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Piano seul
2827
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862
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816
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716
Piano grosses notes
636
Instruments en Do
410
Orgue
362
1 Piano, 4 mains
138
Accompagnement Piano
131
Piano Trio: piano, violon, violoncelle
41
2 Pianos, 4 mains
39
Accordéon
32
Piano Quatuor: piano, violon, alto, violoncelle
14
Ligne De Mélodie, Piano
9
Piano (partie séparée)
9
Piano Quatuor: piano, 2 violons, violoncelle
8
Clavier
7
Orgue, Trompette (duo)
7
Orgue, Piano (duo)
6
Accordéon, Voix
3
1 Piano, 6 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
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218
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132
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124
Ukulele
114
Basse electrique
83
Guitare (partie séparée)
17
Mandoline
11
Dulcimer
11
Paroles et Accords
9
2 Guitares (duo)
8
Ensemble de guitares
7
4 Guitares (Quatuor)
7
Banjo
6
3 Guitares (trio)
4
Ensemble de Ukulélés
2
Orchestre à Plectres
1
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1
Mandoline, Guitare (duo)
1
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VOIX
Chorale SATB
1473
Chorale 3 parties
444
Chorale 2 parties
271
Chorale Unison
202
Chorale TTBB
201
Voix duo, Piano
105
Chorale SSAA
101
Pack Instrumental pour Chorale
91
Voix Tenor, Piano
35
Voix Soprano, Piano
31
Voix seule
31
Voix duo
27
Chorale
23
Voix haute
21
Voix Alto, Piano
17
Voix Baryton, Piano
15
Voix moyenne, Piano
8
Voix Tenor
7
Chorale SSAATTBB
6
Voix basse, Piano
5
Voix Mezzo-Soprano, Piano
4
Voix Soprano
4
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3
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Voix basse
2
Voix, Guitare
2
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Flûte traversière et Piano
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Clarinette et Piano
409
Hautbois, Piano (duo)
358
Quatuor de Saxophones: 4 saxophones
352
Saxophone Alto et Piano
305
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
274
Flûte, Hautbois, Clarinette, Basson
268
Clarinette
264
2 Saxophones (duo)
262
Flûte traversière
252
Saxophone Tenor et Piano
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Quatuor de Clarinettes: 4 clarinettes
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151
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2 Clarinettes (duo)
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Quintette de Saxophone: 5 saxophones
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Flûte, Clarinette (duo)
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Cor anglais, Piano
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Flûte et Guitare
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Flûte, Clarinette et Basson
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2 Flûtes traversières, Piano
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Flûte à bec Alto
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Clarinette et Alto
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Flûte, Violon et Violoncelle
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Clarinette, Basson, Piano (trio)
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2 Trombones (duo)
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Euphonium
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3 Tubas (trio)
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Violon
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Harpe
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Alto seul
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150
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Trio à Cordes: violon, alto, violoncelle
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2 Violoncelles (duo)
95
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2 Altos (duo)
72
Contre Basse
63
Violon (partie séparée)
60
Contrebasse, Piano (duo)
58
Alto (partie séparée)
55
Quintette à cordes: 2 violons, alto, violoncelle, basse
54
2 Harpes (duo)
42
Trio à Cordes: 2 violons, violoncelle
40
Trio à cordes
32
Contrebasse (partie séparée)
32
Trio à cordes: 3 violins
29
Alto, Violoncelle (duo)
26
4 Violoncelles
17
Violoncelle (partie séparée)
15
Harpe, Flûte (duo)
14
Quatuor à cordes: 4 violons
12
Trio à Cordes: 3 violoncelles
12
Piano Trio: Violon, Alto, Piano
10
Harpe, Violon (duo)
9
Harpe, Violoncelle (duo)
9
2 Contrebasses (duo)
9
Quatuor à cordes : 4 altos
7
Harpe, Voix
7
Alto et Harpe
6
Violoncelle , Guitare (duo)
6
Trio à Cordes: 2 violons, alto
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à cordes: 3 altos
5
Violon, Guitare (duo)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
2 Violons, Piano
4
Violoncelle, Orgue
3
Violon, Tuba (duo)
3
Alto, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
3
Ensemble d'Altos
3
Ensemble de Violons
3
Violon, Basson (duo)
3
Violon, Clarinette, Piano (trio)
2
Harpe (partie séparée)
2
4 Harpes
2
2 Violoncelles, Piano
2
Harpe et Piano
1
3 Harpes
1
Ensemble de Violoncelles
1
Violon, Violoncelle, Clarinette
1
Alto, Orgue
1
Harpe, Trombone (duo)
1
Violon, Orgue
1
4 Contrebasses
1
Violon, Trompette et Piano
1
Harpe, Violon, Violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1204
Orchestre
455
Ensemble Jazz
257
Orchestre à Cordes
257
Ensemble de cuivres
124
Cloches
112
Fanfare
90
Orchestre de chambre
76
Batterie
67
Jazz combo
48
Percussion (partie séparée)
40
Ensemble de Percussions
15
Batterie (partie séparée)
12
Marimba
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Timbales (partie séparée)
4
Xylophone, Piano
4
Xylophone
2
2 Marimbas
1
Instrumentation Flexible
1
Percussion
1
Timbales
1
Piano et Orchestre
1
Vibraphone et Marimba
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Formation musicale - Solfège
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From The Day
Voix Baryton, Piano
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Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gre…
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.5 €
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.19 €
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Voix Baryton, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Somewhere Along the Way (Samuel the Prophet) from "The Kings" - ACT 1:Song 7
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.784820 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.784820 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11729. Published by DF McCorkle Music and eBook Publications (A0.784820). ACT ONE: Song 7 The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 10:18-19… - And he said to the children of Israel: Thus says Yahweh, the God of Israel: ‘I brought up Israel out of Egypt, and I delivered you out of the hand of the Egyptians, and out of the hand of all the kingdoms that oppressed you.’ 19 But you have this day rejected your God, who Himself saves you out of all your calamities and your distresses; and you have said unto Him: Nay, but set a king over us…] [1 Samuel 12:24-25 - Only fear Yahweh, and serve him in truth with all your heart; for consider how great things he hath done for you. But if you shall still do wickedly, you shall be consumed, both you and your king.] SAMUEL warns Saul and the people that if they follow God all will go well for them. If they do not, there will be severe repercussions [Somewhere Along the Way – Samuel]. As SAMUEL walks off, thunder and lightning start and the people scatter. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.74 €
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Voix Baryton, Piano
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McCorkle, Dennis F
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Somewhere Along the Way
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
There Comes a Time, Arranged for Baritone from the Contemporary Opera Germain
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.730375 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel Holland #3005169. Published by James Nathaniel Holland (A0.730375). Great stand alone and dramatic aria of the contemporary opera in English, Germain, by American Costa Rican composer James Nathaniel Holland. The aria speaks of being in a loveless relationship and hoping that love will come one day. Originally for tenor, arranged here for Baritone. (Sample provided here is with tenor. Score is in lower key.)Video presentation (Tenor version): https://www.youtube.com/watch?v=9ZeyQhDG-Gw(Duration: 5:33) (Range: C3 to F#4)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$4.95
4.53 €
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Voix Baryton, Piano
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James Nathaniel Holland
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There Comes a Time, Arranged for Baritone from the Contemporary Opera Germain
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James Nathaniel Holland
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SheetMusicPlus
Shall I Compare Thee To A Summer's Day? - Baritone Solo
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.824563 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.824563 Composed by Phil Rawle. Concert,Contemporary. 4 pages. Phillip Rawle #4730843. Published by Phillip Rawle (A0.824563). Shall I Compare Thee To A Summer's Day? Sonnet No. 18 by William Shakespeare.Sonnet 18 is perhaps the best known of all sonnets. ... Their depth and range set Shakespeare apart from all other sonneteers. His sonnet 18 focuses on the loveliness of a friend or lover, the speaker initially asking a rhetorical question comparing them to a summer's day.
$3.00
2.74 €
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Voix Baryton, Piano
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Phil Rawle
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Shall I Compare Thee To A Summer's Day? - Baritone Solo
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Phillip Rawle
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SheetMusicPlus
A KISS-from "Roxane, of Bergerac" - a full length musical
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.995972 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.995972 Composed by Dave Flippo - music, Marie Yuen - lyrics. Arranged by Dave Flippo - music,. Baroque,Broadway,Jazz,Musical/Show,Renaissance. 6 pages. David William Flippo #4766411. Published by David William Flippo (A0.995972). A Kiss - Sung by: Cyrano to Roxane on her balcony, while in hiding. Written in the style of a classical art song, with some jazz added for flavor. Vocal/Piano Score.From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95
3.61 €
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Voix Baryton, Piano
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Dave Flippo - music, Marie Yuen - lyrics
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Dave Flippo - music,
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A KISS-from "Roxane, of Bergerac" - a full length musical
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David William Flippo
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SheetMusicPlus
Si yo nunca desapareciera (LOW VOICE)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1023338 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1023338 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191599. Published by Kristian S. Rodriguez (A0.1023338). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
3.65 €
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Voix Baryton, Piano
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
So Let Us Live - Really Live! for baritone and piano
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.
$28.00
25.61 €
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Voix Baryton, Piano
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Robert M
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So Let Us Live - Really Live! for baritone and piano
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Robert M. Greenberg
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SheetMusicPlus
Invictus
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1013580 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1013580 Composed by Hunter A. Brown. Concert,Contemporary. 13 pages. Hunter A. Brown #6296021. Published by Hunter A. Brown (A0.1013580). Invictus (baritone and piano) is an art song setting of the timeless poem of the same title by William Ernest Henley (1849-1903). Latin for 'Invincible' - the theme of perseverance and steadfast determination is as relevant today as the day it was written. With a duration of 3'45, Invictus is perfect for a college recital, solo and ensemble contest, or church service. Range: G2 - F#4I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText:Out of the night that covers me,
$9.99
9.14 €
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Voix Baryton, Piano
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Hunter A
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Invictus
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Hunter A. Brown
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SheetMusicPlus
Debussy/Orledge: La Saulaie for baritone and orchestra, piano-vocal score
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.534737 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.534737 Composed by Claude Debussy/Robert Orledge. 20th Century,Holiday,Love,Standards. 34 pages. Musik Fabrik Music Publishing #6533975. Published by Musik Fabrik Music Publishing (A0.534737). Debussy left three pages of sketches for this setting of Dante Gabriel Rossetti's Willow-wood as translated into French by Pierre Loÿis. Robert Orledge has completed and orchestrated this work using these sketches. The item is the piano-vocal score. The full score is for sale. The parts are on rental from the publisher.
$25.95
23.74 €
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Voix Baryton, Piano
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Claude Debussy/Robert Orledge
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Debussy/Orledge: La Saulaie for baritone and orchestra, piano-vocal score
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Musik Fabrik Music Publishing
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SheetMusicPlus
A Wonder Is What It Is
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.872675 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.872675 Composed by Philip Orem. Contemporary. 88 pages. Philip Orem #3684689. Published by Philip Orem (A0.872675). A Wonder Is What It Is is a song cycle comprised of 23 poems from Wendell Berry's A Part. Mr. Berry's poems explore the rural life he leads in Kentucky and his philosophy about the land and one's place in the community. These poems range from walking through the woods and bird songs to the satisfaction of a day's hard work.First performed in recital in 2013, these songs for baritone and piano have proved to be highly successful. For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$45.00
41.16 €
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Voix Baryton, Piano
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Philip Orem
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A Wonder Is What It Is
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Philip Orem
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SheetMusicPlus
She Believes
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.886601 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.886601 Composed by C. Michael Perry. Christian,Country,Holiday,Sacred. 7 pages. Shining Sharon Music #2884507. Published by Shining Sharon Music (A0.886601). Words and Music by C. Michael PerryThe woman in my life may be much like the woman in your life. She loves you and doesn't have to say much when you are in error -- yet she never stops supporting you, and loving you -- and with all of that she makes an eternity with her sound pretty special.The attached mp3 is a demo from the Finale file without vocals.
$3.00
2.74 €
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Voix Baryton, Piano
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C
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She Believes
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Shining Sharon Music
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SheetMusicPlus
October 1974, Cohoes (Confrontation and Finale)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
9.14 €
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Voix Baryton, Piano
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Brett L
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October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
June 1974, Cohoes (Wish List Fundraising)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
7.31 €
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Voix Baryton, Piano
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
All That I Ask Of You Is Love (A Wedding Solo for Baritone Voice)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.781336 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.781336 Composed by Lyrics by Edgar Seldon and Melody by Herbert Ingraham. Arranged by Joanna Mills. Holiday,Jazz,Standards,Wedding. 6 pages. Joanna Mills Music #4608037. Published by Joanna Mills Music (A0.781336). This lovely vintage love song from 1910 is updated for the modern singer, but still retains the slightly jazzy ballad feel of the times. Written for a baritone soloist (B2 - B3) and piano accompanist; approximate performance time is 3:20. Perfect for weddings, engagements, or concerts and recitals.
$7.99
7.31 €
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Voix Baryton, Piano
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Lyrics by Edgar Seldon and Melody by Herbert Ingraham
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Joanna Mills
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All That I Ask Of You Is Love
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Joanna Mills Music
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SheetMusicPlus
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