English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
4
Librairie
Musicale
11
Matériel
de Musique
2 370
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1537
PIANO & CLAVIERS
Piano seul
1026
Piano, Voix
342
Piano Facile
275
Piano, Voix et Guitare
186
Instruments en Do
99
Orgue
89
1 Piano, 4 mains
38
Accompagnement Piano
26
Piano Trio: piano, violon, violoncelle
16
2 Pianos, 4 mains
14
Piano Quatuor: piano, violon, alto, violoncelle
7
Accordéon
7
Piano grosses notes
6
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano (partie séparée)
4
Orgue, Trompette (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavecin
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
132
Piano, Guitare (duo)
111
Guitare notes et tablatures
87
Ligne De Mélodie, (Paroles) et Accords
58
Ukulele
34
Basse electrique
23
Paroles et Accords
12
Banjo
12
2 Guitares (duo)
10
Dulcimer
10
4 Guitares (Quatuor)
8
Mandoline
7
Basse électrique (partie séparée)
4
Guitare (partie séparée)
3
2 Ukuleles
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
2 Dulcimers (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
524
Chorale 3 parties
128
Chorale TTBB
76
Chorale 2 parties
70
Chorale SSAA
58
Chorale Unison
30
Voix seule
25
Voix duo, Piano
10
Chorale
10
Voix duo
5
Chorale SSAATTBB
4
Voix Baryton, Piano
4
Voix Alto, Piano
4
Voix haute
4
Voix Tenor, Piano
3
Voix Soprano, Piano
3
Voix Tenor
3
Voix, Guitare
2
Voix basse, Piano
1
Chorale SATTB
1
Instrumentations suivantes
Retracter
VENTS
Hautbois, Piano (duo)
251
Flûte traversière et Piano
247
Clarinette et Piano
240
Saxophone Alto et Piano
188
Saxophone Tenor et Piano
170
Flûte traversière
131
Clarinette
125
Saxophone
124
2 Saxophones (duo)
104
Quatuor de Saxophones: 4 saxophones
85
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
77
Flûte, Hautbois, Clarinette, Basson
60
Quintette de Saxophone: 5 saxophones
58
Saxophone Alto
50
Saxophone Tenor
48
Saxophone (partie séparée)
47
Quatuor de Clarinettes: 4 clarinettes
47
Saxophone Soprano et Piano
45
Hautbois (partie séparée)
44
2 Flûtes traversières (duo)
42
2 Clarinettes (duo)
35
Saxophone Baryton, Piano
32
Quatuor de Flûtes : 4 flûtes
32
2 Flûte à bec (duo)
31
Ensemble de saxophones
29
2 Flûtes traversières, Piano
27
Ensemble De Flûte à bec
25
3 Saxophones (trio)
24
Ensemble de Flûtes
22
Clarinette (partie séparée)
21
Ensemble de Clarinettes
21
Flûte à Bec
20
Hautbois
19
Saxophone, Clarinette (duo)
19
2 Hautbois (duo)
19
Flûte, Clarinette (duo)
16
Clarinette, Violon (duo)
16
Cor anglais, Piano
16
Flute (partie séparée)
13
Hautbois, Basson (duo)
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Clarinette, Trompette (duo)
12
Flûte à bec Soprano
11
Clarinette Basse, Piano
11
Flûte, Hautbois, Clarinette (trio)
11
Harmonica
9
Flûte à bec Tenor
9
Hautbois, Clarinette (duo)
9
Flûte à bec Alto
8
Flûte et Guitare
7
Clarinette et Alto
7
3 Clarinettes (trio)
6
Flûte, Saxophone (duo)
6
Flûte, Trompette (duo)
6
Flûte, Alto (duo)
6
Trio de Flûtes: 3 flûtes
6
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Violon
5
Quintette de Flûte : 5 flûtes
5
Flûte irlandaise
5
Hautbois, Violoncelle
4
Clarinette, Violoncelle (duo)
4
Clarinette, Basson (duo)
4
Hautbois, Flûte
4
Flûte, Violoncelle
4
Flûte à bec Soprano, Piano
4
Ocarina
4
Saxophone et Guitare
3
Piccolo, Piano
3
Saxophone Soprano
3
Quatuor de Flûtes à bec
2
Saxophone Baryton
2
3 Flûtes à bec (trio)
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Harpe (duo)
2
Flûte, Harpe et Violoncelle
2
Flûte, Clarinette et Basson
1
Piccolo
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Ensemble à vent
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, trombone et piano
1
Cor Anglais
1
Saxophone et Harpe
1
Flûte, Alto et Piano
1
Clarinette, Alto et Piano (trio)
1
2 Clarinettes, Piano
1
Flute, harpe et violon
1
Flûte et Quatuor à Cordes
1
Flûte, Violon, Violoncelle et Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
200
Trompette
193
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
158
Trompette, Piano
117
Trombone
99
Quatuor de Cuivres : 2 trompettes, trombone, tuba
69
Cor et Piano
48
Cor
42
Trompette (partie séparée)
42
Tuba et Piano
29
Tuba
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
2 Trompettes (duo)
24
Quatuor de cuivres: 4 trombones
24
2 Trombones (duo)
22
Trombone (partie séparée)
21
Quatuor de Cuivres
18
Cor (partie séparée)
18
Cor anglais, Piano
16
Euphonium, Piano (duo)
15
Trompette, Trombone (duo)
12
Trompette, Saxophone (duo)
11
Ensemble de Trombones
11
2 Cors (duo)
11
Tuba (partie séparée)
10
Euphonium
8
2 Tubas (duo)
8
Ensemble de Trompettes
6
Trompette, Cor (duo)
4
Quatuor de cuivres: 4 cors
4
Trompette, Basson (duo)
3
Trombone basse
3
Cor et Harpe
2
Trompette, Violoncelle (duo)
2
Quatuor de cuivres: 4 trompettes
1
Trompette, Harpe
1
Ensemble de Cors
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Euphonium (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor et Basson (duo)
1
Cor, Violoncelle (duo)
1
Trombone basse et Piano
1
Cor Anglais
1
4 Tubas
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
323
Quatuor à cordes: 2 violons, alto, violoncelle
256
Alto, Piano
233
Violoncelle, Piano
196
Violon
145
Violoncelle
119
Alto seul
95
Harpe
73
Violon, Violoncelle (duo)
52
Trio à Cordes: violon, alto, violoncelle
51
Quintette à cordes: 2 violons, alto, violoncelle, basse
46
2 Violoncelles (duo)
36
2 Violons (duo)
29
Trio à Cordes: 2 violons, violoncelle
21
Contre Basse
20
Contrebasse, Piano (duo)
20
2 Altos (duo)
19
Violon, Alto (duo)
19
Alto (partie séparée)
17
Contrebasse (partie séparée)
16
Violon (partie séparée)
15
Piano Trio: Violon, Alto, Piano
7
4 Violoncelles
6
2 Contrebasses (duo)
6
Harpe, Flûte (duo)
4
Ensemble de Violons
4
Violon, Guitare (duo)
4
Harpe, Voix
4
2 Harpes (duo)
3
Alto, Violoncelle (duo)
3
Violoncelle (partie séparée)
3
Alto et Harpe
2
Quatuor à cordes: 4 violons
2
Ensemble d'Altos
2
Violoncelle, Contrebasse (duo)
2
Harpe, Violon (duo)
2
Trio à Cordes: 2 violons, alto
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
1
Violon, Basson (duo)
1
Quatuor à cordes : 4 altos
1
Harpe, Violon, Violoncelle
1
Trio à cordes: 3 violins
1
Harpe (partie séparée)
1
3 Harpes
1
Violon, Basse continue
1
Alto et Basson
1
Ensemble de Violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1046
Orchestre
194
Orchestre à Cordes
114
Ensemble Jazz
83
Fanfare
61
Ensemble de cuivres
59
Orchestre de chambre
54
Cloches
49
Batterie (partie séparée)
19
Jazz combo
19
Percussion (partie séparée)
17
Ensemble de Percussions
13
Batterie
11
Vibraphone
3
Marimba
2
Orchestre, Violon
1
2 Caisses Claires (duo)
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Our Land
Voix Baryton, Piano
Partitions à imprimer
4 partitions trouvées
<
1
October 1974, Cohoes (Confrontation and Finale)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Compo…
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
9.03 €
#
Voix Baryton, Piano
#
Brett L
#
#
October 1974, Cohoes
#
Sonata Grendel Publishing
#
SheetMusicPlus
JEZEBEL
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.1017884 Composed by Hi…
(+)
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.1017884 Composed by Hilary Brooks, Lyrics by Clive King. Broadway,Film/TV,Musical/Show. 5 pages. Hilary Brooks #6344951. Published by Hilary Brooks (A0.1017884). Musical theatre. A tour-de-force dramatic solo song for a baritone from WEE FREE! The Musical Piano/Voice. 5p. POV of a judgemental church minister.1984. Morna escapes the city to teach music on the remote Isle of Munst. When she accidentally marries a pillar of the community, she finds herself at odds with the quirks of The Kirk and the strange ways of the locals. Can a New Romantic survive on an island ruled by The Old Testament? Cleverly written... great songs... outstanding cast... crisp direction. **** The Herald Delightful performances... fine sings of love and disappointment... has the audience rolling in the aisles. **** The Scotsman A rare and scintillating treat... funny and cannily observant. **** Mumble Musicals A chamber musical for four actors - 2F, 2M. Original production length: 57 minutes. Suitable for MT students, colleges, MT societies. contact: @BrooksandKing Brooks & King are represented by Micheline Steinberg Associates: micheline@steinplays.com. 020 3214 8282 Script perusal and hires can be arranged through MSA
$4.37
3.95 €
#
Voix Baryton, Piano
#
Hilary Brooks, Lyrics by Clive King
#
JEZEBEL
#
Hilary Brooks
#
SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.09 €
#
Voix Baryton, Piano
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
Largo al factotum
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
June 1974, Cohoes (Wish List Fundraising)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Compo…
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
7.22 €
#
Voix Baryton, Piano
#
Brett L
#
#
June 1974, Cohoes
#
Sonata Grendel Publishing
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
