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27
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15
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9
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6
Voix Baryton, Piano
6
Voix haute
5
Voix basse, Piano
4
Voix Tenor
4
Voix duo
3
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3
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VENTS
Saxophone
160
Clarinette
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Flûte traversière
121
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92
Saxophone Alto
91
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Flûte traversière et Piano
82
2 Flûtes traversières (duo)
73
Saxophone Alto et Piano
66
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64
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61
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61
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57
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50
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50
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38
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34
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29
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26
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26
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25
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24
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23
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23
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20
3 Saxophones (trio)
19
Hautbois, Basson (duo)
18
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16
Flûte, Violon
16
3 Clarinettes (trio)
16
Flûte à Bec
15
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14
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12
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11
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9
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7
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Trompette
129
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115
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100
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56
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Cor
42
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37
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36
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33
2 Trombones (duo)
32
2 Trompettes (duo)
32
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27
Tuba et Piano
25
Quatuor de Cuivres
23
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19
Trompette, Saxophone (duo)
19
Tuba
19
2 Cors (duo)
11
Euphonium, Piano (duo)
11
Quatuor de cuivres: 4 trombones
9
Ensemble de Trompettes
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Ensemble de Trombones
6
Cor (partie séparée)
6
Tuba (partie séparée)
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4 Tubas
5
Quatuor de cuivres: 4 cors
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2 Tubas (duo)
4
Euphonium
4
2 Euphoniums (duo)
4
2 Euphoniums et 2 Tubas
3
Cor anglais, Piano
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Trio de Cuivres
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Cor Anglais
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3 Trompettes (trio)
3
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
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2 Cors Anglais Et Pianoforte
1
Euphonium, Tuba (duo)
1
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Quatuor à cordes: 2 violons, alto, violoncelle
221
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129
Violon
113
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89
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Harpe
73
2 Violons (duo)
68
Alto seul
66
Violon, Alto (duo)
62
Alto, Piano
62
2 Altos (duo)
43
2 Violoncelles (duo)
40
Trio à Cordes: violon, alto, violoncelle
34
Alto, Violoncelle (duo)
27
Trio à Cordes: 2 violons, violoncelle
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Contrebasse, Piano (duo)
13
Violon (partie séparée)
12
Alto (partie séparée)
12
Contre Basse
9
Contrebasse (partie séparée)
9
Harpe, Voix
6
Piano Trio: Violon, Alto, Piano
5
2 Harpes (duo)
5
Harpe, Violon (duo)
4
Harpe, Flûte (duo)
4
Quatuor à cordes: 4 violons
3
4 Violoncelles
3
2 Contrebasses (duo)
3
Violoncelle (partie séparée)
3
Ensemble de Violons
3
Ensemble d'Altos
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto et Harpe
2
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
2
Violon, Clarinette, Piano (trio)
2
Violon, Guitare (duo)
2
Violon, Basson (duo)
1
4 Contrebasses
1
Flûte, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
2 Violons, Piano
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orgue
1
Violon, Tuba (duo)
1
Alto et Basson
1
Harpe et Piano
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
514
Orchestre à Cordes
116
Orchestre
97
Ensemble Jazz
64
Batterie
60
Ensemble de cuivres
55
Cloches
40
Jazz combo
31
Orchestre de chambre
23
Marimba
10
Batterie (partie séparée)
7
Fanfare
7
Ensemble de Percussions
7
Percussion (partie séparée)
5
Xylophone, Piano
4
Xylophone
3
Percussion
1
Bongos
1
Piano et Orchestre
1
2 Marimbas
1
Voix Mezzo-Soprano, Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Conga
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AUTRES
Théorie de la musique
1
Vous avez sélectionné:
Some Day
Voix Baryton, Piano
Partitions à imprimer
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Somewhere Along the Way (Samuel the Prophet) from "The Kings" - ACT 1:Song 7
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.784820 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.784820 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11729. Published by DF McCorkle Music and eBook Publications (A0.784820). ACT ONE: Song 7 The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 10:18-19… - And he said to the children of Israel: Thus says Yahweh, the God of Israel: ‘I brought up Israel out of Egypt, and I delivered you out of the hand of the Egyptians, and out of the hand of all the kingdoms that oppressed you.’ 19 But you have this day rejected your God, who Himself saves you out of all your calamities and your distresses; and you have said unto Him: Nay, but set a king over us…] [1 Samuel 12:24-25 - Only fear Yahweh, and serve him in truth with all your heart; for consider how great things he hath done for you. But if you shall still do wickedly, you shall be consumed, both you and your king.] SAMUEL warns Saul and the people that if they follow God all will go well for them. If they do not, there will be severe repercussions [Somewhere Along the Way – Samuel]. As SAMUEL walks off, thunder and lightning start and the people scatter. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.73 €
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Voix Baryton, Piano
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McCorkle, Dennis F
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Somewhere Along the Way
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gre…
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.5 €
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
June 1974, Cohoes (Wish List Fundraising)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
7.3 €
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Voix Baryton, Piano
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
A KISS-from "Roxane, of Bergerac" - a full length musical
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.995972 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.995972 Composed by Dave Flippo - music, Marie Yuen - lyrics. Arranged by Dave Flippo - music,. Baroque,Broadway,Jazz,Musical/Show,Renaissance. 6 pages. David William Flippo #4766411. Published by David William Flippo (A0.995972). A Kiss - Sung by: Cyrano to Roxane on her balcony, while in hiding. Written in the style of a classical art song, with some jazz added for flavor. Vocal/Piano Score.From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95
3.61 €
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Voix Baryton, Piano
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Dave Flippo - music, Marie Yuen - lyrics
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Dave Flippo - music,
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A KISS-from "Roxane, of Bergerac" - a full length musical
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David William Flippo
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
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Voix Baryton, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Silent Night - Baritone and Piano
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.882872 Arran…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.882872 Arranged by Geoffrey Loff. Christian,Christmas,Contemporary. 3 pages. Geoffrey Loff #3897149. Published by Geoffrey Loff (A0.882872). Enjoy this mellifluous and tender arrangement of Silent Night. Arranged for male voice [B-flat 3 - E-flat 5] with piano accompaniment. The harmonies are beautiful, and enchant the ear by mingling the familiar with the unexpected. This song is perfect in a program or as an encore for a Christmas or Holiday party, or to just play with your family; maybe with some eggnog, around a roaring fire..or maybe you're lactose intolerant and afraid of fire. Either way, this arrangement is sure to soothe you into the holiday spirit!Please write a review of my arrangement, and be sure to check out others of mine!
$5.00
4.57 €
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Voix Baryton, Piano
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Geoffrey Loff
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Silent Night - Baritone and Piano
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Geoffrey Loff
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SheetMusicPlus
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