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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That Time of Day
Non classifié
1 475
Piano & claviers
Piano seul
564
Piano Facile
338
Piano, Voix
170
Piano, Voix et Guitare
112
Instruments en Do
87
Orgue
52
Accompagnement Piano
45
1 Piano, 4 mains
18
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
6
2 Pianos, 4 mains
6
Piano Quatuor: piano, 2 violons, violoncelle
3
Accordéon
2
Orgue, Trompette (duo)
1
Piano grosses notes
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
61
Guitare
39
Ukulele
13
Basse electrique
8
2 Guitares (duo)
7
Banjo
4
Mandoline
4
Ligne De Mélodie, (Paroles) et Accords
4
Piano, Guitare (duo)
4
Guitare, Flûte, Clarinette
2
Dulcimer
1
Paroles et Accords
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
385
Chorale 2 parties
108
Chorale 3 parties
97
Chorale Unison
60
Voix duo, Piano
48
Chorale TTBB
43
Chorale SSAA
30
Voix Tenor, Piano
17
Voix duo
12
Voix Baryton, Piano
5
Voix seule
5
Voix Alto, Piano
5
Voix Soprano, Piano
4
Voix haute
2
Voix Tenor
2
Voix basse
1
+ 11 instrumentations
Retracter
Vents
2 Saxophones (duo)
206
Quatuor de Saxophones: 4 saxophones
137
Flûte traversière et Piano
99
2 Flûtes traversières (duo)
95
Clarinette et Piano
92
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
91
Saxophone Alto et Piano
90
Hautbois, Piano (duo)
87
2 Clarinettes (duo)
85
Flûte, Hautbois, Clarinette, Basson
79
Quintette de Saxophone: 5 saxophones
74
Saxophone Soprano et Piano
67
Clarinette
66
2 Flûte à bec (duo)
61
Flûte traversière
58
Saxophone Tenor et Piano
53
Saxophone Alto
51
Saxophone, Clarinette (duo)
46
Hautbois (partie séparée)
45
3 Saxophones (trio)
44
2 Hautbois (duo)
44
Quatuor de Clarinettes: 4 clarinettes
42
Quatuor de Flûtes : 4 flûtes
41
Clarinette, Violon (duo)
35
Flûte, Clarinette (duo)
34
Saxophone Baryton, Piano
32
Clarinette, Trompette (duo)
30
Saxophone (partie séparée)
28
Saxophone
25
Saxophone Tenor
25
Hautbois, Clarinette (duo)
25
Hautbois, Basson (duo)
23
Hautbois
19
Flûte, Saxophone (duo)
19
Flûte, Violon
19
3 Clarinettes (trio)
17
Ensemble de Clarinettes
17
Clarinette et Alto
17
Hautbois, Flûte
16
Flûte, Alto (duo)
16
Quintette de Clarinettes: 5 clarinettes
16
Ensemble de saxophones
16
Quintette de Flûte : 5 flûtes
15
Ensemble de Flûtes
15
Saxophone Soprano
10
Cor anglais, Piano
10
Flûte, Trompette (duo)
10
Clarinette, Trombone (duo)
9
Flûte, Hautbois (duo)
8
Trio de Flûtes: 3 flûtes
8
Saxophone Baryton
7
Flûte, Hautbois, Piano (trio)
7
Flûte, Clarinette et Basson
7
Quatuor de Flûtes à bec
7
Flûte à Bec
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte, Hautbois, Basson
6
Flûte à bec Soprano
6
2 Clarinettes, Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette Basse, Piano
5
Flûte, Violon, Piano
5
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Clarinette, Piano (trio)
4
Flute (partie séparée)
4
Flûte, Violon et Violoncelle
4
2 Flûtes traversières, Piano
4
Flûte à bec Alto
4
Hautbois, Violoncelle
4
Clarinette, Basson (duo)
3
Clarinette, Violoncelle (duo)
3
Clarinette (partie séparée)
3
Hautbois, violon (duo)
3
Clarinette, Guitare (duo)
3
Cor Anglais
3
5 Flûtes à bec
2
3 Flûtes à bec (trio)
2
Flûte, Violoncelle
2
Flûte, trombone et piano
2
Ocarina
2
Flûte irlandaise
2
Clarinette, Harpe (duo)
2
Flûte et Guitare
2
Flûte, Alto et Piano
2
Flûte, Basson et Piano
2
Ensemble De Flûte à bec
2
Clarinette, trompette et piano
1
Saxophone et Guitare
1
Clarinette, Basson, Piano (trio)
1
Flûte à Bec, Piano
1
Cor anglais, Guitare (duo)
1
Flûte à bec Tenor
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble de Hautbois
1
Flûte traversière, Orgue (duo)
1
Hautbois, Harpe
1
Clarinette, Alto et Piano (trio)
1
Harmonica
1
Cor anglais et Harpe (duo)
1
Clarinette Basse
1
Saxophone et Orgue
1
+ 97 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
104
Trompette, Piano
89
Trombone et Piano
71
Cor et Piano
68
Trompette
66
2 Trombones (duo)
53
2 Trompettes (duo)
52
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Cor
48
Trombone
46
Quatuor de Cuivres: 2 trompettes, Cor, trombone
46
Tuba
39
Tuba et Piano
34
Trompette, Saxophone (duo)
32
Trompette, Trombone (duo)
28
2 Cors (duo)
22
Quatuor de Cuivres
13
2 Tubas (duo)
12
2 Euphoniums (duo)
11
Euphonium, Piano (duo)
10
Cor anglais, Piano
10
Ensemble de Trombones
7
Trompette, Cor (duo)
7
Ensemble de Trompettes
7
Trompette (partie séparée)
4
Trio de Cuivres
4
Trombone (partie séparée)
3
Tuba et Orgue
3
Quatuor de cuivres: 4 trompettes
3
Cor Anglais
3
Tuba (partie séparée)
2
4 Tubas
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Violoncelle et Piano
2
Ensemble de Cors
2
Trombone basse
1
Quatuor de cuivres: 4 trombones
1
Cor anglais, Guitare (duo)
1
Cor et Basson (duo)
1
2 Cors Anglais Et Pianoforte
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cor et Harpe
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
228
Violon et Piano
135
Violon, Violoncelle (duo)
123
Alto, Piano
117
Violoncelle, Piano
93
Violon
91
Violoncelle
72
2 Violons (duo)
71
Trio à Cordes: violon, alto, violoncelle
62
Alto seul
55
2 Violoncelles (duo)
55
2 Altos (duo)
50
Quintette à cordes: 2 violons, alto, violoncelle, basse
47
Violon, Alto (duo)
46
Harpe
42
Contrebasse, Piano (duo)
28
Contre Basse
26
Trio à Cordes: 2 violons, violoncelle
17
2 Harpes (duo)
12
Trio à cordes: 3 violins
12
Violon, Basson (duo)
11
2 Contrebasses (duo)
11
4 Violoncelles
9
Trio à Cordes: 3 violoncelles
8
Alto (partie séparée)
8
Quatuor à cordes: 4 violons
6
Violon (partie séparée)
6
Trio à Cordes: 2 violons, alto
6
Alto, Violoncelle (duo)
6
Piano Trio: Violon, Alto, Piano
6
Quatuor à cordes : 4 altos
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Harpe, Voix
4
Harpe, Flûte (duo)
3
Ensemble de Violons
3
Violon, Clarinette, Piano (trio)
2
Trio à cordes: 3 altos
2
Ensemble d'Altos
2
Violoncelle (partie séparée)
2
4 Harpes
2
Violoncelle , Guitare (duo)
2
Ensemble de Violoncelles
1
Alto et Harpe
1
Alto, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
2 Violons, Piano
1
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violon (duo)
1
Contrebasse (partie séparée)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
331
Orchestre à Cordes
84
Orchestre
73
Ensemble de cuivres
42
Ensemble Jazz
33
Cloches
21
Orchestre de chambre
16
Jazz combo
13
Fanfare
8
Batterie
6
Ensemble de Percussions
5
Marimba
4
Percussion (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Vibraphone
1
+ 12 instrumentations
Retracter
Autres
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
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Crtitères actifs :
That Time of Day
Voix Baryton, Piano
Partitions à imprimer
5 partitions trouvées
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1
There Comes a Time, Arranged for Baritone from the Contemporary Opera Germain
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Voix Baryton, Piano
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AVANCÉ
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James Nathaniel Holland
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There Comes a Time, Arranged f
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James Nathaniel Holland
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel ...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel Holland #3005169. Published by James Nathaniel Holland (A0.730375). Great stand alone and dramatic aria of the contemporary opera in English, Germain, by American Costa Rican composer James Nathaniel Holland. The aria speaks of being in a loveless relationship and hoping that love will come one day. Originally for tenor, arranged here for Baritone. (Sample provided here is with tenor. Score is in lower key.)Video presentation (Tenor version): https://www.youtube.com/watch?v=9ZeyQhDG-Gw(Duration: 5:33) (Range: C3 to F#4)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$4.95
All That I Ask Of You Is Love (A Wedding Solo for Baritone Voice)
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Voix Baryton, Piano
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FACILE
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Lyrics by Edgar Seldon and Mel
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Joanna Mills
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All That I Ask Of You Is Love
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Joanna Mills Music
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.781336 Composed by Lyrics by Edgar Seldon and Melody by Herbert Ingraham. Arranged by Joanna Mills...
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Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.781336 Composed by Lyrics by Edgar Seldon and Melody by Herbert Ingraham. Arranged by Joanna Mills. Holiday,Jazz,Standards,Wedding. 6 pages. Joanna Mills Music #4608037. Published by Joanna Mills Music (A0.781336). This lovely vintage love song from 1910 is updated for the modern singer, but still retains the slightly jazzy ballad feel of the times. Written for a baritone soloist (B2 - B3) and piano accompanist; approximate performance time is 3:20. Perfect for weddings, engagements, or concerts and recitals.
$7.99
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Invictus
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Hunter A
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Invictus
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Hunter A. Brown
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.1013580 Composed by Hunter A. Brown. Concert,Contemporary. 13 pages. Hunter A. Brown #6296021. Pub...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.1013580 Composed by Hunter A. Brown. Concert,Contemporary. 13 pages. Hunter A. Brown #6296021. Published by Hunter A. Brown (A0.1013580). Invictus (baritone and piano) is an art song setting of the timeless poem of the same title by William Ernest Henley (1849-1903). Latin for 'Invincible' - the theme of perseverance and steadfast determination is as relevant today as the day it was written. With a duration of 3'45, Invictus is perfect for a college recital, solo and ensemble contest, or church service. Range: G2 - F#4I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText:Out of the night that covers me,
$9.99
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That Time of Day
