Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Over When It's Over
Non classifié
260
Piano & claviers
Piano seul
191
Piano, Voix
61
Piano, Voix et Guitare
49
Piano Facile
28
Instruments en Do
14
Orgue
8
Piano Trio: piano, violon, violoncelle
5
Piano grosses notes
4
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 8 mains
2
Ensemble d'Accordéons
2
Clavier
1
1 Piano, 4 mains
1
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
23
Guitare
16
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
5
2 Guitares (duo)
3
Banjo
2
Paroles et Accords
1
Mandoline
1
4 Guitares (Quatuor)
1
Dulcimer
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
83
Chorale 3 parties
19
Voix Alto, Piano
11
Chorale 2 parties
10
Voix Soprano, Piano
9
Chorale TTBB
8
Chorale SSAA
8
Chorale Unison
3
Voix Baryton, Piano
2
Voix moyenne, Piano
2
Voix haute
2
Voix Tenor
1
Voix Tenor, Piano
1
Voix basse, Piano
1
Voix seule
1
+ 10 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
24
2 Flûtes traversières (duo)
20
Flûte traversière et Piano
17
Hautbois (partie séparée)
16
2 Saxophones (duo)
14
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette
14
Clarinette et Piano
13
Saxophone Tenor et Piano
12
Saxophone Alto et Piano
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte, Hautbois, Clarinette, Basson
10
Saxophone, Clarinette (duo)
9
Hautbois, Piano (duo)
9
Saxophone (partie séparée)
8
Quatuor de Flûtes : 4 flûtes
8
Harmonica
8
Saxophone Soprano et Piano
7
Saxophone Alto
7
Ensemble de Flûtes
6
Saxophone Baryton, Piano
5
Cor anglais, Piano
4
Flûte traversière
4
Saxophone Tenor
4
Clarinette, Violon (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Hautbois, Flûte
3
2 Clarinettes (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Violon
3
Clarinette Basse, Piano
3
Flûte, Clarinette (duo)
3
2 Hautbois (duo)
3
Ensemble de Clarinettes
2
Flûte, Alto (duo)
2
Hautbois, Basson (duo)
2
Clarinette et Alto
2
Flûte, Trompette (duo)
2
Flûte et Guitare
2
Quintette de Flûte : 5 flûtes
1
Saxophone et Orgue
1
Flûte à bec Soprano
1
Cor anglais et Harpe (duo)
1
Clarinette, Basson (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Basson et Piano
1
Clarinette, Violoncelle (duo)
1
Flute (partie séparée)
1
Flûte, Saxophone (duo)
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
3 Saxophones (trio)
1
+ 47 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trompette
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trombone et Piano
9
Cor et Piano
8
Trompette, Saxophone (duo)
6
Trompette, Piano
6
Cor
5
Cor anglais, Piano
4
Euphonium, Piano (duo)
4
2 Trompettes (duo)
4
Trombone
4
Tuba
4
Trompette, Trombone (duo)
4
Tuba et Piano
4
Quatuor de cuivres: 4 trombones
2
Trompette (partie séparée)
2
Quatuor de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Euphoniums et 2 Tubas
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 cors
1
2 Trombones (duo)
1
Trompette, Euphonium (duo)
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
59
Violon et Piano
14
2 Violons (duo)
13
Alto, Piano
13
Violon, Violoncelle (duo)
10
Violon
9
Violoncelle
8
Violoncelle, Piano
8
Harpe
8
Trio à Cordes: violon, alto, violoncelle
6
4 Violoncelles
4
2 Violoncelles (duo)
4
Contre Basse
4
2 Altos (duo)
3
Harpe, Flûte (duo)
3
Violon, Alto (duo)
3
Alto seul
3
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
2
2 Harpes (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
Harpe, Voix
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes : 4 altos
1
Violoncelle, Contrebasse (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
81
Orchestre
35
Orchestre à Cordes
24
Orchestre de chambre
17
Ensemble de cuivres
9
Ensemble Jazz
9
Jazz combo
6
Ensemble de Percussions
4
Cloches
4
Ensemble d'École
3
Fanfare
2
Batterie
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
2
Librairie Musicale
4
Matériel de Musique
904
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Over When It's Over
Voix Baryton, Piano
Partitions à imprimer
2 partitions trouvées
<
1
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
#
Voix Baryton, Piano
#
AVANCÉ
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
Largo al factotum
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
#
Voix Baryton, Piano
#
Gregory Sullivan Isaacs
#
Gregory Sullivan Isaacs: Songs
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
(+)
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Over When It's Over
