baryton, Piano
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Gospel Spirituel
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Gwyneth W
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Jump Right In!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Baritone voice and piano - Moderately Easy - SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Com...
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Baritone voice and piano - Moderately Easy - SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-3E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
My Soul has Grown Deep (Downloadable)
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Voix Baryton, Piano
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Gospel Spirituel
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Gwyneth W
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My Soul has Grown Deep
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Baritone voice and piano - Moderately Easy - SKU: MQ.8826-1E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Com...
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Baritone voice and piano - Moderately Easy - SKU: MQ.8826-1E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-1E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
Troubled Water (Downloadable)
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Voix Baryton, Piano
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FACILE
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Gospel Spirituel
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Gwyneth W
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Troubled Water
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Baritone voice and piano - Moderately Easy - SKU: MQ.8826-2E Composed by Gwyneth W. Walker. African American Heritage. 5 pages. E. C. Schirmer Music Com...
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Baritone voice and piano - Moderately Easy - SKU: MQ.8826-2E Composed by Gwyneth W. Walker. African American Heritage. 5 pages. E. C. Schirmer Music Company - Digital #8826-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-2E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$3.00
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