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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Still The One
Non classifié
1 251
Piano & claviers
Piano seul
611
Piano, Voix
131
Piano, Voix et Guitare
114
Piano Facile
108
Instruments en Do
39
Accompagnement Piano
30
Orgue
23
1 Piano, 4 mains
22
2 Pianos, 4 mains
9
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano (partie séparée)
7
Piano grosses notes
7
Piano Trio: piano, violon, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon
3
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
79
Guitare
38
Ligne De Mélodie, (Paroles) et Accords
25
Guitare (partie séparée)
12
Ukulele
10
Paroles et Accords
9
Basse electrique
7
Piano, Guitare (duo)
7
2 Guitares (duo)
6
4 Guitares (Quatuor)
2
Ukulele Baryton
2
3 Guitares (trio)
2
Banjo
1
Mandoline, Guitare (duo)
1
Dulcimer
1
Mandoline
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
244
Chorale TTBB
59
Chorale 3 parties
56
Chorale 2 parties
46
Chorale SSAA
34
Voix moyenne, Piano
12
Voix duo
11
Voix seule
10
Chorale Unison
10
Voix haute
7
Voix duo, Piano
7
Voix basse, Piano
6
Voix Baryton, Piano
6
Chorale SSATTB
5
Voix Soprano, Piano
5
Pack Instrumental pour Chorale
3
Soli, choeur mixte et accompagnement
1
Chorale
1
Voix Alto, Piano
1
Chorale SSAATTBB
1
Voix basse
1
Voix Tenor
1
+ 17 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
227
Saxophone Alto et Piano
115
Saxophone (partie séparée)
87
Flûte, Hautbois, Clarinette, Basson
72
Saxophone Tenor et Piano
66
Saxophone Soprano et Piano
63
Flûte traversière et Piano
60
2 Saxophones (duo)
56
Quintette de Saxophone: 5 saxophones
50
Clarinette et Piano
48
Hautbois, Piano (duo)
44
Saxophone Alto
40
2 Flûtes traversières (duo)
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
3 Saxophones (trio)
37
Saxophone Tenor
36
Clarinette
35
Saxophone
31
Flûte traversière
26
Ensemble de saxophones
24
2 Clarinettes (duo)
21
Saxophone Baryton, Piano
21
Quatuor de Clarinettes: 4 clarinettes
21
Hautbois (partie séparée)
20
Ensemble de Flûtes
19
Ensemble de Clarinettes
17
Saxophone, Clarinette (duo)
14
Quatuor de Flûtes : 4 flûtes
14
Quatuor de Flûtes à bec
10
Flûte, Clarinette (duo)
10
Clarinette, Trompette (duo)
9
Clarinette, Violon (duo)
9
Cor anglais, Piano
9
Hautbois, Basson (duo)
8
Flûte, Saxophone (duo)
7
Quintette de Clarinettes: 5 clarinettes
7
Flute (partie séparée)
7
Clarinette (partie séparée)
6
Trio de Flûtes: 3 flûtes
6
2 Hautbois (duo)
6
Quintette de Flûte : 5 flûtes
6
3 Clarinettes (trio)
6
Clarinette Basse, Piano
5
Hautbois, Clarinette (duo)
5
Hautbois, Flûte
5
Flûte, Violon
5
Flûte, Alto (duo)
4
Clarinette et Alto
4
Flûte, Trompette (duo)
4
Clarinette, Violoncelle (duo)
4
Flûte à bec Soprano
4
Flute, harpe et violon
3
Flûte et Guitare
3
Ocarina
3
Flûte, Hautbois, Clarinette (trio)
3
Ensemble à vent
3
Clarinette, Harpe (duo)
2
Piccolo, Piano
2
Clarinette, Basson (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Violoncelle
2
Flûte à bec Alto
2
2 Flûte à bec (duo)
1
Ensemble De Flûte à bec
1
2 Clarinettes, Basson
1
Instruments en Mib
1
2 Flûtes traversières, Piano
1
Cor anglais, Guitare (duo)
1
Flûte, Trombone (duo)
1
Harmonica
1
Flûte, Hautbois, Basson
1
3 Hautbois
1
Saxophone et Orgue
1
Saxophone Soprano
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Piano
1
Flûte à Bec
1
3 Flûtes à bec (trio)
1
5 Flûtes à bec
1
2 Clarinettes, Piano
1
+ 75 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
139
Quatuor de Cuivres : 2 trompettes, trombone, tuba
129
Trombone et Piano
94
Trombone (partie séparée)
64
Trombone
62
Quatuor de Cuivres
51
Quatuor de cuivres: 4 trombones
31
Ensemble de Trompettes
30
Trompette, Piano
29
Trompette (partie séparée)
29
Trompette
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Cor et Piano
21
2 Trombones (duo)
20
Ensemble de Trombones
19
Euphonium, Piano (duo)
17
Cor
16
Trio de Cuivres
13
2 Trompettes (duo)
12
Trompette, Saxophone (duo)
10
Tuba
10
Cor (partie séparée)
10
Cor anglais, Piano
9
Tuba et Piano
9
Trompette, Trombone (duo)
8
Tuba (partie séparée)
6
2 Cors (duo)
5
Ensemble de Cors
5
Quatuor de cuivres: 4 cors
5
2 Euphoniums et 2 Tubas
4
2 Tubas (duo)
4
Trompette, Cor (duo)
3
3 Trombones (trio)
2
Instruments en Sib
2
Tuba et Orgue
2
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse et Piano
2
Bass Clef Instruments
2
Trombone, Tuba (duo)
1
Trompette et Guitare
1
Cor anglais, Guitare (duo)
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
2 Cors Anglais Et Pianoforte
1
Trompette, Trombone, Piano
1
2 Euphoniums (duo)
1
Trompette, Basson (duo)
1
3 Cors (trio)
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
174
Violon et Piano
65
Violoncelle, Piano
42
Alto, Piano
36
Violon
34
Violoncelle
29
Violon, Violoncelle (duo)
28
2 Violons (duo)
28
Trio à Cordes: violon, alto, violoncelle
26
Harpe
25
Violon, Alto (duo)
13
Alto seul
13
Contrebasse (partie séparée)
13
2 Violoncelles (duo)
11
Trio à Cordes: 2 violons, violoncelle
9
4 Violoncelles
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Contre Basse
8
Contrebasse, Piano (duo)
8
Violon (partie séparée)
8
2 Altos (duo)
7
Alto (partie séparée)
6
Piano Trio: Violon, Alto, Piano
6
2 Harpes (duo)
4
Trio à Cordes: 3 violoncelles
4
Harpe, Flûte (duo)
4
Violon, Guitare (duo)
3
Alto, Violoncelle (duo)
3
Violoncelle (partie séparée)
3
Ensemble d'Altos
3
Trio à cordes: 3 violins
3
Ensemble de Violons
3
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
2
Harpe, Voix
2
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Alto, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
2 Contrebasses (duo)
1
Violoncelle , Guitare (duo)
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
207
Ensemble Jazz
120
Orchestre
86
Fanfare
69
Orchestre à Cordes
56
Ensemble de cuivres
45
Orchestre de chambre
21
Cloches
19
Jazz combo
14
Ensemble de Percussions
12
Batterie (partie séparée)
7
Batterie
4
Marimba
2
Xylophone
2
Vibraphone
1
Marimba, Piano (duo)
1
Quintette de Cuivres: autres combinaisons
1
Ensemble d'École
1
Xylophone, Piano
1
+ 14 instrumentations
Retracter
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BANJO
BASSE
BASSON
BATTERIE
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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Vous avez sélectionné:
Still The One
Voix Baryton, Piano
Partitions à imprimer
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1
Somewhere Along the Way (Samuel the Prophet) from "The Kings" - ACT 1:Song 7
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.784820 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.784820 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11729. Published by DF McCorkle Music and eBook Publications (A0.784820). ACT ONE: Song 7 The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 10:18-19… - And he said to the children of Israel: Thus says Yahweh, the God of Israel: ‘I brought up Israel out of Egypt, and I delivered you out of the hand of the Egyptians, and out of the hand of all the kingdoms that oppressed you.’ 19 But you have this day rejected your God, who Himself saves you out of all your calamities and your distresses; and you have said unto Him: Nay, but set a king over us…] [1 Samuel 12:24-25 - Only fear Yahweh, and serve him in truth with all your heart; for consider how great things he hath done for you. But if you shall still do wickedly, you shall be consumed, both you and your king.] SAMUEL warns Saul and the people that if they follow God all will go well for them. If they do not, there will be severe repercussions [Somewhere Along the Way – Samuel]. As SAMUEL walks off, thunder and lightning start and the people scatter. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.76 €
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Voix Baryton, Piano
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McCorkle, Dennis F
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Somewhere Along the Way
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DF McCorkle Music and eBook Publications
#
SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Voix Baryton, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
All That I Ask Of You Is Love (A Wedding Solo for Baritone Voice)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.781336 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.781336 Composed by Lyrics by Edgar Seldon and Melody by Herbert Ingraham. Arranged by Joanna Mills. Holiday,Jazz,Standards,Wedding. 6 pages. Joanna Mills Music #4608037. Published by Joanna Mills Music (A0.781336). This lovely vintage love song from 1910 is updated for the modern singer, but still retains the slightly jazzy ballad feel of the times. Written for a baritone soloist (B2 - B3) and piano accompanist; approximate performance time is 3:20. Perfect for weddings, engagements, or concerts and recitals.
$7.99
7.37 €
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Voix Baryton, Piano
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Lyrics by Edgar Seldon and Melody by Herbert Ingraham
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Joanna Mills
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All That I Ask Of You Is Love
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Joanna Mills Music
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SheetMusicPlus
Si yo nunca desapareciera (LOW VOICE)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1023338 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1023338 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191599. Published by Kristian S. Rodriguez (A0.1023338). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
3.68 €
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Voix Baryton, Piano
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
June 1974, Cohoes (Wish List Fundraising)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
7.37 €
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Voix Baryton, Piano
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
October 1974, Cohoes (Confrontation and Finale)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
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Voix Baryton, Piano
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Brett L
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October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
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