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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That day
Non classifié
3 866
Piano & claviers
Piano seul
1 880
Piano, Voix
825
Piano Facile
686
Piano, Voix et Guitare
522
Instruments en Do
291
Orgue
239
Accompagnement Piano
203
Piano grosses notes
72
1 Piano, 4 mains
55
Piano Trio: piano, violon, violoncelle
41
2 Pianos, 4 mains
32
Piano Quatuor: piano, violon, alto, violoncelle
18
Accordéon
14
Piano Quatuor: piano, 2 violons, violoncelle
14
Piano (partie séparée)
12
Clavecin
4
Clavier
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Ligne De Mélodie, Piano
2
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
183
Guitare
111
Ligne De Mélodie, (Paroles) et Accords
84
Basse electrique
55
Ukulele
37
Guitare (partie séparée)
19
Paroles et Accords
18
Piano, Guitare (duo)
13
3 Guitares (trio)
10
Mandoline
10
2 Guitares (duo)
9
Dulcimer
8
4 Guitares (Quatuor)
7
Banjo
6
Guitare, Flûte, Clarinette
2
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
Orchestre à Plectres
1
Guitare, Quatuor à cordes
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
1 447
Chorale 2 parties
509
Chorale 3 parties
470
Chorale Unison
276
Voix duo, Piano
223
Chorale TTBB
164
Chorale SSAA
81
Voix duo
57
Voix Soprano, Piano
39
Voix seule
37
Voix haute
25
Voix Tenor, Piano
22
Voix Alto, Piano
13
Pack Instrumental pour Chorale
12
Voix Baryton, Piano
12
Voix moyenne, Piano
9
Chorale
8
Voix basse, Piano
4
Voix basse
4
Voix Soprano
4
Voix Mezzo-Soprano, Piano
3
Soli, choeur mixte et accompagnement
3
Voix Tenor
3
Chorale SSATTB
3
Chorale SSAATTBB
2
Chorale SATTB
1
Voix, Guitare
1
Chorale SATBB
1
Chorale SSAB, Piano
1
Chorale SSATB
1
+ 25 instrumentations
Retracter
Vents
2 Saxophones (duo)
405
Quatuor de Saxophones: 4 saxophones
303
Flûte traversière et Piano
258
Clarinette et Piano
228
Hautbois, Piano (duo)
216
Flûte traversière
209
Saxophone Alto et Piano
206
Saxophone
194
Flûte, Hautbois, Clarinette, Basson
187
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
185
Clarinette
184
Saxophone Tenor et Piano
179
2 Flûtes traversières (duo)
176
2 Clarinettes (duo)
166
Saxophone Soprano et Piano
150
Saxophone Alto
124
Quatuor de Clarinettes: 4 clarinettes
123
3 Saxophones (trio)
117
Saxophone (partie séparée)
113
Quintette de Saxophone: 5 saxophones
112
2 Flûte à bec (duo)
87
Flûte, Clarinette (duo)
83
2 Hautbois (duo)
78
Quatuor de Flûtes : 4 flûtes
74
Saxophone Tenor
73
Clarinette, Violon (duo)
70
Hautbois (partie séparée)
70
Saxophone, Clarinette (duo)
64
Saxophone Baryton, Piano
62
Ensemble de Clarinettes
55
Clarinette, Trompette (duo)
49
Ensemble de Flûtes
49
Flûte, Violon, Piano
47
3 Clarinettes (trio)
46
Hautbois, Clarinette (duo)
42
Hautbois, Basson (duo)
41
Ensemble de saxophones
40
Quintette de Clarinettes: 5 clarinettes
35
Flûte, Violon
34
Trio de Flûtes: 3 flûtes
32
Flûte, Saxophone (duo)
31
Clarinette et Alto
29
Hautbois
28
Clarinette (partie séparée)
27
Quintette de Flûte : 5 flûtes
27
Flûte, Alto (duo)
25
Cor anglais, Piano
25
Flûte, Clarinette et Basson
22
Clarinette Basse, Piano
22
Flûte, Violon et Violoncelle
22
Saxophone Soprano
21
Flûte, Hautbois, Clarinette (trio)
21
Flûte, Clarinette, Piano (trio)
21
2 Clarinettes, Piano
20
Hautbois, Flûte
20
Flûte, Hautbois (duo)
19
Flûte, Trompette (duo)
19
Clarinette, Violoncelle, Piano (trio)
19
Flute (partie séparée)
18
Flûte, Hautbois, Piano (trio)
17
Flûte à bec Soprano
17
2 Flûtes traversières, Piano
17
Hautbois, Clarinette, Basson (trio d'anches)
16
Clarinette, Basson (duo)
15
Quatuor de Flûtes à bec
13
Flûte, trombone et piano
13
Saxophone Baryton
13
Hautbois, violon (duo)
11
Flûte, Hautbois, Basson
11
Flûte, Alto et Piano
11
Flûte à Bec
11
Flûte, Violoncelle, Piano (trio)
10
Clarinette, Trombone (duo)
9
Flûte à bec Alto
9
Clarinette, trompette et piano
8
Ensemble De Flûte à bec
8
Piccolo, Piano
8
Flûte, Violon, Violoncelle et Piano
7
3 Flûtes à bec (trio)
7
Flûte, Basson et Piano
7
Ocarina
6
Clarinette, Guitare (duo)
5
Flûte, Violoncelle
5
Hautbois, Violoncelle
5
Flûte à bec Alto, Piano
4
Harmonica
4
Clarinette, Violoncelle (duo)
4
Clarinette Basse
4
Cor Anglais
3
Piccolo
3
Flûte et Guitare
3
Flûte irlandaise
3
Clarinette, Harpe (duo)
3
Clarinette, Alto et Piano (trio)
3
5 Flûtes à bec
3
Flûte, Violoncelle, Guitare
3
Flûte à bec Tenor
3
Flûte à bec Soprano, Piano
2
Hautbois, Harpe
2
4 Hautbois
2
Flute, Cor (duo)
2
Saxophone et Orgue
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, alto et harpe
1
Hautbois, Clarinette et Piano (Trio)
1
2 Saxophones, Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte à Bec, Piano
1
Saxophone et Harpe
1
Cor anglais, Guitare (duo)
1
Ensemble de Hautbois
1
Saxophone et Guitare
1
3 Hautbois
1
Flûte traversière, Orgue (duo)
1
+ 110 instrumentations
Retracter
Cuivres
Trompette, Piano
223
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
218
Trombone et Piano
198
Trompette
194
Cor et Piano
146
Quatuor de Cuivres : 2 trompettes, trombone, tuba
145
Trombone
138
2 Trompettes (duo)
103
2 Trombones (duo)
102
Quatuor de Cuivres: 2 trompettes, Cor, trombone
102
Cor
80
Tuba et Piano
67
Trompette, Trombone (duo)
63
Tuba
62
2 Cors (duo)
60
Trombone (partie séparée)
59
Trompette (partie séparée)
57
Quatuor de Cuivres
48
Trompette, Saxophone (duo)
47
Quatuor de cuivres: 4 trombones
39
Euphonium, Piano (duo)
31
Trompette, Cor (duo)
27
Cor anglais, Piano
25
2 Tubas (duo)
22
Ensemble de Trompettes
14
Ensemble de Trombones
14
2 Euphoniums (duo)
14
Quatuor de cuivres: 4 trompettes
14
Quatuor de cuivres: 4 cors
14
Trio de Cuivres
13
Tuba (partie séparée)
11
Cor (partie séparée)
10
Quatuor de cuivres: 2 trompettes, 2 trombones
8
Trompette, Violoncelle et Piano
8
Tuba et Orgue
8
Ensemble de Cors
6
3 Trombones (trio)
6
Trombone, Tuba (duo)
5
3 Trompettes (trio)
4
Trompette, Tuba (duo)
4
Cor Anglais
3
4 Tubas
3
Clarinette, Cor (duo)
3
3 Cors (trio)
3
Trompette, Trombone, Piano
2
3 Tubas (trio)
2
Trombone, Cor (duo)
2
Euphonium, Tuba (duo)
2
Bass Clef Instruments
2
Trombone basse
2
Cor et Basson (duo)
2
Cor et Harpe
2
Trombone, Orgue
2
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Basson (duo)
1
Cor anglais, Guitare (duo)
1
Euphonium
1
Cor, Trompette, Trombone (trio)
1
Trompette, Harpe
1
Instruments en Sib
1
Cor et Orgue
1
Cor, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
582
Violon et Piano
325
Alto, Piano
243
Violoncelle, Piano
234
Violon
207
Violon, Violoncelle (duo)
193
Violoncelle
167
Trio à Cordes: violon, alto, violoncelle
146
Alto seul
144
2 Violons (duo)
132
2 Violoncelles (duo)
112
Harpe
102
Violon, Alto (duo)
89
2 Altos (duo)
88
Quintette à cordes: 2 violons, alto, violoncelle, basse
79
Contrebasse, Piano (duo)
61
2 Harpes (duo)
54
Trio à Cordes: 2 violons, violoncelle
52
Contre Basse
47
Alto (partie séparée)
43
Violon (partie séparée)
38
Trio à cordes: 3 violins
35
Piano Trio: Violon, Alto, Piano
27
Contrebasse (partie séparée)
22
Trio à Cordes: 3 violoncelles
22
4 Violoncelles
21
Quatuor à cordes: 4 violons
20
2 Contrebasses (duo)
14
Alto, Violoncelle (duo)
12
Violon, Basson (duo)
12
Quatuor à cordes : 4 altos
11
Harpe, Voix
10
Trio à cordes: 3 altos
9
Violoncelle (partie séparée)
8
Trio à Cordes: 2 violons, alto
8
Ensemble de Violons
7
Violon, Clarinette, Piano (trio)
7
Violoncelle, Contrebasse (duo)
7
Harpe, Violon (duo)
5
Harpe, Flûte (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Alto et Harpe
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violoncelle (duo)
3
Violoncelle, Orgue
3
Ensemble d'Altos
3
Violoncelle , Guitare (duo)
3
Violon, Guitare (duo)
3
4 Harpes
2
2 Violons, Piano
2
Ensemble de Violoncelles
2
Harpe et Piano
1
Flûte, Contrebasse (duo)
1
4 Contrebasses
1
Violon, Tuba (duo)
1
Violon, Trompette et Piano
1
Violon, Orgue
1
Alto, Guitare (duo)
1
Harpe, Violon, Violoncelle
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 191
Orchestre à Cordes
266
Orchestre
246
Ensemble Jazz
140
Ensemble de cuivres
108
Batterie
94
Cloches
94
Fanfare
93
Orchestre de chambre
61
Ensemble de Percussions
37
Jazz combo
36
Percussion (partie séparée)
18
Batterie (partie séparée)
11
Marimba
8
Xylophone, Piano
4
Big band
4
Vibraphone
2
Quintette de Cuivres: autres combinaisons
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Bongos
1
Instrumentation Flexible
1
Vibraphone et Marimba
1
Percussion
1
Vibraphone (partie séparée)
1
Piano et Orchestre
1
Timbales (partie séparée)
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
That day
Voix Baryton, Piano
Partitions à imprimer
12 partitions trouvées
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1
All That I Ask Of You Is Love (A Wedding Solo for Baritone Voice)
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Voix Baryton, Piano
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FACILE
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Lyrics by Edgar Seldon and Mel
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Joanna Mills
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All That I Ask Of You Is Love
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Joanna Mills Music
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.781336 Composed by Lyrics by Edgar Seldon and Melody by Herbert Ingraham. Arranged by Joanna Mills...
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Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.781336 Composed by Lyrics by Edgar Seldon and Melody by Herbert Ingraham. Arranged by Joanna Mills. Holiday,Jazz,Standards,Wedding. 6 pages. Joanna Mills Music #4608037. Published by Joanna Mills Music (A0.781336). This lovely vintage love song from 1910 is updated for the modern singer, but still retains the slightly jazzy ballad feel of the times. Written for a baritone soloist (B2 - B3) and piano accompanist; approximate performance time is 3:20. Perfect for weddings, engagements, or concerts and recitals.
$7.99
Invictus
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Hunter A
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Invictus
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Hunter A. Brown
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.1013580 Composed by Hunter A. Brown. Concert,Contemporary. 13 pages. Hunter A. Brown #6296021. Pub...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.1013580 Composed by Hunter A. Brown. Concert,Contemporary. 13 pages. Hunter A. Brown #6296021. Published by Hunter A. Brown (A0.1013580). Invictus (baritone and piano) is an art song setting of the timeless poem of the same title by William Ernest Henley (1849-1903). Latin for 'Invincible' - the theme of perseverance and steadfast determination is as relevant today as the day it was written. With a duration of 3'45, Invictus is perfect for a college recital, solo and ensemble contest, or church service. Range: G2 - F#4I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText:Out of the night that covers me,
$9.99
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
There Comes a Time, Arranged for Baritone from the Contemporary Opera Germain
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Voix Baryton, Piano
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AVANCÉ
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James Nathaniel Holland
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There Comes a Time, Arranged f
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James Nathaniel Holland
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel ...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel Holland #3005169. Published by James Nathaniel Holland (A0.730375). Great stand alone and dramatic aria of the contemporary opera in English, Germain, by American Costa Rican composer James Nathaniel Holland. The aria speaks of being in a loveless relationship and hoping that love will come one day. Originally for tenor, arranged here for Baritone. (Sample provided here is with tenor. Score is in lower key.)Video presentation (Tenor version): https://www.youtube.com/watch?v=9ZeyQhDG-Gw(Duration: 5:33) (Range: C3 to F#4)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$4.95
Somewhere Along the Way (Samuel the Prophet) from "The Kings" - ACT 1:Song 7
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Voix Baryton, Piano
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INTERMÉDIAIRE
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McCorkle, Dennis F
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Somewhere Along the Way
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.784820 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF M...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.784820 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11729. Published by DF McCorkle Music and eBook Publications (A0.784820). ACT ONE: Song 7 The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 10:18-19… - And he said to the children of Israel: Thus says Yahweh, the God of Israel: ‘I brought up Israel out of Egypt, and I delivered you out of the hand of the Egyptians, and out of the hand of all the kingdoms that oppressed you.’ 19 But you have this day rejected your God, who Himself saves you out of all your calamities and your distresses; and you have said unto Him: Nay, but set a king over us…] [1 Samuel 12:24-25 - Only fear Yahweh, and serve him in truth with all your heart; for consider how great things he hath done for you. But if you shall still do wickedly, you shall be consumed, both you and your king.] SAMUEL warns Saul and the people that if they follow God all will go well for them. If they do not, there will be severe repercussions [Somewhere Along the Way – Samuel]. As SAMUEL walks off, thunder and lightning start and the people scatter. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
June 1974, Cohoes (Wish List Fundraising)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #577024...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
So Let Us Live - Really Live! for baritone and piano
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Voix Baryton, Piano
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AVANCÉ
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Robert M
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So Let Us Live - Really Live!
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Robert M. Greenberg
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.
$28.00
Si yo nunca desapareciera (LOW VOICE)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.1023338 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. R...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.1023338 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191599. Published by Kristian S. Rodriguez (A0.1023338). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
A KISS-from "Roxane, of Bergerac" - a full length musical
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Voix Baryton, Piano
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INTERMÉDIAIRE
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Dave Flippo - music, Marie Yue
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Dave Flippo - music,
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A KISS-from "Roxane, of B
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David William Flippo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.995972 Composed by Dave Flippo - music, Marie Yuen - lyrics. Arranged by Dave Flippo - music,. Bar...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.995972 Composed by Dave Flippo - music, Marie Yuen - lyrics. Arranged by Dave Flippo - music,. Baroque,Broadway,Jazz,Musical/Show,Renaissance. 6 pages. David William Flippo #4766411. Published by David William Flippo (A0.995972). A Kiss - Sung by: Cyrano to Roxane on her balcony, while in hiding. Written in the style of a classical art song, with some jazz added for flavor. Vocal/Piano Score.From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95
She Believes
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Voix Baryton, Piano
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INTERMÉDIAIRE
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C
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She Believes
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Shining Sharon Music
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.886601 Composed by C. Michael Perry. Christian,Country,Holiday,Sacred. 7 pages. Shining Sharon Mus...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.886601 Composed by C. Michael Perry. Christian,Country,Holiday,Sacred. 7 pages. Shining Sharon Music #2884507. Published by Shining Sharon Music (A0.886601). Words and Music by C. Michael PerryThe woman in my life may be much like the woman in your life. She loves you and doesn't have to say much when you are in error -- yet she never stops supporting you, and loving you -- and with all of that she makes an eternity with her sound pretty special.The attached mp3 is a demo from the Finale file without vocals.
$3.00
Beloved, Let Us Love (baritone and piano)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Jane K
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Beloved, Let Us Love
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Evgeniya Kozhevnikova
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.806731 Composed by Jane K (Evgeniya Kozhevnikova). Christian,Contemporary,Holiday,Religious,Weddin...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.806731 Composed by Jane K (Evgeniya Kozhevnikova). Christian,Contemporary,Holiday,Religious,Wedding. 5 pages. Evgeniya Kozhevnikova #6104319. Published by Evgeniya Kozhevnikova (A0.806731). Written by Jane K (Evgeniya Kozhevnikova) in 2020, Beloved, Let Us Love is a setting of the text by Christina Rossetti for baritone and piano. The text is a powerful reminder that we are loved and, therefore, should love. The SATB version of this piece was premiered on October 24, 2020 by Celebris Ensemble (Kalamazoo, Michigan) under the direction of Joel Snyder.Â
$4.99
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