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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's All Over Now
Sheetmusicplus
Non classifié
703
Piano & claviers
Piano seul
244
Piano, Voix
127
Piano grosses notes
115
Piano Facile
89
Piano, Voix et Guitare
47
Orgue
45
Instruments en Do
32
Piano Trio: piano, violon, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano (partie séparée)
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavier
2
2 Pianos, 8 mains
2
1 Piano, 4 mains
2
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
+ 12 instrumentations
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Guitares
Guitare
17
Guitare notes et tablatures
17
Ukulele
11
Ligne De Mélodie, (Paroles) et Accords
7
Guitare (partie séparée)
6
Basse electrique
6
2 Guitares (duo)
3
Piano, Guitare (duo)
3
Banjo
3
Mandoline
3
Paroles et Accords
2
3 Guitares (trio)
1
2 Ukuleles
1
4 Guitares (Quatuor)
1
+ 9 instrumentations
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Voix
Chorale SATB
97
Chorale 3 parties
30
Chorale SSAA
17
Chorale TTBB
17
Chorale 2 parties
17
Chorale Unison
15
Voix Alto, Piano
11
Voix Soprano, Piano
7
Voix Tenor
2
Voix Baryton, Piano
2
Voix duo, Piano
2
Soli, choeur mixte et accompagnement
1
Voix moyenne, Piano
1
Voix haute
1
Voix Tenor, Piano
1
+ 10 instrumentations
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Vents
Clarinette et Piano
92
Quatuor de Saxophones: 4 saxophones
88
Flûte traversière et Piano
84
Clarinette
66
Saxophone Alto et Piano
63
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
63
Hautbois, Piano (duo)
59
Quintette de Saxophone: 5 saxophones
58
Ensemble de saxophones
54
Flûte, Hautbois, Clarinette, Basson
54
Saxophone Tenor et Piano
51
Saxophone Soprano et Piano
49
2 Saxophones (duo)
48
Saxophone Baryton, Piano
47
Flûte traversière
44
Saxophone (partie séparée)
37
Saxophone Alto
36
2 Flûtes traversières (duo)
33
Saxophone Tenor
29
Hautbois (partie séparée)
25
Hautbois
23
Cor anglais, Piano
22
Quatuor de Clarinettes: 4 clarinettes
21
Clarinette Basse, Piano
20
Ensemble de Clarinettes
14
Saxophone Soprano
13
2 Clarinettes (duo)
13
Saxophone Baryton
11
Ensemble de Flûtes
11
2 Hautbois (duo)
8
Flûte, Clarinette (duo)
8
Flûte à bec Soprano
7
Saxophone, Clarinette (duo)
6
3 Saxophones (trio)
6
Quatuor de Flûtes : 4 flûtes
6
3 Clarinettes (trio)
6
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Clarinette, Violon (duo)
4
Quintette de Flûte : 5 flûtes
4
Clarinette, Guitare (duo)
3
Clarinette, Trompette (duo)
3
Flute (partie séparée)
3
Clarinette (partie séparée)
3
Hautbois, Clarinette (duo)
2
Clarinette et Alto
2
Hautbois, Basson (duo)
2
Flûte, Violon
2
Flûte, Alto (duo)
2
Flûte à bec Soprano, Piano
2
Flûte et Guitare
2
Hautbois, Flûte
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Piccolo, Piano
2
Trio de Flûtes: 3 flûtes
2
Quatuor de Flûtes à bec
2
Flûte, Trompette (duo)
2
Clarinette, Basson (duo)
2
5 Flûtes à bec
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto
1
Flûte à Bec
1
Flûte, Hautbois, Clarinette (trio)
1
Ocarina
1
Saxophone et Orgue
1
2 Flûte à bec (duo)
1
Cor anglais et Harpe (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Saxophone (duo)
1
+ 64 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
74
Trombone et Piano
59
Cor et Piano
53
Quatuor de Cuivres: 2 trompettes, Cor, trombone
53
Trompette
50
Tuba
47
Trompette, Piano
36
Trombone
34
Cor
33
Euphonium, Piano (duo)
30
Quatuor de Cuivres
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Cor anglais, Piano
22
Tuba et Piano
22
Trombone (partie séparée)
17
Trompette (partie séparée)
13
Quatuor de cuivres: 4 trombones
13
2 Trombones (duo)
9
2 Trompettes (duo)
8
Ensemble de Trombones
8
2 Cors (duo)
7
Ensemble de Trompettes
6
Trompette, Trombone (duo)
5
Trompette, Saxophone (duo)
4
Ensemble de Cors
4
Cor (partie séparée)
3
Tuba (partie séparée)
3
2 Tubas (duo)
3
3 Trombones (trio)
2
Ensemble de Tubas
1
Tuba et Orgue
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums (duo)
1
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
Trompette, Cor (duo)
1
+ 31 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
169
Violoncelle
69
Alto, Piano
65
Violoncelle, Piano
59
Violon
58
Violon et Piano
54
Violon, Violoncelle (duo)
31
Contre Basse
30
Contrebasse, Piano (duo)
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
29
Alto seul
26
2 Violons (duo)
21
Trio à Cordes: violon, alto, violoncelle
21
Trio à Cordes: 2 violons, violoncelle
17
2 Violoncelles (duo)
14
2 Altos (duo)
11
Violon, Alto (duo)
8
Harpe
4
Trio à Cordes: 3 violoncelles
4
Alto (partie séparée)
4
Contrebasse (partie séparée)
4
2 Contrebasses (duo)
3
Ensemble de Violons
3
Harpe, Flûte (duo)
3
Violon (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Violoncelles
3
Ensemble d'Altos
3
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
4 Contrebasses
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes: 3 violins
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
95
Orchestre
60
Orchestre à Cordes
27
Ensemble Jazz
16
Ensemble de cuivres
14
Orchestre de chambre
13
Jazz combo
4
Ensemble de Percussions
4
Batterie (partie séparée)
3
Fanfare
2
Cloches
2
Vibraphone et Marimba
1
Percussion (partie séparée)
1
Piano et Orchestre
1
Marimba
1
Quintette de Cuivres: autres combinaisons
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Vous avez sélectionné:
It's All Over Now
SheetMusicPlus
Partitions à imprimer
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Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.24 €
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Voix Baryton, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
#
Largo al factotum
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gre…
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.6 €
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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