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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ten After
Sheetmusicplus
Non classifié
1 378
Piano & claviers
Piano seul
694
Piano Facile
154
Piano, Voix
154
Instruments en Do
94
Piano, Voix et Guitare
83
Orgue
72
1 Piano, 4 mains
21
Piano Trio: piano, violon, violoncelle
13
Piano Quatuor: piano, violon, alto, violoncelle
8
2 Pianos, 4 mains
8
Accompagnement Piano
7
Piano (partie séparée)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
Accordéon
1
Clavier
1
1 Piano, 6 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare
87
Guitare notes et tablatures
50
Guitare (partie séparée)
12
Ligne De Mélodie, (Paroles) et Accords
10
Mandoline
7
Banjo
5
Ukulele
5
2 Guitares (duo)
4
Paroles et Accords
2
Basse electrique
2
Piano, Guitare (duo)
2
Dulcimer
1
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
314
Chorale 3 parties
76
Chorale TTBB
44
Chorale 2 parties
35
Chorale SSAA
33
Chorale Unison
23
Voix duo, Piano
14
Voix Soprano, Piano
14
Voix Alto, Piano
13
Voix Baryton, Piano
6
Voix haute
6
Voix Tenor, Piano
6
Voix duo
5
Chorale SSAATTBB
4
Voix seule
4
Chorale SSATB
3
Voix Soprano
2
Voix Mezzo-Soprano, Piano
2
Voix basse, Piano
2
Voix Tenor
2
Voix Baryton
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
Voix basse
1
+ 19 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
206
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
145
2 Saxophones (duo)
126
Flûte traversière et Piano
119
Quintette de Saxophone: 5 saxophones
102
Clarinette et Piano
100
Hautbois, Piano (duo)
81
Saxophone Alto et Piano
73
Saxophone Tenor et Piano
66
Saxophone (partie séparée)
63
2 Clarinettes (duo)
62
Saxophone, Clarinette (duo)
53
Quatuor de Clarinettes: 4 clarinettes
50
2 Flûtes traversières (duo)
48
Flûte traversière
47
Flûte, Hautbois, Clarinette, Basson
47
Saxophone Soprano et Piano
45
Saxophone Alto
45
Clarinette
40
Saxophone Tenor
39
Clarinette, Violon (duo)
37
Ensemble de saxophones
33
Saxophone Baryton, Piano
31
Clarinette, Trompette (duo)
30
Quatuor de Flûtes : 4 flûtes
30
Flûte, Clarinette (duo)
30
3 Saxophones (trio)
26
Cor anglais, Piano
25
2 Hautbois (duo)
22
Flûte, Saxophone (duo)
19
Hautbois, Clarinette (duo)
19
Ensemble de Clarinettes
19
Hautbois, Basson (duo)
19
Clarinette et Alto
18
Clarinette Basse, Piano
18
Hautbois, Flûte
18
Flûte, Violon
18
Hautbois (partie séparée)
16
Flûte, Alto (duo)
15
Hautbois
15
Flûte, Trompette (duo)
15
Quintette de Clarinettes: 5 clarinettes
15
2 Flûte à bec (duo)
13
Ensemble de Flûtes
11
3 Clarinettes (trio)
10
Quintette de Flûte : 5 flûtes
9
Flute (partie séparée)
8
Flûte et Guitare
7
Trio de Flûtes: 3 flûtes
6
Clarinette, Basson (duo)
6
Ocarina
6
Flûte à bec Soprano, Piano
5
Quatuor de Flûtes à bec
5
Clarinette, Guitare (duo)
5
Flûte à Bec
5
Flûte, Clarinette et Basson
5
Flûte à bec Alto
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte à bec Soprano
4
Harmonica
4
Ensemble De Flûte à bec
4
Flûte, Violoncelle
3
3 Flûtes à bec (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
Cor anglais, Guitare (duo)
2
Flûte à bec Alto, Piano
2
2 Clarinettes, Piano
2
Saxophone et Guitare
2
Saxophone Soprano
2
2 Saxophones, Piano
2
5 Flûtes à bec
2
Flûte, Clarinette, Piano (trio)
2
Saxophone Baryton
2
Flûte à bec Tenor
2
Clarinette Basse
1
2 Flûtes à bec, Guitare
1
Flûte irlandaise
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violoncelle (duo)
1
Ensemble de Hautbois
1
Flûte traversière, Orgue (duo)
1
Hautbois, Basson et Piano
1
2 Flûtes traversières, Piano
1
Flûte, Violon et Violoncelle
1
Clarinette, Orgue
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
Saxophone
1
Cornemuse
1
Flûte à Bec, Piano
1
2 Clarinettes, Basson
1
Hautbois, Harpe
1
Saxophone et Orgue
1
+ 88 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
161
Trombone et Piano
87
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trompette
62
Trompette, Piano
59
Cor et Piano
58
Trombone
40
Trompette, Saxophone (duo)
39
Ensemble de Trompettes
39
Tuba et Piano
37
Euphonium, Piano (duo)
32
Trombone (partie séparée)
29
Cor
28
Trompette (partie séparée)
27
Quatuor de Cuivres
25
Cor anglais, Piano
25
Tuba
25
2 Trombones (duo)
24
2 Trompettes (duo)
23
Trompette, Trombone (duo)
21
Quatuor de cuivres: 4 trombones
17
Ensemble de Trombones
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Cor (partie séparée)
8
Tuba (partie séparée)
7
Quatuor de cuivres: 4 cors
6
2 Euphoniums et 2 Tubas
5
2 Cors (duo)
5
Quatuor de cuivres: 4 trompettes
4
3 Trompettes (trio)
3
3 Trombones (trio)
3
Ensemble de Cors
3
4 Tubas
3
Trompette, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Tuba et Orgue
2
2 Tubas (duo)
2
3 Tubas (trio)
1
Trombone basse et Piano
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trio de Cuivres
1
Ensemble de Tubas
1
3 Cors (trio)
1
Trombone basse
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon et Piano
154
Violoncelle, Piano
81
Alto, Piano
76
Violoncelle
59
Violon
59
Harpe
51
Violon, Violoncelle (duo)
37
2 Violoncelles (duo)
36
Contrebasse, Piano (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
2 Violons (duo)
32
Alto seul
31
Trio à Cordes: violon, alto, violoncelle
29
2 Altos (duo)
28
Contre Basse
26
Violon, Alto (duo)
26
Trio à Cordes: 2 violons, violoncelle
12
Contrebasse (partie séparée)
8
Alto (partie séparée)
6
Ensemble d'Altos
5
Ensemble de Violons
5
Harpe, Flûte (duo)
4
Trio à Cordes: 3 violoncelles
4
4 Violoncelles
4
Violon, Guitare (duo)
4
Harpe, Quatuor à cordes
3
Violoncelle , Guitare (duo)
3
Trio à cordes: 3 altos
3
Harpe, Voix
3
Violon (partie séparée)
3
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 violins
3
Quatuor à cordes : 4 altos
3
2 Contrebasses (duo)
2
2 Harpes (duo)
2
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
2 Altos, Piano
1
Violoncelle, Contrebasse (duo)
1
2 Violons, Piano
1
Violon, Clarinette, Piano (trio)
1
4 Contrebasses
1
3 Harpes
1
Violon, Orgue
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
427
Orchestre
128
Ensemble Jazz
104
Orchestre à Cordes
77
Ensemble de cuivres
50
Orchestre de chambre
45
Fanfare
37
Jazz combo
23
Cloches
22
Ensemble de Percussions
12
Batterie (partie séparée)
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie
4
Marimba
3
Percussion (partie séparée)
2
Percussion
2
Vibraphone
2
Orchestre, Violon
2
Piano et Orchestre
1
Xylophone, Piano
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Ten After
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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1
My Dream For You (Tenor solo)
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Voix Baryton, Piano
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FACILE
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Stephen DeCesare
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My Dream For You
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Exultet Music
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.619912 By Stephen DeCesare. By Stephen DeCesare. Broadway,Contemporary,Contest,Festival,Film/TV,Mu...
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Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.619912 By Stephen DeCesare. By Stephen DeCesare. Broadway,Contemporary,Contest,Festival,Film/TV,Musical/Show,Singer/Songwriter. 5 pages. Exultet Music #3066271. Published by Exultet Music (A0.619912). Tender, classical musical-theatre style song that sings about a friend wishing another friend good-luck and well wishes after they have graduated and now going out into the world on their own. Â Scored for Tenor Solo and Piano. Â A rehearsal and an accompaniment track are also available.
$4.99
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Congregation Aria from Glory Denied (Downloadable)
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Voix Baryton, Piano
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Contemporain
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Tom Cipullo
#
Congregation Aria from Glory D
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Baritone voice and piano - Moderately Difficult - SKU: MQ.8609E-2E Composed by Tom Cipullo. 21st Century. Secular. 7 pages. E. C. Schirmer Music Company...
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Baritone voice and piano - Moderately Difficult - SKU: MQ.8609E-2E Composed by Tom Cipullo. 21st Century. Secular. 7 pages. E. C. Schirmer Music Company - Digital #8609E-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8609E-2E). English.Young Thompson was captured as a POW in the Vietnam War. Now, as Old Thompson, he sings the Catalogue Aria after receiving a letter from Richard Nixon which warns that he might find some differences in the America to which he returns. Tom's pent-up frustration comes tumbling out in a sort of patter-rant in the contemporary musical language which the composer uses throughout the opera.In the Congregation Aria, old Tom thanks his church for their acceptance and welcome upon his return home. The slow, expressive nature of the music hints at Tom's desire to return to a simpler life, and belies the fact that his family is, in fact, in complete turmoil. This juxtaposition of nostalgia and present reality is deeply moving.Contents:1. Catalogue Aria2. Congregation Aria.
$5.00
Julie-Jane: The Ballad Singer (Downloadable)
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Voix Baryton, Piano
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INTERMÉDIAIRE
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Juliana Hall
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Julie-Jane: The Ballad Singer
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Baritone voice and piano - Medium - SKU: MQ.8580-1E Composed by Juliana Hall. Secular, 21st century. 8 pages. E. C. Schirmer Music Company - Digital #85...
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Baritone voice and piano - Medium - SKU: MQ.8580-1E Composed by Juliana Hall. Secular, 21st century. 8 pages. E. C. Schirmer Music Company - Digital #8580-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8580-1E). English.An assortment of English country personalities inhabit this song cycle, which deals with the ideas of lost love and betrayal in love. The cycle begins with a ballad singer whom the speaker implores to song as a way of making him forget the pain of losing one whom he loves. Julie-Jane is a young woman whom the speaker fondly remembers after she has passed on following the company of a number of men out of wedlock. A fiddler plays at a country dance, watching as dancers couple throughout the night, and then for life. Carrey Clavel is another woman, one who scorns the company of the speaker, and finally Rose-Ann, who has led the speaker on without telling him she is promised to another. Duration: 24:00Contents:1. The Ballad Singer2. Julie-Jane3. The Fiddler4. To Carrey Clavel5. Rose-Ann.
$4.25
Hope Alone Heals for Baritone Solo and Piano
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Voix Baryton, Piano
#
Contemporain
#
Leslie Kleen
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Hope Alone Heals for Baritone
#
Music From Riverside
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.1004816 Composed by Leslie Kleen. Contemporary. 5 pages. Music From Riverside #4800624. Published by Music F...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.1004816 Composed by Leslie Kleen. Contemporary. 5 pages. Music From Riverside #4800624. Published by Music From Riverside (A0.1004816). Hope Alone Heals is a selection from Galileo's Starry Messenger. It takes place after Galileo has been sentenced to house arrest near the convent where is daughter is. Galileo (Baritone) sings this song to her. Accompanied by piano.
$1.99
Si yo nunca desapareciera (LOW VOICE)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Kristian S Rodriguez
#
Si yo nunca desapareciera
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Kristian S. Rodriguez
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.1023338 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. R...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.1023338 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191599. Published by Kristian S. Rodriguez (A0.1023338). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
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