Partitions Numériques de It Is At Hand pour Voix Baryton, Piano

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TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 541

PIANO & CLAVIERS

Piano seul 540 Piano Facile 385 Piano, Voix 184 1 Piano, 4 mains 96 Piano, Voix et Guitare 60

2 Pianos, 4 mains 40 Orgue 39 Instruments en Do 16 Accompagnement Piano 11 Piano Trio: piano, violon, violoncelle 3 2 Pianos, 8 mains 3 Piano Quatuor: piano, violon, alto, violoncelle 2 Orgue, Piano (duo) 2 1 Piano, 6 mains 1 Clavier 1 Orgue, Trompette (duo) 1

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GUITARES

Guitare 26 Guitare notes et tablatures 21 Piano, Guitare (duo) 7 Basse electrique 7 2 Guitares (duo) 6

Ukulele 5 Mandoline 4 4 Guitares (Quatuor) 4 Banjo 3 Ligne De Mélodie, (Paroles) et Accords 2 Paroles et Accords 1

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VOIX

Chorale SATB 92 Voix Soprano, Piano 28 Chorale 3 parties 25 Chorale SSAA 15 Voix duo, Piano 14 Voix Alto, Piano 13 Chorale TTBB 11 Chorale Unison 9 Chorale 2 parties 5 Voix haute 3 Voix Baryton, Piano 3

Voix basse, Piano 2 Voix duo 1

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VENTS

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 30 Quatuor de Saxophones: 4 saxophones 22 2 Saxophones (duo) 22 Flûte traversière et Piano 21 Hautbois, Piano (duo) 20

Clarinette et Piano 19 Saxophone Alto 17 Saxophone Alto et Piano 14 Quatuor de Clarinettes: 4 clarinettes 13 2 Clarinettes (duo) 13 Saxophone, Clarinette (duo) 11 Flûte, Hautbois, Clarinette, Basson 10 Saxophone Tenor et Piano 10 Saxophone Soprano et Piano 10 Cor anglais, Piano 9 2 Flûtes traversières (duo) 9 Clarinette 9 Clarinette, Violon (duo) 8 Clarinette, Trompette (duo) 6 Saxophone Baryton, Piano 5 Flûte, Violon, Piano 5 Flûte, Clarinette (duo) 5 Flûte traversière 5 2 Hautbois (duo) 5 Hautbois, Clarinette (duo) 4 Flûte, Trompette (duo) 4 Hautbois, Basson (duo) 4 Flûte, Alto (duo) 4 Quintette de Saxophone: 5 saxophones 4 Ensemble de Flûtes 4 Clarinette et Alto 4 Flûte, Saxophone (duo) 3 Flûte et Guitare 3 Clarinette Basse, Piano 3 Flûte à bec Soprano 3 Hautbois, Flûte 3 Hautbois (partie séparée) 3 Quatuor de Flûtes : 4 flûtes 3 Clarinette, Basson (duo) 2 Flute (partie séparée) 2 Flûte, Clarinette, Piano (trio) 2 Clarinette Basse 2 Flûte, Violon 2 3 Saxophones (trio) 2 Flûte à bec Soprano, Piano 2 Flûte à bec Tenor 2 Flûte, Hautbois, Piano (trio) 1 Saxophone Tenor 1 Hautbois, Guitare (duo) 1 Flûte, Violoncelle, Piano (trio) 1 3 Clarinettes (trio) 1 Saxophone et Harpe 1 2 Flûtes traversières, Piano 1 Saxophone (partie séparée) 1 Flûte, Basson et Piano 1 Clarinette, Harpe (duo) 1 Trio de Flûtes: 3 flûtes 1 Ensemble de saxophones 1

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CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 43 Trombone et Piano 14 Quatuor de Cuivres : 2 trompettes, trombone, tuba 12 Cor et Piano 11 Trompette, Piano 9

Cor anglais, Piano 9 Trompette, Saxophone (duo) 7 2 Trompettes (duo) 7 Trompette 7 Ensemble de Trompettes 7 Cor 5 Trompette, Trombone (duo) 4 Quatuor de cuivres: 4 trombones 4 Tuba et Piano 4 Trombone 4 2 Trombones (duo) 3 Euphonium, Piano (duo) 3 Quatuor de Cuivres 3 Euphonium 2 Quatuor de cuivres: 4 cors 2 Quatuor de Cuivres: 2 trompettes, Cor, trombone 2 Cor et Harpe 1 Trompette, Harpe 1 Ensemble de Trombones 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 56 Harpe 41 Violon et Piano 32 Violon, Violoncelle (duo) 32 Violon 30

Violoncelle, Piano 17 Alto, Piano 14 2 Violons (duo) 10 Trio à Cordes: violon, alto, violoncelle 10 Trio à Cordes: 2 violons, violoncelle 8 Violoncelle 7 2 Violoncelles (duo) 5 Alto seul 4 2 Altos (duo) 4 Violon, Alto (duo) 4 Trio à Cordes: 3 violoncelles 3 Contre Basse 3 Harpe, Flûte (duo) 3 Harpe, Voix 2 Alto et Harpe 2 2 Harpes (duo) 2 Alto (partie séparée) 2 Contrebasse, Piano (duo) 1 Violon, Clarinette, Piano (trio) 1 Violon, Guitare (duo) 1 Quintette à cordes: 2 violons, alto, violoncelle, basse 1 Piano Trio: Violon, Alto, Piano 1

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PERCUSSIONS & ORCHESTRES

Cloches 307 Orchestre d'harmonie 34 Orchestre 23 Ensemble Jazz 16 Ensemble de cuivres 16

Orchestre à Cordes 14 Orchestre de chambre 8 Ensemble de Percussions 7 Jazz combo 7 Batterie 3 Fanfare 2 Vibraphone 2 Percussion 1 Orchestre, Violon 1 Conga 1 Piano et Orchestre 1

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AUTRES

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It Is At Hand

Voix Baryton, Piano

Partitions à imprimer

3 partitions trouvées

Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition

Voix Baryton, Piano

Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…(+)

Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,â€ the show-stopping first aria from Gioachino Rossiniâ€™s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reductionâ€”which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing daysâ€”pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, itâ€™ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â€œfudgedâ€ with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ€™ve provided.2. Iâ€™ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â€œsink or swimâ€ accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.Â 3. In addition to the composerâ€™s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible.Â 5. When known, Iâ€™ve noted alternate cuts that singers might like to take within certain arias.Â 6. In some cases Iâ€™ve modernized spelling conventions for easier readability (for example, by replacing â€œÃŸâ€ with â€œssâ€ in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. Iâ€™ve also replaced some text â€œcresc.â€ and â€œdim.â€ markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula.Â For more information, please visit http://ndipaolo.musicaneo.com .

$8.95 8.21 € #Voix Baryton, Piano #Gioachino Rossini #Nicole Elyse DiPaolo #Largo al factotum #Nicole Elyse DiPaolo #SheetMusicPlus

June 1974, Cohoes (Wish List Fundraising)

Voix Baryton, Piano

Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Compo…(+)

Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguayâ€™s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Donâ€™t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880â€™s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Donâ€™t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguayâ€™s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration â€“ 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.

$7.99 7.33 € #Voix Baryton, Piano #Brett L # #June 1974, Cohoes #Sonata Grendel Publishing #SheetMusicPlus

October 1974, Cohoes (Confrontation and Finale)

Voix Baryton, Piano

Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Compo…(+)

Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguayâ€™s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Donâ€™t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880â€™s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Donâ€™t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguayâ€™s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration â€“ 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.

$9.99 9.16 € #Voix Baryton, Piano #Brett L # #October 1974, Cohoes #Sonata Grendel Publishing #SheetMusicPlus