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The Lady in Red
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Non classifié
104
Piano & claviers
Piano, Voix et Guitare
59
Piano seul
52
Piano, Voix
30
Piano Facile
19
Instruments en Do
13
Orgue
8
Accordéon
4
Accompagnement Piano
2
1 Piano, 4 mains
2
Piano grosses notes
1
Piano (partie séparée)
1
2 Pianos, 4 mains
1
Fake Book
1
+ 8 instrumentations
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Guitares
Guitare
5
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
4
Ukulele
3
Guitare (partie séparée)
2
Piano, Guitare (duo)
1
Paroles et Accords
1
+ 2 instrumentations
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Voix
Chorale SATB
29
Chorale 3 parties
15
Chorale 2 parties
10
Chorale TTBB
6
Chorale SSAA
4
Voix duo, Piano
4
Voix Baryton, Piano
3
Chorale Unison
2
Voix Alto, Piano
1
Voix Soprano, Piano
1
Voix duo
1
+ 6 instrumentations
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Vents
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20
Clarinette
11
Flûte traversière
11
Quatuor de Saxophones: 4 saxophones
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Saxophone Alto
9
Clarinette et Piano
9
Saxophone Tenor
9
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9
Hautbois (partie séparée)
8
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8
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8
Flûte traversière et Piano
8
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone Tenor et Piano
5
Saxophone Alto et Piano
5
Saxophone Soprano et Piano
4
Saxophone Baryton, Piano
4
Flute (partie séparée)
4
Ensemble de Clarinettes
3
Quatuor de Flûtes : 4 flûtes
3
2 Saxophones (duo)
3
3 Clarinettes (trio)
2
Flûte, Clarinette (duo)
2
Saxophone Soprano
2
Hautbois
2
Clarinette Basse, Piano
2
2 Flûtes traversières (duo)
2
Cor anglais, Piano
2
Cor Anglais
2
2 Flûtes traversières, Harpe
1
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1
3 Saxophones (trio)
1
Flûte à bec Soprano, Piano
1
Flûte et Guitare
1
Saxophone, Clarinette (duo)
1
Ensemble de Flûtes
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Basson (duo)
1
2 Clarinettes (duo)
1
Saxophone
1
Hautbois, Basson (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
+ 38 instrumentations
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18
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13
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11
Trombone
9
Trompette
9
Cor
8
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8
Trompette, Piano
6
Euphonium, Piano (duo)
4
Cor (partie séparée)
4
Tuba (partie séparée)
3
Tuba et Piano
3
Cor et Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Euphonium
2
Cor anglais, Piano
2
Quatuor de Cuivres
2
Cor Anglais
2
Clarinette, Cor (duo)
1
3 Trombones (trio)
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Tuba
1
+ 18 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
59
Trio à Cordes: 2 violons, violoncelle
31
Violon, Violoncelle (duo)
25
Violon
16
Violoncelle, Piano
14
Violon et Piano
12
Violoncelle
11
Alto, Piano
9
Trio à Cordes: violon, alto, violoncelle
8
Alto seul
8
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6
Contre Basse
6
Contrebasse, Piano (duo)
4
2 Harpes (duo)
4
Violon, Alto (duo)
4
Contrebasse (partie séparée)
4
Alto, Violoncelle (duo)
2
Alto (partie séparée)
2
2 Violons (duo)
2
2 Altos (duo)
2
2 Contrebasses (duo)
1
2 Violoncelles (duo)
1
Violoncelle , Guitare (duo)
1
Harpe
1
Trio à Cordes: 3 violoncelles
1
Violoncelle (partie séparée)
1
+ 21 instrumentations
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Orchestre d'harmonie
80
Orchestre
18
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17
Ensemble Jazz
11
Orchestre de chambre
6
Percussion (partie séparée)
4
Ensemble de cuivres
3
Fanfare
2
Timbales (partie séparée)
2
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1
Percussion
1
Cloches
1
Batterie
1
Ensemble de Percussions
1
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Vous avez sélectionné:
The Lady in Red
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So Let Us Live - Really Live! for baritone and piano
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.
$28.00
25.77 €
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Voix Baryton, Piano
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Robert M
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So Let Us Live - Really Live! for baritone and piano
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Robert M. Greenberg
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SheetMusicPlus
October 1974, Cohoes (Confrontation and Finale)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
9.19 €
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Voix Baryton, Piano
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Brett L
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October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
June 1974, Cohoes (Wish List Fundraising)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Compo…
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
7.35 €
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Voix Baryton, Piano
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
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