English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The First Time
Non classifié
2 256
Piano & claviers
Piano, Voix
2 450
Piano seul
1 130
Piano, Voix et Guitare
262
Piano Facile
231
Instruments en Do
88
Orgue
72
Piano Trio: piano, violon, violoncelle
51
Accompagnement Piano
36
Accordéon
31
1 Piano, 4 mains
27
2 Pianos, 4 mains
18
Piano grosses notes
12
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
4
Piano (partie séparée)
2
2 Pianos, 8 mains
1
Clavecin
1
+ 14 instrumentations
Retracter
Guitares
Guitare
130
Guitare notes et tablatures
106
Ligne De Mélodie, (Paroles) et Accords
57
Ukulele
26
2 Guitares (duo)
20
Paroles et Accords
14
4 Guitares (Quatuor)
13
Basse electrique
11
Mandoline
8
Piano, Guitare (duo)
7
3 Guitares (trio)
5
Guitare (partie séparée)
4
Banjo
4
Mandoline, Guitare (duo)
4
Ensemble de guitares
3
Dulcimer
2
2 Ukuleles
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 178
Chorale 3 parties
135
Chorale 2 parties
87
Chorale Unison
48
Chorale TTBB
44
Chorale SSAA
42
Voix seule
18
Voix Soprano, Piano
18
Pack Instrumental pour Chorale
12
Voix duo, Piano
11
Voix duo
10
Voix moyenne, Piano
8
Voix Baryton, Piano
6
Voix haute
6
Voix Tenor, Piano
5
Voix Alto, Piano
3
Chorale
3
Voix Tenor
2
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano, Orchestre
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
242
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
179
Flûte traversière et Piano
177
Quintette de Saxophone: 5 saxophones
126
Clarinette et Piano
122
Saxophone, Clarinette (duo)
118
Quatuor de Saxophones: 4 saxophones
118
2 Clarinettes (duo)
117
2 Flûtes traversières (duo)
110
Hautbois, Piano (duo)
110
Saxophone Alto et Piano
96
Clarinette
94
Flûte, Hautbois, Clarinette, Basson
91
Quatuor de Clarinettes: 4 clarinettes
81
Clarinette, Violon (duo)
80
Ensemble de saxophones
80
Clarinette, Trompette (duo)
68
Flûte traversière
65
Saxophone Alto
64
Saxophone Soprano et Piano
63
Saxophone Tenor et Piano
60
Flûte, Clarinette (duo)
58
Ensemble de Clarinettes
51
2 Hautbois (duo)
49
Flûte, Violon
44
Clarinette et Alto
43
Hautbois, Basson (duo)
41
Hautbois, Clarinette (duo)
41
Flûte, Saxophone (duo)
40
Quatuor de Flûtes : 4 flûtes
39
Saxophone Baryton, Piano
39
Ensemble de Flûtes
39
Hautbois (partie séparée)
39
Saxophone Tenor
37
Hautbois, Flûte
35
Cor anglais, Piano
34
Flûte, Trompette (duo)
32
Saxophone (partie séparée)
29
Flûte, Alto (duo)
28
Clarinette Basse, Piano
27
3 Saxophones (trio)
23
Quintette de Clarinettes: 5 clarinettes
20
Quintette de Flûte : 5 flûtes
19
2 Flûte à bec (duo)
15
Trio de Flûtes: 3 flûtes
15
Flûte à bec Soprano
14
Flûte, Violon, Piano
13
3 Clarinettes (trio)
11
Flûte et Guitare
10
Clarinette, Basson (duo)
9
Quatuor de Flûtes à bec
7
Flute (partie séparée)
6
Piccolo, Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Hautbois, Clarinette (trio)
5
Flûte à Bec
5
Clarinette, Violoncelle (duo)
5
Flûte, Clarinette et Basson
5
Ocarina
4
3 Flûtes à bec (trio)
4
Cor Anglais
4
Flûte, Hautbois, Basson
3
Flûte, Violoncelle
3
Flûte à Bec, Piano
3
Flûte à bec Tenor
3
Hautbois, Violoncelle
3
Flûte à bec Alto
3
Clarinette, Guitare (duo)
3
Flûte à bec Alto, Basse continue
3
Flûte à bec Soprano, Piano
2
Flûte traversière, Basse continue
2
2 Flûtes traversières, Piano
2
Clarinette (partie séparée)
2
2 Clarinettes, Piano
2
Hautbois, Guitare (duo)
2
Flûte, Hautbois (duo)
2
Flûte irlandaise
2
Saxophone et Orgue
2
Hautbois, violon (duo)
2
Flûte traversière, Orgue (duo)
2
Ensemble De Flûte à bec
2
Flûte, Basson et Piano
2
Ensemble à vent
2
Hautbois et alto (duo)
2
Flûte, Violon et Violoncelle
2
Saxophone et Guitare
1
2 Saxophones, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Piano
1
Clarinette, Harpe (duo)
1
5 Flûtes à bec
1
Instruments en Mib
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Contrebasse (duo)
1
Flûte à bec Alto, Piano
1
Ensemble de Hautbois
1
Clarinette, Alto et Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
279
Quatuor de Cuivres : 2 trompettes, trombone, tuba
157
Ensemble de Trompettes
92
Trombone et Piano
83
Trompette, Saxophone (duo)
82
Trompette, Piano
71
Trompette
70
Cor et Piano
66
2 Trombones (duo)
58
2 Trompettes (duo)
57
Euphonium, Piano (duo)
51
Trompette, Trombone (duo)
46
Cor anglais, Piano
34
Trombone
32
Ensemble de Trombones
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Quatuor de Cuivres
27
Cor
27
Trompette (partie séparée)
21
Quatuor de cuivres: 4 trombones
16
Tuba et Piano
15
Quatuor de cuivres: 4 cors
14
Tuba
12
Trombone (partie séparée)
11
2 Cors (duo)
8
Ensemble de Cors
7
Quatuor de cuivres: 4 trompettes
7
3 Trombones (trio)
6
2 Tubas (duo)
4
Cor Anglais
4
Tuba (partie séparée)
3
3 Trompettes (trio)
3
Cor (partie séparée)
3
Tuba et Orgue
3
2 Euphoniums et 2 Tubas
3
Trompette, Cor (duo)
3
2 Trompettes, Clavier (piano ou orgue)
2
4 Tubas
2
Bass Clef Instruments
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
2 Trombones, Piano
1
Instruments en Sib
1
Ensemble de Tubas
1
3 Tubas (trio)
1
3 Cors (trio)
1
Trio de Cuivres
1
Trombone, Cor (duo)
1
Trombone basse et Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
336
Violon et Piano
202
Alto, Piano
126
Violoncelle, Piano
125
Violon
110
Violon, Violoncelle (duo)
103
2 Violons (duo)
81
Trio à Cordes: violon, alto, violoncelle
75
Violoncelle
72
2 Violoncelles (duo)
60
Harpe
59
Violon, Alto (duo)
59
2 Altos (duo)
50
Trio à Cordes: 2 violons, violoncelle
36
Alto seul
31
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Violon (partie séparée)
19
Ensemble de Violons
16
Alto (partie séparée)
16
Ensemble d'Altos
14
4 Violoncelles
12
2 Harpes (duo)
10
Contre Basse
10
Trio à cordes: 3 violins
10
Contrebasse (partie séparée)
8
Trio à Cordes: 3 violoncelles
7
Violon, Guitare (duo)
6
Contrebasse, Piano (duo)
6
Quatuor à cordes: 4 violons
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle (partie séparée)
4
Alto, Violoncelle (duo)
4
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
3
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 2 violons, alto
2
Violon, Basson (duo)
2
Harpe, Flûte (duo)
2
Alto, Guitare (duo)
2
Violoncelle, Orchestre
2
Violoncelle, Contrebasse (duo)
2
Harpe, Voix
2
Harpe, Trombone (duo)
2
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Trio à cordes
1
Violon, Violoncelle, Clarinette
1
2 Violons, Piano
1
Autoharp
1
Ensemble de Violoncelles
1
Flûte, Contrebasse (duo)
1
Alto et Basson
1
4 Contrebasses
1
4 Harpes
1
3 Harpes
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
681
Orchestre à Cordes
258
Orchestre
153
Ensemble de cuivres
118
Ensemble Jazz
64
Orchestre de chambre
56
Cloches
44
Jazz combo
29
Ensemble de Percussions
12
Batterie
8
Fanfare
8
Batterie (partie séparée)
4
Marimba
4
Percussion (partie séparée)
3
Percussion
2
2 Xylophones
2
Piano et Orchestre
1
2 Marimbas
1
Vibraphone
1
Orchestre, Violon
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
+ 17 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
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NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
The First Time
Voix Baryton, Piano
Partitions à imprimer
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1
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Voix Baryton, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gre…
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.63 €
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jump Right In! (Downloadable)
Voix Baryton, Piano
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-3E Compo…
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Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-3E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
3.69 €
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Voix Baryton, Piano
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Gwyneth W
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Jump Right In!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
My Soul has Grown Deep (Downloadable)
Voix Baryton, Piano
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-1E Compo…
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Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-1E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-1E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
3.69 €
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Voix Baryton, Piano
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Gwyneth W
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My Soul has Grown Deep
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Troubled Water (Downloadable)
Voix Baryton, Piano
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-2E Compo…
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Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-2E Composed by Gwyneth W. Walker. African American Heritage. 5 pages. E. C. Schirmer Music Company - Digital #8826-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-2E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$3.00
2.77 €
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Voix Baryton, Piano
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Gwyneth W
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Troubled Water
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Prince Ananias. An Original Comic Opera. An Author Manager Am I
Voix Baryton, Piano
Piano and voice (baritone) - Digital Download SKU: LV.20505 Composed by Victor Herb…
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Piano and voice (baritone) - Digital Download SKU: LV.20505 Composed by Victor Herbert. Entertainment, Business enterprises. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20505). Prince Ananias. An Original Comic Opera. An Author Manager Am I. Words by Francis Neilson. Music by Victor Herbert. Published 1894 by Edward Shuberth & Co. in New York. Composition of strophic with chorus with piano and voice (baritone) instrumentation. Subject headings for this piece include Entertainment, Business enterprises. First line reads An author-manager am I, of a company artistic.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Voix Baryton, Piano
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Victor Herbert
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Prince Ananias. An Original Comic Opera. An Author Manager Am I
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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