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Love Wind
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176
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87
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65
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27
Accompagnement Piano
12
Piano Trio: piano, violon, violoncelle
4
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2
Piano grosses notes
2
1 Piano, 4 mains
1
Orgue
1
Piano (partie séparée)
1
+ 7 instrumentations
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Ligne De Mélodie, (Paroles) et Accords
25
Basse electrique
9
Guitare
8
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6
Ukulele
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4
Piano, Guitare (duo)
4
4 Guitares (Quatuor)
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Banjo
1
Mandoline
1
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1
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86
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2
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Voix Tenor
1
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1
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1
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758
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536
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529
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278
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239
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156
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141
3 Clarinettes (trio)
136
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97
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93
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85
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76
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68
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67
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64
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46
Quintette de Flûte : 5 flûtes
44
Hautbois, Piano (duo)
39
Hautbois, Clarinette, Basson (trio d'anches)
29
2 Flûtes traversières (duo)
28
2 Clarinettes, Basson
23
Clarinette
20
Flûte traversière et Piano
17
Clarinette (partie séparée)
15
Saxophone Alto
14
Saxophone Tenor
12
Hautbois (partie séparée)
12
Saxophone (partie séparée)
11
Flûte traversière
10
2 Clarinettes (duo)
10
Saxophone Tenor et Piano
9
Flute (partie séparée)
9
Flûte, Clarinette (duo)
9
Clarinette et Piano
8
Saxophone Alto et Piano
7
Flûte, Clarinette, Cor, Basson (Quartet)
6
3 Hautbois
6
2 Saxophones (duo)
5
Flûte, Clarinette, Piano (trio)
4
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4
Saxophone Soprano et Piano
4
Hautbois, Basson (duo)
4
Clarinette, Guitare (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Violon (duo)
3
Flûte à Bec
2
2 Clarinettes, Piano
2
Ensemble à vent
2
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2
Hautbois, Clarinette (duo)
2
2 Flûtes traversières, Piano
2
Flûte et Guitare
2
Flûte, Violon
2
Flûte, Violon et Violoncelle
2
Hautbois, Violoncelle
2
Flûte, Violon, Piano
2
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1
2 Hautbois (duo)
1
Flûte traversière, Orchestre
1
Harmonica
1
Saxophone Baryton, Piano
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1
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1
Cor anglais, Guitare (duo)
1
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23
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16
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12
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9
Trombone
8
Cor (partie séparée)
7
Trompette
7
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6
Trombone et Piano
6
Cor
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor et Piano
1
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1
Quatuor de cuivres: 4 cors
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1
4 Tubas
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3 Trombones (trio)
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Trompette, Violoncelle et Piano
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43
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15
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14
Harpe
13
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12
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11
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8
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8
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8
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7
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6
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5
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5
Violoncelle, Piano
4
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3
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2
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2
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2
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26
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7
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Vous avez sélectionné:
Love Wind
Voix Baryton, Piano
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Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Seven Shakespeare Songs for Medium Voice by M. Ryan Taylor
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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M
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Seven Shakespeare Songs for Me
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Vocal Works
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.742154 Composed by M. Ryan Taylor. 20th Century,Contemporary,Jazz,Renaissance. 22 pages. Vocal Wor...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.742154 Composed by M. Ryan Taylor. 20th Century,Contemporary,Jazz,Renaissance. 22 pages. Vocal Works #6668217. Published by Vocal Works (A0.742154). Under the Greenwood TreeO Mistress MineFear No More the Heat of the SunOrpheus with His LuteIt was a Lover and His LassBlow, Blow Thou Winter WindSigh No More, Ladies, Sigh No More.
$14.99
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Love Wind
